{"id":14752,"date":"2024-07-19T14:01:56","date_gmt":"2024-07-19T18:01:56","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=14752"},"modified":"2024-07-19T14:01:56","modified_gmt":"2024-07-19T18:01:56","slug":"nana-wolke","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/nana-wolke\/","title":{"rendered":"Nana Wolke"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_4014\"><audio class=\"wp-audio-shortcode\" id=\"audio-14752-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interview\/2024\/NanaWolke.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interview\/2024\/NanaWolke.mp3\">https:\/\/museumofnonvisibleart.com\/interview\/2024\/NanaWolke.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_14776\" aria-describedby=\"caption-attachment-14776\" style=\"width: 303px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-14776\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_STUDIO_3.jpg?resize=303%2C227&#038;ssl=1\" alt=\"\" width=\"303\" height=\"227\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_STUDIO_3.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_STUDIO_3.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_STUDIO_3.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_STUDIO_3.jpg?resize=1536%2C1152&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_STUDIO_3.jpg?resize=696%2C522&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_STUDIO_3.jpg?resize=1068%2C801&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_STUDIO_3.jpg?resize=1920%2C1440&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_STUDIO_3.jpg?w=2000&amp;ssl=1 2000w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_STUDIO_3.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 303px) 100vw, 303px\" \/><figcaption id=\"caption-attachment-14776\" class=\"wp-caption-text\">Nana Wolke by Inna Svyatsky \/ installshots.art<\/figcaption><\/figure>\n<p><a href=\"https:\/\/management.nyc\/exhibitions\/breed\/\">Nana Wolke<\/a> explores the nature of perception, focusing her attention on modes of apprehension of space and time. Her series of works usually begins on film-like sets, where the artist records the unfolding of staged situations and improvised actions occurring in spaces spanning across social hierarchy. Wolke proceeds to assemble and edit both original and found footage to create distinctly monochromatic visual atmospheres and rhythms that she then translates into painting and sound installations. Using commonplace lighting to model space and generate the grain, textures and slippages of her images and sequences, Wolke utilizes a variety of devices chosen as much for their technical properties as for their social significance \u2013 e.g. CCTV equipment, home video camcorders, inventory cameras, intercom systems, etc. Considering the multiple viewpoints from which an action can be witnessed, Wolke\u2019s work conjures a tension between observation and control, often inviting viewers to navigate environments that interrogate notions of access and inclusion \u2013 whether for economic, social, or security purposes. In so doing, Wolke reflects upon the conflation of desire and shame in contemporary modes of production and consumption of images and visual culture. By constantly confronting the logic of live actions, cinema, and paint, Wolke ultimately seeks to analyze the progressive inextricability between actual and artificial realities.<\/p>\n<p>Wolke holds an MFA from Goldsmiths, University of London. Solo exhibitions include\u00a0<em>Breed<\/em>\u00a0at Management, New York;\u00a0<em>Wanda\u2019s<\/em>\u00a0at NiCOLETTi, London;\u00a0<em>High Seat<\/em>\u00a0at Castor Gallery, London;\u00a0<em>4:28 &#8211; 5:28 am<\/em>\u00a0at VIN VIN, Vienna; and\u00a0<em>Some Girls Wander by Mistake<\/em>\u00a0at Fondazione Coppola, Vicenza. Group exhibitions include\u00a0<em>Over you\/you<\/em>\u00a0at the 31. Biennial of Graphic Arts, Ljubljana;\u00a0<em>Daddy<\/em>\u00a0at G2 Kunsthalle, Leipzig;\u00a0<em>Painters Painting Painters: A Study of Muses, Friends, and Companions<\/em>\u00a0at the Green Family Art Foundation, Dallas;\u00a0<em>Love is the Devil: Studies after Francis Bacon<\/em>\u00a0at Marlborough, London; and\u00a0<em>No Angels<\/em>\u00a0at Wilhelm Hallen, Berlin among others. Wolke was also selected for the 2021 cohort of Bloomberg New Contemporaries.<\/p>\n<figure id=\"attachment_14777\" aria-describedby=\"caption-attachment-14777\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-14777 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_1.jpg?resize=696%2C522&#038;ssl=1\" alt=\"\" width=\"696\" height=\"522\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_1-scaled.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_1-scaled.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_1-scaled.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_1-scaled.jpg?resize=1536%2C1152&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_1-scaled.jpg?resize=2048%2C1536&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_1-scaled.jpg?resize=696%2C522&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_1-scaled.jpg?resize=1068%2C801&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_1-scaled.jpg?resize=1920%2C1440&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_1-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-14777\" class=\"wp-caption-text\">Nana Wolke 00:02:26,417 &#8211; &#8211; &gt; 00:02:29,010 (Empire), 2023 Oil, sand, and iron dust on linen 70 7\/8 x 94 1\/2 inches \/ 180 x 240 cm. Image courtesy of the artist and Management, New York. Photography by installshots.art<\/figcaption><\/figure>\n<figure id=\"attachment_14778\" aria-describedby=\"caption-attachment-14778\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-14778 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_2.jpg?resize=696%2C523&#038;ssl=1\" alt=\"\" width=\"696\" height=\"523\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_2-scaled.jpg?resize=1024%2C770&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_2-scaled.jpg?resize=300%2C226&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_2-scaled.jpg?resize=768%2C578&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_2-scaled.jpg?resize=1536%2C1156&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_2-scaled.jpg?resize=2048%2C1541&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_2-scaled.jpg?resize=696%2C524&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_2-scaled.jpg?resize=1068%2C803&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_2-scaled.jpg?resize=1920%2C1444&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_2-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-14778\" class=\"wp-caption-text\">Nana Wolke 00:00:00,000 &#8211; &#8211; &gt; 01:36:06,960 (It\u2019s good enough for Nancy. It\u2019s good enough for Nancy), 2024 Oil on linen 24 x 36 inches \/ 61 x 91.5 cm. Image courtesy of the artist and Management, New York. Photography by installshots.art<\/figcaption><\/figure>\n<figure id=\"attachment_14779\" aria-describedby=\"caption-attachment-14779\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14779\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_5.jpg?resize=696%2C522&#038;ssl=1\" alt=\"\" width=\"696\" height=\"522\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_5-scaled.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_5-scaled.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_5-scaled.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_5-scaled.jpg?resize=1536%2C1153&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_5-scaled.jpg?resize=2048%2C1537&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_5-scaled.jpg?resize=696%2C522&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_5-scaled.jpg?resize=1068%2C801&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_5-scaled.jpg?resize=1920%2C1441&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_5-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-14779\" class=\"wp-caption-text\">Nana Wolke, 02:10:34,195 &#8211; &#8211; &gt; 02:18:06,207, (Sleeping pills, sneakers, turtleneck, power cord), 2024, Oil and construction sand on linen, 24 x 36 inches \/ 61 x 91.5 cm. Image courtesy of the artist and Management, New York. Photography by installshots.art<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interview\/2024\/NanaWolke.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listNana Wolke explores the nature of perception, focusing her attention on modes of apprehension of space and time. Her series of works usually begins on film-like sets, where the artist records the unfolding of staged situations and improvised actions occurring [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":14777,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-14752","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/07\/NW_1-scaled.jpg?fit=2560%2C1920&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-3PW","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/14752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=14752"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/14752\/revisions"}],"predecessor-version":[{"id":14780,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/14752\/revisions\/14780"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/14777"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=14752"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=14752"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=14752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}