{"id":16312,"date":"2026-03-18T12:38:04","date_gmt":"2026-03-18T16:38:04","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=16312"},"modified":"2026-03-20T10:58:01","modified_gmt":"2026-03-20T14:58:01","slug":"kevin-umana","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/kevin-umana\/","title":{"rendered":"Kevin Uma\u00f1a"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_8831\"><audio class=\"wp-audio-shortcode\" id=\"audio-16312-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interview\/2026\/KevinUmana.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interview\/2026\/KevinUmana.mp3\">https:\/\/museumofnonvisibleart.com\/interview\/2026\/KevinUmana.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-16316 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/headshot3-SRGB-copy.jpg?resize=281%2C201&#038;ssl=1\" alt=\"\" width=\"281\" height=\"201\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/headshot3-SRGB-copy-scaled.jpg?resize=1024%2C731&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/headshot3-SRGB-copy-scaled.jpg?resize=300%2C214&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/headshot3-SRGB-copy-scaled.jpg?resize=768%2C549&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/headshot3-SRGB-copy-scaled.jpg?resize=1536%2C1097&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/headshot3-SRGB-copy-scaled.jpg?resize=2048%2C1463&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/headshot3-SRGB-copy-scaled.jpg?resize=696%2C497&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/headshot3-SRGB-copy-scaled.jpg?resize=1068%2C763&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/headshot3-SRGB-copy-scaled.jpg?resize=1920%2C1371&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/headshot3-SRGB-copy-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 281px) 100vw, 281px\" \/><a href=\"https:\/\/www.yanceyrichardson.com\/exhibitions\/kevin-umana\">Kevin Uma\u00f1a<\/a> (b. 1989, Los Angeles, CA) is an artist who lives and works in Brooklyn, NY. Spending his early years between Los Angeles and El Salvador, Uma\u00f1a\u2019s personal history has profoundly shaped his visual language.<\/p>\n<p>In El Salvador, he was immersed in a rural environment rich with natural textures, vibrant flora, and traditional crafts. While in Los Angeles, he confronted the intensity of city life and the pressures of assimilation. This duality seeded the fragmented forms and layered symbolism that define his art today. His practice continues to carry echoes of Latin American patterns, nature\u2019s geometry, and American architectural influences, all reimagined through abstraction.<\/p>\n<p>Uma\u00f1a received his B.F.A from San Francisco State University in 2014. In 2025, Uma\u00f1a received the Louis Comfort Tiffany Foundation Award. He has completed residencies at the Josef and Anni Albers Foundation (2024); Anderson Ranch (2024); Sharpe-Walentas Studio Program (2023-24); Archie Bray Foundation for the Ceramic Arts, Helena, MT (2023); The Center for Book Arts, New York (2019). In 2017, Uma\u00f1a created a permanent installation at the United Nations Headquarters in New York City. Institutions owning his work include The United Nations Art Collection, New York; Everson Museum of Art, Syracuse, NY; Munson, Utica, NY; Fidelity Mutual Funds Collection; Center for Book Arts Library, New York; and The Marin Museum of Contemporary Art, Novato, CA. In 2026, Uma\u00f1a will be participating in the MacDowell Fellowship in New Hampshire.<\/p>\n<figure id=\"attachment_16317\" aria-describedby=\"caption-attachment-16317\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-16317\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana.jpg?resize=696%2C870&#038;ssl=1\" alt=\"\" width=\"696\" height=\"870\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled.jpg?resize=819%2C1024&amp;ssl=1 819w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled.jpg?resize=240%2C300&amp;ssl=1 240w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled.jpg?resize=768%2C960&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled.jpg?resize=1229%2C1536&amp;ssl=1 1229w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled.jpg?resize=1638%2C2048&amp;ssl=1 1638w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled.jpg?resize=696%2C870&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled.jpg?resize=1068%2C1335&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled.jpg?resize=1920%2C2400&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled.jpg?w=2048&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-16317\" class=\"wp-caption-text\">Kevin Uma\u00f1a, Revisiting the Roman Walls, 2026. Acrylic, oil, flock, ink, sand, marble dust, salt, resin, ceramics on canvas, 24 x 18 x 2 3\/4 inches.<\/figcaption><\/figure>\n<figure id=\"attachment_16318\" aria-describedby=\"caption-attachment-16318\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-16318\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling.jpg?resize=696%2C870&#038;ssl=1\" alt=\"\" width=\"696\" height=\"870\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling-scaled.jpg?resize=819%2C1024&amp;ssl=1 819w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling-scaled.jpg?resize=240%2C300&amp;ssl=1 240w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling-scaled.jpg?resize=768%2C960&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling-scaled.jpg?resize=1229%2C1536&amp;ssl=1 1229w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling-scaled.jpg?resize=1638%2C2048&amp;ssl=1 1638w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling-scaled.jpg?resize=696%2C870&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling-scaled.jpg?resize=1068%2C1335&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling-scaled.jpg?resize=1920%2C2400&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling-scaled.jpg?w=2048&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-16318\" class=\"wp-caption-text\">Kevin Uma\u00f1a, Sanguine and Spiraling, 2023. Acrylic, oil, vinyl paint, flock, ink, sand, gouache, ceramics on canvas, 24 1\/4 x 18 1\/4 x 1 1\/2 inches.<\/figcaption><\/figure>\n<figure id=\"attachment_16327\" aria-describedby=\"caption-attachment-16327\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-16327 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/https-museumofnonvisibleart.cominterviewstorbjorn-rodland.png?resize=696%2C870&#038;ssl=1\" alt=\"\" width=\"696\" height=\"870\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/https-museumofnonvisibleart.cominterviewstorbjorn-rodland-scaled.png?resize=819%2C1024&amp;ssl=1 819w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/https-museumofnonvisibleart.cominterviewstorbjorn-rodland-scaled.png?resize=240%2C300&amp;ssl=1 240w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/https-museumofnonvisibleart.cominterviewstorbjorn-rodland-scaled.png?resize=768%2C960&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/https-museumofnonvisibleart.cominterviewstorbjorn-rodland-scaled.png?resize=1229%2C1536&amp;ssl=1 1229w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/https-museumofnonvisibleart.cominterviewstorbjorn-rodland-scaled.png?resize=1639%2C2048&amp;ssl=1 1639w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/https-museumofnonvisibleart.cominterviewstorbjorn-rodland-scaled.png?resize=696%2C870&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/https-museumofnonvisibleart.cominterviewstorbjorn-rodland-scaled.png?resize=1068%2C1335&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/https-museumofnonvisibleart.cominterviewstorbjorn-rodland-scaled.png?resize=1920%2C2399&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/https-museumofnonvisibleart.cominterviewstorbjorn-rodland-scaled.png?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-16327\" class=\"wp-caption-text\">Kevin Uma\u00f1a, The Clothesline Appearing as Aqueducts, 2025. Glaze on stoneware, 12 5\/8 x 10 7\/8 inches<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interview\/2026\/KevinUmana.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listKevin Uma\u00f1a (b. 1989, Los Angeles, CA) is an artist who lives and works in Brooklyn, NY. Spending his early years between Los Angeles and El Salvador, Uma\u00f1a\u2019s personal history has profoundly shaped his visual language. In El Salvador, he [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":16317,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-16312","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled.jpg?fit=2048%2C2560&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-4f6","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/16312","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=16312"}],"version-history":[{"count":4,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/16312\/revisions"}],"predecessor-version":[{"id":16329,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/16312\/revisions\/16329"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/16317"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=16312"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=16312"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=16312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}