{"id":14822,"date":"2024-08-15T21:06:38","date_gmt":"2024-08-16T01:06:38","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=14822"},"modified":"2024-08-19T13:39:29","modified_gmt":"2024-08-19T17:39:29","slug":"jack-arthur-wood","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/jack-arthur-wood\/","title":{"rendered":"Jack Arthur Wood"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_9699\"><audio class=\"wp-audio-shortcode\" id=\"audio-14822-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interview\/2024\/JackArthurWood.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interview\/2024\/JackArthurWood.mp3\">https:\/\/museumofnonvisibleart.com\/interview\/2024\/JackArthurWood.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_14836\" aria-describedby=\"caption-attachment-14836\" style=\"width: 241px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/chart-gallery.com\/exhibitions\/60-facture-fracture-sam-branden-kadar-brock-shayna-miller-jack-arthur\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-14836\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/untitled-61-of-269.jpg?resize=241%2C361&#038;ssl=1\" alt=\"\" width=\"241\" height=\"361\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/untitled-61-of-269.jpg?resize=683%2C1024&amp;ssl=1 683w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/untitled-61-of-269.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/untitled-61-of-269.jpg?resize=768%2C1151&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/untitled-61-of-269.jpg?resize=1025%2C1536&amp;ssl=1 1025w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/untitled-61-of-269.jpg?resize=696%2C1043&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/untitled-61-of-269.jpg?resize=1068%2C1601&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/untitled-61-of-269.jpg?w=1334&amp;ssl=1 1334w\" sizes=\"auto, (max-width: 241px) 100vw, 241px\" \/><\/a><figcaption id=\"caption-attachment-14836\" class=\"wp-caption-text\">Jack Arthur Wood in his studio. Photo by Bradley Marshall<\/figcaption><\/figure>\n<p><a style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\" href=\"https:\/\/chart-gallery.com\/exhibitions\/60-facture-fracture-sam-branden-kadar-brock-shayna-miller-jack-arthur\/\">Jack Arthur Wood Jr<\/a><span style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\">. is a visual artist, writer, curator and educator based in Ridgewood, Queens. Wood studied at Guilford College, in Greensboro, NC, receiving a BA in printmaking in 2012, and earned an MFA in printmaking from Texas A&amp;M University\u2014Corearned Corpus Christi in 2017. <\/span><\/p>\n<p><span style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\">He has been a resident at The Skowhegan pus School of Painting &amp; Sculpture, The Wassaic Project, The Jentel Foundation, Little Bear Hill, and Tiger Lily Press. Wood has had solo\/two-person presentations at Rachel Uffner Gallery, New York, NY; My Pet Ram, New York, NY; Conduit Gallery, Ridgewood, NY; Paradice Palase, Brooklyn, NY; Not Gallery, Austin TX; The Weil Gallery, Corpus Christi, TX; Hudson &amp; Jones Gallery, Cincinnati, OH; The Bakery, Vancouver, BC; and The Clay Street Press, CinThe Cincinnati, OHcinnati, OH. <\/span><\/p>\n<p><span style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\">His work has been exhibited at Chart, New York, NY; . Geary Contemporary, Millerton, NY; Soloway Gallery, Brooklyn, NY; 5-50 Gallery, Queens, NY;Green House Gallery, Brooklyn, NY; Field of Play Gallery, Brooklyn, NY; Ortega Y Gasset Projects, Brooklyn, NY; O\u2019Flaherty\u2019s, New York, NY; The Ekru Project,KanBrooklyn, Kansas City, MO; No Place Gallery, Coulmbus, OH; Heaven Gallery, sas Chicago, IL; Pause OFF Gallery, Milford, OH; The Wassaic ProjChicago, Project, Wassaic, NY; Flatbed Press, Austin, TX; and Deanna Evans ect, Projects, Brooklyn, NY. Wood has recently curated exhibitions at Thomas VanDyke Gallery, Brooklyn, NY; Soloway Gallery, Brooklyn, NY; and Sweet Lorraine Gallery, Brooklyn, NY.<\/span><\/p>\n<figure id=\"attachment_14832\" aria-describedby=\"caption-attachment-14832\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-14832 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1439_JackArthurWood_The-Multiplicative-Index-of-Metropolitan-Contact-Paths_2024.jpg?resize=696%2C574&#038;ssl=1\" alt=\"\" width=\"696\" height=\"574\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1439_JackArthurWood_The-Multiplicative-Index-of-Metropolitan-Contact-Paths_2024.jpg?resize=1024%2C844&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1439_JackArthurWood_The-Multiplicative-Index-of-Metropolitan-Contact-Paths_2024.jpg?resize=300%2C247&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1439_JackArthurWood_The-Multiplicative-Index-of-Metropolitan-Contact-Paths_2024.jpg?resize=768%2C633&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1439_JackArthurWood_The-Multiplicative-Index-of-Metropolitan-Contact-Paths_2024.jpg?resize=1536%2C1266&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1439_JackArthurWood_The-Multiplicative-Index-of-Metropolitan-Contact-Paths_2024.jpg?resize=696%2C574&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1439_JackArthurWood_The-Multiplicative-Index-of-Metropolitan-Contact-Paths_2024.jpg?resize=1068%2C880&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1439_JackArthurWood_The-Multiplicative-Index-of-Metropolitan-Contact-Paths_2024.jpg?resize=1920%2C1582&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1439_JackArthurWood_The-Multiplicative-Index-of-Metropolitan-Contact-Paths_2024.jpg?w=2000&amp;ssl=1 2000w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1439_JackArthurWood_The-Multiplicative-Index-of-Metropolitan-Contact-Paths_2024.