{"id":15630,"date":"2025-06-18T19:27:50","date_gmt":"2025-06-18T23:27:50","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=15630"},"modified":"2025-06-18T19:45:37","modified_gmt":"2025-06-18T23:45:37","slug":"julianne-nash","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/julianne-nash\/","title":{"rendered":"Julianne Nash"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_581\"><audio class=\"wp-audio-shortcode\" id=\"audio-15630-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interview\/2025\/JulianneNash.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interview\/2025\/JulianneNash.mp3\">https:\/\/museumofnonvisibleart.com\/interview\/2025\/JulianneNash.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><div>\n<figure id=\"attachment_15632\" aria-describedby=\"caption-attachment-15632\" style=\"width: 340px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-15632\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/JulianneNash.jpg?resize=340%2C248&#038;ssl=1\" alt=\"\" width=\"340\" height=\"248\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/JulianneNash.jpg?w=790&amp;ssl=1 790w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/JulianneNash.jpg?resize=300%2C219&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/JulianneNash.jpg?resize=768%2C560&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/JulianneNash.jpg?resize=696%2C507&amp;ssl=1 696w\" sizes=\"auto, (max-width: 340px) 100vw, 340px\" \/><figcaption id=\"caption-attachment-15632\" class=\"wp-caption-text\">Julianne Nash<\/figcaption><\/figure>\n<p><a href=\"http:\/\/www.juliannenash.com\/\">Julianne Nash<\/a> (b. 1991, Massachusetts) is an artist whose work exists at the intersection between <a href=\"https:\/\/shop.snap-collective.com\/en-us\/products\/flora-non-grata-by-julianne-nash\">photographic collage and digital painting<\/a>; she utilizes algorithms inherent to Photoshop in conjunction with traditional compositing techniques to create densely layered landscape images that contend with both personal and climate-driven grief. Color is an integral aspect of Julianne\u2019s work; ranging from dark, depleted and disappearing images to artificially saturated color palettes driven by neural imaging algorithms. All of Julianne\u2019s landscapes are of no specific place \u2013 rather are meticulously created collages of numerous photographs. Often inspired by places within the environment that evoke an unknown sadness, fear or discomfort, Julianne\u2019s work explores the complex relationship between personal, cultural and natural histories visible within our ever-changing landscape.<\/p>\n<\/div>\n<div>This interview was done on the occasion of her exhibition, <a href=\"https:\/\/www.amoseno.org\/julianne-nash-flora-non-grata\">Flora non Grata at Amos Eno<\/a> gallery.<\/div>\n<div><\/div>\n<div><\/div>\n<div>\n<figure id=\"attachment_15633\" aria-describedby=\"caption-attachment-15633\" style=\"width: 1018px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-15633 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/Julianne-Nash_Flora-non-Grata_Amos-Eno-Gallery.jpg?resize=696%2C492&#038;ssl=1\" alt=\"\" width=\"696\" height=\"492\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/Julianne-Nash_Flora-non-Grata_Amos-Eno-Gallery.jpg?w=1018&amp;ssl=1 1018w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/Julianne-Nash_Flora-non-Grata_Amos-Eno-Gallery.jpg?resize=300%2C212&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/Julianne-Nash_Flora-non-Grata_Amos-Eno-Gallery.jpg?resize=768%2C543&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/Julianne-Nash_Flora-non-Grata_Amos-Eno-Gallery.jpg?resize=696%2C492&amp;ssl=1 696w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-15633\" class=\"wp-caption-text\">Julianne Nash,, Juniper and Sagebrush (22 Images), 2024. Dye-sublimation print on celtic cloth. 100 x 142&#8243;.<\/figcaption><\/figure>\n<\/div>\n<div>\n<figure id=\"attachment_15634\" aria-describedby=\"caption-attachment-15634\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-15634 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/Julianne-Nash_Flora-non-Grata_Amos-Eno-Gallery-5.jpg?resize=696%2C446&#038;ssl=1\" alt=\"\" width=\"696\" height=\"446\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/Julianne-Nash_Flora-non-Grata_Amos-Eno-Gallery-5.jpg?resize=1024%2C656&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/Julianne-Nash_Flora-non-Grata_Amos-Eno-Gallery-5.jpg?resize=300%2C192&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/Julianne-Nash_Flora-non-Grata_Amos-Eno-Gallery-5.jpg?resize=768%2C492&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/Julianne-Nash_Flora-non-Grata_Amos-Eno-Gallery-5.jpg?resize=696%2C446&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/Julianne-Nash_Flora-non-Grata_Amos-Eno-Gallery-5.jpg?resize=1068%2C684&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/Julianne-Nash_Flora-non-Grata_Amos-Eno-Gallery-5.jpg?w=1124&amp;ssl=1 1124w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-15634\" class=\"wp-caption-text\">Julianne Nash, Former Glacier (39 Images), 2022. Archival pigment print, mounted to sintra. 40 x 63&#8243;<\/figcaption><\/figure>\n<figure id=\"attachment_15635\" aria-describedby=\"caption-attachment-15635\" style=\"width: 720px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-15635 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/Julianne-Nash_Flora-non-Grata_Amos-Eno-Gallery-4.jpg?resize=696%2C870&#038;ssl=1\" alt=\"\" width=\"696\" height=\"870\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/Julianne-Nash_Flora-non-Grata_Amos-Eno-Gallery-4.jpg?w=720&amp;ssl=1 720w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/Julianne-Nash_Flora-non-Grata_Amos-Eno-Gallery-4.jpg?resize=240%2C300&amp;ssl=1 240w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/Julianne-Nash_Flora-non-Grata_Amos-Eno-Gallery-4.jpg?resize=696%2C870&amp;ssl=1 696w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-15635\" class=\"wp-caption-text\">Julianne Nash, Artemisia Tridentata No. 3, 2024. Archival pigment print, mounted to sintra. 50 x 40&#8243;.<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interview\/2025\/JulianneNash.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing list Julianne Nash (b. 1991, Massachusetts) is an artist whose work exists at the intersection between photographic collage and digital painting; she utilizes algorithms inherent to Photoshop in conjunction with traditional compositing techniques to create densely layered landscape images that [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":15635,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-15630","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/06\/Julianne-Nash_Flora-non-Grata_Amos-Eno-Gallery-4.jpg?fit=720%2C900&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-446","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/15630","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=15630"}],"version-history":[{"count":3,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/15630\/revisions"}],"predecessor-version":[{"id":15637,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/15630\/revisions\/15637"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/15635"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=15630"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=15630"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=15630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}