{"id":14615,"date":"2024-05-01T15:13:05","date_gmt":"2024-05-01T19:13:05","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=14615"},"modified":"2024-05-14T10:44:08","modified_gmt":"2024-05-14T14:44:08","slug":"melvin-way","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/melvin-way\/","title":{"rendered":"Melvin Way"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_6687\"><audio class=\"wp-audio-shortcode\" id=\"audio-14615-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interview\/2024\/AndrewCastrucci.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interview\/2024\/AndrewCastrucci.mp3\">https:\/\/museumofnonvisibleart.com\/interview\/2024\/AndrewCastrucci.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_14642\" aria-describedby=\"caption-attachment-14642\" style=\"width: 319px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-14642\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/05\/portrait-melvin-way-600x.jpg?resize=319%2C456&#038;ssl=1\" alt=\"\" width=\"319\" height=\"456\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/05\/portrait-melvin-way-600x.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/05\/portrait-melvin-way-600x.jpg?resize=210%2C300&amp;ssl=1 210w\" sizes=\"auto, (max-width: 319px) 100vw, 319px\" \/><figcaption id=\"caption-attachment-14642\" class=\"wp-caption-text\">Photo credit: portrait Melvin Way 1994, ARS artists rights society @ 2024 photo Andrew Castrucci, Melvin Way estate.<\/figcaption><\/figure>\n<p>This is an interview with the curator Andrew Castrucci.<\/p>\n<p><a href=\"https:\/\/www.edlingallery.com\/\">CO\u2082 Blues,<\/a>\u00a0scheduled since mid-2023, is the first exhibition of the enigmatic art of <a href=\"https:\/\/www.edlingallery.com\/\">Melvin Way<\/a> (1954-2024) since his passing, and the third solo show of his work with the gallery. It serves as a retrospective for a visionary who was one of the most admired self-taught artists in the contemporary art arena.\u00a0 Way&#8217;s mostly small-scale drawings are strange and alluring concoctions of science and art that seem intent on revealing the secrets of the universe.\u00a0 They contain chemical and mathematical formulae, musical notes, abstract designs, and cryptic words and phrases.\u00a0 It is hard to look at one without becoming entangled in trying to figure out what it means. \u201cI felt like I was seeing another kind of infinity, thought made visible, wild nerves, optical barnacles coming to hermetic life, delirium legible,\u201d wrote\u00a0<em>New York Magazine<\/em>\u2019s senior art critic Jerry Saltz in a 2015 review in\u00a0<em>Vulture<\/em>.<\/p>\n<p>The exhibition includes some of Way&#8217;s most memorable creations including forays outside of his better-known ballpoint pen drawings, especially a selection of the artist\u2019s xerography\u2014 he routinely carried his original ink drawings on his person for months at a time and was reluctant to release them for sale because they functioned as protective amulets. His raincoat pockets might be filled with as many as two hundred drawings. At times, his sweat, or a hard rainfall, would cause the ink to bleed, adding complexity to the already dense works. Andrew Castrucci, his lifelong advocate, has likened this process to a kind of baptism, a rite of passage before the works headed off into the world. Before the artist did surrender his works, he often made Xerox copies of them which inspired a new approach\u2014Way then added blue and\/or black ink to the copies.\u00a0 These xerographies comprise a small but significant portion of his oeuvre.<\/p>\n<figure id=\"attachment_14639\" aria-describedby=\"caption-attachment-14639\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-14639 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/05\/416c1031c882ab7b72abff396196bd91.jpg?resize=696%2C881&#038;ssl=1\" alt=\"\" width=\"696\" height=\"881\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/05\/416c1031c882ab7b72abff396196bd91.jpg?resize=809%2C1024&amp;ssl=1 809w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/05\/416c1031c882ab7b72abff396196bd91.jpg?resize=237%2C300&amp;ssl=1 237w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/05\/416c1031c882ab7b72abff396196bd91.jpg?resize=768%2C973&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/05\/416c1031c882ab7b72abff396196bd91.jpg?resize=696%2C881&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/05\/416c1031c882ab7b72abff396196bd91.jpg?w=916&amp;ssl=1 916w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-14639\" class=\"wp-caption-text\">Melvin Way (1954 &#8211; 2024) Fauvi, c. 1989 Ballpoint pen and Scotch tape on paper 10.75 x 8.5 inches. Melvin Way estate ,ARS artists rights society @ 2024.<\/figcaption><\/figure>\n<figure id=\"attachment_14640\" aria-describedby=\"caption-attachment-14640\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-14640 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/05\/60a982702916386914f1260f3db4f2a5.jpg?resize=696%2C911&#038;ssl=1\" alt=\"\" width=\"696\" height=\"911\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/05\/60a982702916386914f1260f3db4f2a5.jpg?resize=782%2C1024&amp;ssl=1 782w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/05\/60a982702916386914f1260f3db4f2a5.jpg?resize=229%2C300&amp;ssl=1 229w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/05\/60a982702916386914f1260f3db4f2a5.jpg?resize=768%2C1006&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/05\/60a982702916386914f1260f3db4f2a5.jpg?resize=696%2C911&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/05\/60a982702916386914f1260f3db4f2a5.jpg?w=886&amp;ssl=1 886w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-14640\" class=\"wp-caption-text\">Melvin Way (1954 &#8211; 2024) Loki, 2020 Pen and paint on paper 12 x 9 inches. Melvin Way estate ,ARS artists rights society @ 2024.<\/figcaption><\/figure>\n<figure id=\"attachment_14641\" aria-describedby=\"caption-attachment-14641\" style=\"width: 661px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-14641\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/05\/a70b940ed70ef1fa45b5db7bea52af88.jpg?resize=661%2C1763&#038;ssl=1\" alt=\"\" width=\"661\" height=\"1763\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/05\/a70b940ed70ef1fa45b5db7bea52af88.jpg?w=435&amp;ssl=1 435w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/05\/a70b940ed70ef1fa45b5db7bea52af88.jpg?resize=113%2C300&amp;ssl=1 113w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/05\/a70b940ed70ef1fa45b5db7bea52af88.jpg?resize=384%2C1024&amp;ssl=1 384w\" sizes=\"auto, (max-width: 661px) 100vw, 661px\" \/><figcaption id=\"caption-attachment-14641\" class=\"wp-caption-text\">Melvin Way (1954 &#8211; 2024) D&#8217; SAIREN COPOTE, 2023-2024 Ballpoint pen and Scotch tape on paper 12 x 4 inches. Melvin Way estate ,ARS artists rights society @ 2024.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interview\/2024\/AndrewCastrucci.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listThis is an interview with the curator Andrew Castrucci. CO\u2082 Blues,\u00a0scheduled since mid-2023, is the first exhibition of the enigmatic art of Melvin Way (1954-2024) since his passing, and the third solo show of his work with the gallery. It [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":14639,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-14615","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/05\/416c1031c882ab7b72abff396196bd91.jpg?fit=916%2C1160&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-3NJ","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/14615","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=14615"}],"version-history":[{"count":6,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/14615\/revisions"}],"predecessor-version":[{"id":14663,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/14615\/revisions\/14663"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/14639"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=14615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=14615"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=14615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}