{"id":16037,"date":"2025-11-19T14:41:07","date_gmt":"2025-11-19T19:41:07","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=16037"},"modified":"2025-11-19T14:41:07","modified_gmt":"2025-11-19T19:41:07","slug":"katy-stone","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/katy-stone\/","title":{"rendered":"Katy Stone"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_4223\"><audio class=\"wp-audio-shortcode\" id=\"audio-16037-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interview\/2025\/KatyStone.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interview\/2025\/KatyStone.mp3\">https:\/\/museumofnonvisibleart.com\/interview\/2025\/KatyStone.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-16046 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/KatyStone_instudio.jpg?resize=257%2C343&#038;ssl=1\" alt=\"\" width=\"257\" height=\"343\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/KatyStone_instudio-scaled.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/KatyStone_instudio-scaled.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/KatyStone_instudio-scaled.jpg?resize=1152%2C1536&amp;ssl=1 1152w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/KatyStone_instudio-scaled.jpg?resize=1536%2C2048&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/KatyStone_instudio-scaled.jpg?resize=696%2C928&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/KatyStone_instudio-scaled.jpg?resize=1068%2C1424&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/KatyStone_instudio-scaled.jpg?w=1920&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/KatyStone_instudio-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 257px) 100vw, 257px\" \/><a href=\"https:\/\/ryanleegallery.com\/exhibitions\/katy-stone-terrains\/\">Katy Stone<\/a><span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">is best known for her large-scale installations and wall sculptures. Working primarily in aluminum, Dura-Lar and plexiglass, her artworks are a proposition to reconsider landscape painting as an environmental, immersive dynamic. Suspended, or set in relief, the artist\u2019s drawn, cutout, painted, and stitched-together elements possess a vibrancy, a spirited energy and effect. Echoing fleeting clouds, falling leaves, moving water, and scattered light, they spill, climb and spread across the wall. This mimesis of nature locates the work in an earthly sphere but in a palpably conjured world created via the distinctive visual language she has developed over the decades.\u00a0 Conveying a movement from one state to another, from one moment to another, from one material to another, her compositions become <\/span><span style=\"font-weight: 400;\">universal metaphors for phenomena in nature through which we can glimpse the sublime.<\/span><\/p>\n<p>She received her BFA from Iowa State University and her MFA from the University of Washington and lives and works in Seattle.<\/p>\n<figure id=\"attachment_16047\" aria-describedby=\"caption-attachment-16047\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-16047 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Red-Terrain-1.jpg?resize=696%2C497&#038;ssl=1\" alt=\"\" width=\"696\" height=\"497\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Red-Terrain-1.jpg?resize=1024%2C731&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Red-Terrain-1.jpg?resize=300%2C214&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Red-Terrain-1.jpg?resize=768%2C548&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Red-Terrain-1.jpg?resize=1536%2C1097&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Red-Terrain-1.jpg?resize=2048%2C1462&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Red-Terrain-1.jpg?resize=696%2C497&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Red-Terrain-1.jpg?resize=1068%2C762&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Red-Terrain-1.jpg?resize=1920%2C1371&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Red-Terrain-1.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-16047\" class=\"wp-caption-text\">Red Terrain. 2025 \u00a9 Katy Stone; Courtesy of the artist and RYAN LEE Gallery, New York.<\/figcaption><\/figure>\n<figure id=\"attachment_16048\" aria-describedby=\"caption-attachment-16048\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-16048 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Katy-Stone-Terrains-installed-1.jpg?resize=696%2C464&#038;ssl=1\" alt=\"\" width=\"696\" height=\"464\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Katy-Stone-Terrains-installed-1.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Katy-Stone-Terrains-installed-1.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Katy-Stone-Terrains-installed-1.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Katy-Stone-Terrains-installed-1.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Katy-Stone-Terrains-installed-1.jpg?resize=2048%2C1365&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Katy-Stone-Terrains-installed-1.jpg?resize=696%2C464&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Katy-Stone-Terrains-installed-1.jpg?resize=1068%2C712&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Katy-Stone-Terrains-installed-1.jpg?resize=1920%2C1280&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Katy-Stone-Terrains-installed-1.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-16048\" class=\"wp-caption-text\">Cedar Fall and Willow Wisp (installation view) oil on aluminum. 2025 \u00a9 Katy Stone; Courtesy of the artist and RYAN LEE Gallery, New York.<\/figcaption><\/figure>\n<figure id=\"attachment_16049\" aria-describedby=\"caption-attachment-16049\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-16049 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Katy-Stone-Terrains-installed-3.jpg?resize=696%2C464&#038;ssl=1\" alt=\"\" width=\"696\" height=\"464\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Katy-Stone-Terrains-installed-3.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Katy-Stone-Terrains-installed-3.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Katy-Stone-Terrains-installed-3.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Katy-Stone-Terrains-installed-3.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Katy-Stone-Terrains-installed-3.jpg?resize=2048%2C1365&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Katy-Stone-Terrains-installed-3.jpg?resize=696%2C464&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Katy-Stone-Terrains-installed-3.jpg?resize=1068%2C712&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Katy-Stone-Terrains-installed-3.jpg?resize=1920%2C1280&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Katy-Stone-Terrains-installed-3.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-16049\" class=\"wp-caption-text\">Cloud Dissolve\/Pond (installation view) oil on aluminum. 2025 \u00a9 Katy Stone; Courtesy of the artist and RYAN LEE Gallery, New York.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interview\/2025\/KatyStone.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listKaty Stone\u00a0is best known for her large-scale installations and wall sculptures. Working primarily in aluminum, Dura-Lar and plexiglass, her artworks are a proposition to reconsider landscape painting as an environmental, immersive dynamic. Suspended, or set in relief, the artist\u2019s drawn, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":16047,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-16037","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/11\/Red-Terrain-1.jpg?fit=2101%2C1500&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-4aF","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/16037","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=16037"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/16037\/revisions"}],"predecessor-version":[{"id":16050,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/16037\/revisions\/16050"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/16047"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=16037"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=16037"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=16037"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}