{"id":14465,"date":"2024-02-28T12:11:24","date_gmt":"2024-02-28T17:11:24","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=14465"},"modified":"2024-02-28T13:53:50","modified_gmt":"2024-02-28T18:53:50","slug":"ad-minoliti-catalina-schliebener-munoz","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/ad-minoliti-catalina-schliebener-munoz\/","title":{"rendered":"Ad Minoliti &#038; Catalina Schliebener Mu\u00f1oz"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_1568\"><audio class=\"wp-audio-shortcode\" id=\"audio-14465-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interview\/2024\/MINOLITISCHLIEBENERMUNOZ.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interview\/2024\/MINOLITISCHLIEBENERMUNOZ.mp3\">https:\/\/museumofnonvisibleart.com\/interview\/2024\/MINOLITISCHLIEBENERMUNOZ.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_14467\" aria-describedby=\"caption-attachment-14467\" style=\"width: 205px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-14467\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2_Catalina-Schliebener_headshot-_July_2022-_color.jpeg?resize=205%2C295&#038;ssl=1\" alt=\"\" width=\"205\" height=\"295\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2_Catalina-Schliebener_headshot-_July_2022-_color-scaled.jpeg?resize=711%2C1024&amp;ssl=1 711w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2_Catalina-Schliebener_headshot-_July_2022-_color-scaled.jpeg?resize=208%2C300&amp;ssl=1 208w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2_Catalina-Schliebener_headshot-_July_2022-_color-scaled.jpeg?resize=768%2C1106&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2_Catalina-Schliebener_headshot-_July_2022-_color-scaled.jpeg?resize=1066%2C1536&amp;ssl=1 1066w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2_Catalina-Schliebener_headshot-_July_2022-_color-scaled.jpeg?resize=1422%2C2048&amp;ssl=1 1422w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2_Catalina-Schliebener_headshot-_July_2022-_color-scaled.jpeg?resize=696%2C1002&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2_Catalina-Schliebener_headshot-_July_2022-_color-scaled.jpeg?resize=1068%2C1538&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2_Catalina-Schliebener_headshot-_July_2022-_color-scaled.jpeg?resize=1920%2C2765&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2_Catalina-Schliebener_headshot-_July_2022-_color-scaled.jpeg?w=1777&amp;ssl=1 1777w\" sizes=\"auto, (max-width: 205px) 100vw, 205px\" \/><figcaption id=\"caption-attachment-14467\" class=\"wp-caption-text\">Catalina Schliebener Mu\u00f1oz<\/figcaption><\/figure>\n<p><a href=\"https:\/\/barro.cc\/en\/exhibitions\/1256\/manifesto-of-immature-abstraction-barro-new-york\">BARRO NY<\/a> is pleased to present \u201cManifesto of Immature Abstraction,\u201d an exhibition featuring the works of Ad Minoliti and Catalina Schliebener Mu\u00f1oz. This show explores queer approaches to abstraction through the use of colors and<br \/>\nshapes that articulate non-binary narratives which counter the coloniality of gender, sexuality, age, and interspecies life.<br \/>\nThe gallery space transforms into an abstract dialogue between queer representations of the animal that reinvent their forms by dismantling colonial imaginaries of the childish, immature, and naive. This deconstruction and critique allows the artists to challenge traditional narratives that intervene in the subjectivation of children, disorganizing and transcending through fantasy.<\/p>\n<figure id=\"attachment_14475\" aria-describedby=\"caption-attachment-14475\" style=\"width: 226px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-14475\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/color.jpg?resize=226%2C268&#038;ssl=1\" alt=\"\" width=\"226\" height=\"268\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/color.jpg?resize=865%2C1024&amp;ssl=1 865w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/color.jpg?resize=253%2C300&amp;ssl=1 253w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/color.jpg?resize=768%2C909&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/color.jpg?resize=1297%2C1536&amp;ssl=1 1297w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/color.jpg?resize=1730%2C2048&amp;ssl=1 1730w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/color.jpg?resize=696%2C824&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/color.jpg?resize=1068%2C1264&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/color.jpg?w=1920&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/color.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 226px) 100vw, 226px\" \/><figcaption id=\"caption-attachment-14475\" class=\"wp-caption-text\">Ad Minoliti<\/figcaption><\/figure>\n<p>Ad Minoliti\u2019s vibrant abstract compositions radiate a spectrum of hues, using <span style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\">geometric shapes to implicitly suggest faces and animal figures. These works invite <\/span><span style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\">viewers into a speculative universe where childhood becomes the tool from which<\/span><span style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\">to experience critical perspectives on artistic movements.<\/span><span style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\">Meanwhile, Catalina Schliebener Mu\u00f1oz presents works made with vinyl <\/span><span style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\">cutouts, colored pencils, and embroidery on mat boards and walls. Oscillating<\/span><span style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\">between modes of sophistication and craft, the artist uses pastels and the texture<\/span><span style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\">of embroidery to invite deep reflection on social and behavioral norms as well as<\/span><span style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\">definitions of bodily normality imposed on children. <\/span><\/p>\n<p><span style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\">Across their respective styles, both artists use abstraction to disorient childhood\u2019s symbolic straightness, the imperative of extroversion, and the adult- centric demand for seriousness and coherence of identity.