{"id":16454,"date":"2026-05-20T08:37:25","date_gmt":"2026-05-20T12:37:25","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=16454"},"modified":"2026-05-20T08:37:25","modified_gmt":"2026-05-20T12:37:25","slug":"anna-johnson","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/anna-johnson\/","title":{"rendered":"Anna Johnson"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_6793\"><audio class=\"wp-audio-shortcode\" id=\"audio-16454-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interview\/2026\/AnnaJohnson.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interview\/2026\/AnnaJohnson.mp3\">https:\/\/museumofnonvisibleart.com\/interview\/2026\/AnnaJohnson.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><div class=\"content-visibility-auto\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-16470 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Anna-Johnson-Portrait.jpg?resize=299%2C338&#038;ssl=1\" alt=\"\" width=\"299\" height=\"338\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Anna-Johnson-Portrait-scaled.jpg?resize=904%2C1024&amp;ssl=1 904w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Anna-Johnson-Portrait-scaled.jpg?resize=265%2C300&amp;ssl=1 265w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Anna-Johnson-Portrait-scaled.jpg?resize=768%2C870&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Anna-Johnson-Portrait-scaled.jpg?resize=1356%2C1536&amp;ssl=1 1356w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Anna-Johnson-Portrait-scaled.jpg?resize=1808%2C2048&amp;ssl=1 1808w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Anna-Johnson-Portrait-scaled.jpg?resize=696%2C788&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Anna-Johnson-Portrait-scaled.jpg?resize=1068%2C1210&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Anna-Johnson-Portrait-scaled.jpg?resize=1920%2C2175&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Anna-Johnson-Portrait-scaled.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 299px) 100vw, 299px\" \/><a href=\"https:\/\/www.kutlesagallery.com\/exhibitions\/54-anna-johnson-nuage-et-vide\/\">Anna Johnso<\/a>n studied English, Australian literature and Fine Arts at the University of Sydney graduating with a bachelor of arts in 1987. The following year she was appointed Art Editor of Interior Design magazine. Since then, Johnson has been a professional art writer and author contributing to Vogue (UK and Aus), Vanity Fair, Conde Nast Traveller, The Sydney Morning Herald and as a senior arts writer for Artist Profile Magazine. She is the author of several monographs and has been a critic for both television and radio.<br \/>\nHolding many detailed artist interviews, provided an immersion in contemporary art three decades deeper than a conventional art school education. Raised in New York in the early 70s, time in her father&#8217;s loft studio on the Bowery, as well as the artist enclaves at Max&#8217;s Kansas City and Fanelli&#8217;s Bar in Soho had a formative impact. Making the gallery rounds each Saturday as a small family, laid the foundations of a lexicon steeped in both Colour Field and Lyrical abstraction. Establishing her own full time studio practice in 2017, three solo shows in Sydney followed, including a museum show at the NERA Museum in Australia. Johnson&#8217;s distinct griffe strikes a different chord to the dominant animism of Australian painting. Seven visits to Japan over the last decade, inspired her austere and symbolic use of space. The subtle rituals and expansive space within Heian screens, and calligraphy have been fused to a hyper-sensual use of colour.<\/p>\n<p>Her consuming project ongoing are the &#8216;Nymphaea Nymphaea&#8217; paintings, works that speak directly to the expansive and progressively minimal paintings of the late and post-Impressionists. As her works grow larger and more complex the scope of creating an entire environment without spatial periphery is approached.<\/p>\n<figure id=\"attachment_16471\" aria-describedby=\"caption-attachment-16471\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-16471\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Painting-Beau-Rivage-Large.jpeg?resize=696%2C975&#038;ssl=1\" alt=\"\" width=\"696\" height=\"975\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Painting-Beau-Rivage-Large.jpeg?resize=731%2C1024&amp;ssl=1 731w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Painting-Beau-Rivage-Large.jpeg?resize=214%2C300&amp;ssl=1 214w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Painting-Beau-Rivage-Large.jpeg?resize=768%2C1076&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Painting-Beau-Rivage-Large.jpeg?resize=696%2C975&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Painting-Beau-Rivage-Large.jpeg?w=914&amp;ssl=1 914w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-16471\" class=\"wp-caption-text\">Anna Johnson, Beau Rivage, 2026, Oil stick and acrylic on linen, 78 3\/4 x 72 7\/8 in | 200 x 185 cm \u00a9 Anna Johnson. Photo: Morgan Waltz \/ Off Photography<\/figcaption><\/figure>\n<figure id=\"attachment_16472\" aria-describedby=\"caption-attachment-16472\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-16472\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Painting-Nuage-et-Vide-Large.jpeg?resize=696%2C975&#038;ssl=1\" alt=\"\" width=\"696\" height=\"975\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Painting-Nuage-et-Vide-Large.jpeg?resize=731%2C1024&amp;ssl=1 731w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Painting-Nuage-et-Vide-Large.jpeg?resize=214%2C300&amp;ssl=1 214w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Painting-Nuage-et-Vide-Large.jpeg?resize=768%2C1076&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Painting-Nuage-et-Vide-Large.jpeg?resize=696%2C975&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Painting-Nuage-et-Vide-Large.jpeg?w=914&amp;ssl=1 914w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-16472\" class=\"wp-caption-text\">Anna Johnson, Nuage et Vide, 2026, Acrylic on linen, 78 3\/4 x 70 7\/8 in | 200 x 180 cm \u00a9 Anna Johnson Photo: Morgan Waltz \/ Off Photography<\/figcaption><\/figure>\n<figure id=\"attachment_16473\" aria-describedby=\"caption-attachment-16473\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-16473\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Painting-Toji-Large.jpeg?resize=696%2C975&#038;ssl=1\" alt=\"\" width=\"696\" height=\"975\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Painting-Toji-Large.jpeg?resize=731%2C1024&amp;ssl=1 731w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Painting-Toji-Large.jpeg?resize=214%2C300&amp;ssl=1 214w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Painting-Toji-Large.jpeg?resize=768%2C1076&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Painting-Toji-Large.jpeg?resize=696%2C975&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Painting-Toji-Large.jpeg?w=914&amp;ssl=1 914w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-16473\" class=\"wp-caption-text\">Anna Johnson, Tohji, 2025, Oil stick and acrylic on linen, 60 1\/4 x 54 in | 153 x 137 cm \u00a9 Anna Johnson. Photo: Morgan Waltz \/ Off Photography<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interview\/2026\/AnnaJohnson.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listAnna Johnson studied English, Australian literature and Fine Arts at the University of Sydney graduating with a bachelor of arts in 1987. The following year she was appointed Art Editor of Interior Design magazine. Since then, Johnson has been a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":16472,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-16454","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/05\/Painting-Nuage-et-Vide-Large.jpeg?fit=914%2C1280&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-4ho","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/16454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=16454"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/16454\/revisions"}],"predecessor-version":[{"id":16474,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/16454\/revisions\/16474"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/16472"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=16454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=16454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=16454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}