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-14832\" class=\"wp-caption-text\">Jack Arthur Wood, The Multiplicative Index of Metropolitan Contact Paths, 2024, acrylic, fabrics, glue, and paper on muslin, 60 x 72 in<\/figcaption><\/figure>\n<figure id=\"attachment_14833\" aria-describedby=\"caption-attachment-14833\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-14833 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1442_JackArthurWood_Immolator_2024.jpg?resize=696%2C837&#038;ssl=1\" alt=\"\" width=\"696\" height=\"837\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1442_JackArthurWood_Immolator_2024.jpg?resize=851%2C1024&amp;ssl=1 851w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1442_JackArthurWood_Immolator_2024.jpg?resize=249%2C300&amp;ssl=1 249w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1442_JackArthurWood_Immolator_2024.jpg?resize=768%2C924&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1442_JackArthurWood_Immolator_2024.jpg?resize=1276%2C1536&amp;ssl=1 1276w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1442_JackArthurWood_Immolator_2024.jpg?resize=696%2C838&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1442_JackArthurWood_Immolator_2024.jpg?resize=1068%2C1285&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1442_JackArthurWood_Immolator_2024.jpg?w=1662&amp;ssl=1 1662w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1442_JackArthurWood_Immolator_2024.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-14833\" class=\"wp-caption-text\">Jack Arthur Wood, Immolator, 2024 acrylic, fabrics, and glue on canvas 60 x 52 in 152.4 x 132.1 cm<\/figcaption><\/figure>\n<figure id=\"attachment_14834\" aria-describedby=\"caption-attachment-14834\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-14834 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1440_JackArhturWood_Open-City-Channel-Changer_2024.jpg?resize=696%2C879&#038;ssl=1\" alt=\"\" width=\"696\" height=\"879\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1440_JackArhturWood_Open-City-Channel-Changer_2024.jpg?resize=811%2C1024&amp;ssl=1 811w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1440_JackArhturWood_Open-City-Channel-Changer_2024.jpg?resize=238%2C300&amp;ssl=1 238w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1440_JackArhturWood_Open-City-Channel-Changer_2024.jpg?resize=768%2C970&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1440_JackArhturWood_Open-City-Channel-Changer_2024.jpg?resize=1217%2C1536&amp;ssl=1 1217w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1440_JackArhturWood_Open-City-Channel-Changer_2024.jpg?resize=696%2C879&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1440_JackArhturWood_Open-City-Channel-Changer_2024.jpg?resize=1068%2C1348&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1440_JackArhturWood_Open-City-Channel-Changer_2024.jpg?w=1584&amp;ssl=1 1584w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1440_JackArhturWood_Open-City-Channel-Changer_2024.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-14834\" class=\"wp-caption-text\">Jack Arthur Wood, Open City (Channel Changer), 2024 acrylic, fabrics, and glue on canvas 54 x 40 in 137.2 x 101.6 cm<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interview\/2024\/JackArthurWood.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listJack Arthur Wood Jr. is a visual artist, writer, curator and educator based in Ridgewood, Queens. Wood studied at Guilford College, in Greensboro, NC, receiving a BA in printmaking in 2012, and earned an MFA in printmaking from Texas A&amp;M [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":14832,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-14822","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/08\/CH1439_JackArthurWood_The-Multiplicative-Index-of-Metropolitan-Contact-Paths_2024.jpg?fit=2000%2C1648&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-3R4","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/14822","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=14822"}],"version-history":[{"count":4,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/14822\/revisions"}],"predecessor-version":[{"id":14838,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/14822\/revisions\/14838"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/14832"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=14822"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=14822"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=14822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}