\u00a0 Ad Minoliti employsgeometry and Catalina Schliebener Mu\u00f1oz uses fragmentation to reinterpret the role of the visual in the social construction of normality. These abstract deconstructions question the stereotypes of mass media, the historical canon of modern art, and contemporary geopolitical narratives, thereby contributing to the decolonization of the modernist social imaginary.<\/span><\/p>\n<figure id=\"attachment_14470\" aria-describedby=\"caption-attachment-14470\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-14470 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/MARGARITA-PUNZO-2022-Acrylic-on-canvas.jpg?resize=696%2C701&#038;ssl=1\" alt=\"\" width=\"696\" height=\"701\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/MARGARITA-PUNZO-2022-Acrylic-on-canvas-scaled.jpg?resize=1017%2C1024&amp;ssl=1 1017w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/MARGARITA-PUNZO-2022-Acrylic-on-canvas-scaled.jpg?resize=298%2C300&amp;ssl=1 298w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/MARGARITA-PUNZO-2022-Acrylic-on-canvas-scaled.jpg?resize=768%2C774&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/MARGARITA-PUNZO-2022-Acrylic-on-canvas-scaled.jpg?resize=1525%2C1536&amp;ssl=1 1525w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/MARGARITA-PUNZO-2022-Acrylic-on-canvas-scaled.jpg?resize=2033%2C2048&amp;ssl=1 2033w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/MARGARITA-PUNZO-2022-Acrylic-on-canvas-scaled.jpg?resize=696%2C701&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/MARGARITA-PUNZO-2022-Acrylic-on-canvas-scaled.jpg?resize=1068%2C1076&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/MARGARITA-PUNZO-2022-Acrylic-on-canvas-scaled.jpg?resize=1920%2C1934&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/MARGARITA-PUNZO-2022-Acrylic-on-canvas-scaled.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/MARGARITA-PUNZO-2022-Acrylic-on-canvas-scaled.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-14470\" class=\"wp-caption-text\">Ad Minoliti, MARGARITA PUNZO, 2022, Acrylic on canvas, 120 x 120 cm, 47.25 x 47.25 in<\/figcaption><\/figure>\n<figure id=\"attachment_14471\" aria-describedby=\"caption-attachment-14471\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14471\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/OSITE-2022-Acrylic-on-canvas.jpg?resize=696%2C697&#038;ssl=1\" alt=\"\" width=\"696\" height=\"697\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/OSITE-2022-Acrylic-on-canvas-scaled.jpg?resize=1022%2C1024&amp;ssl=1 1022w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/OSITE-2022-Acrylic-on-canvas-scaled.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/OSITE-2022-Acrylic-on-canvas-scaled.jpg?resize=768%2C770&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/OSITE-2022-Acrylic-on-canvas-scaled.jpg?resize=1533%2C1536&amp;ssl=1 1533w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/OSITE-2022-Acrylic-on-canvas-scaled.jpg?resize=2043%2C2048&amp;ssl=1 2043w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/OSITE-2022-Acrylic-on-canvas-scaled.jpg?resize=696%2C698&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/OSITE-2022-Acrylic-on-canvas-scaled.jpg?resize=1068%2C1070&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/OSITE-2022-Acrylic-on-canvas-scaled.jpg?resize=1920%2C1924&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/OSITE-2022-Acrylic-on-canvas-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-14471\" class=\"wp-caption-text\">Ad Minoliti, OSITE, 2022, Acrylic on canvas, 120 x 120 cm, 47.25 x 47.25 in<\/figcaption><\/figure>\n<figure id=\"attachment_14472\" aria-describedby=\"caption-attachment-14472\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14472\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/11.-Sock-monkey-x2.jpeg?resize=696%2C464&#038;ssl=1\" alt=\"\" width=\"696\" height=\"464\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/11.-Sock-monkey-x2.jpeg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/11.-Sock-monkey-x2.jpeg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/11.-Sock-monkey-x2.jpeg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/11.-Sock-monkey-x2.jpeg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/11.-Sock-monkey-x2.jpeg?resize=696%2C464&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/11.-Sock-monkey-x2.jpeg?resize=1068%2C712&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/11.-Sock-monkey-x2.jpeg?w=1800&amp;ssl=1 1800w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/11.-Sock-monkey-x2.jpeg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-14472\" class=\"wp-caption-text\">Catalina Schliebener Mu\u00f1oz, Growing Sideways Series, (Lovers after MK) &#8211; Pair 2021, Sock Monkeys, plexiglass boxes. 10.5 x 24 x 11 in, 26.67 x 60.96 x 27.94 cm<\/figcaption><\/figure>\n<figure id=\"attachment_14473\" aria-describedby=\"caption-attachment-14473\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14473\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2-Catalina-Schliebener_Coloring-Book-Series_2023_33.3x33.3-in_2.jpg?resize=696%2C691&#038;ssl=1\" alt=\"\" width=\"696\" height=\"691\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2-Catalina-Schliebener_Coloring-Book-Series_2023_33.3x33.3-in_2-scaled.jpg?resize=1024%2C1017&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2-Catalina-Schliebener_Coloring-Book-Series_2023_33.3x33.3-in_2-scaled.jpg?resize=300%2C298&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2-Catalina-Schliebener_Coloring-Book-Series_2023_33.3x33.3-in_2-scaled.jpg?resize=768%2C763&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2-Catalina-Schliebener_Coloring-Book-Series_2023_33.3x33.3-in_2-scaled.jpg?resize=1536%2C1525&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2-Catalina-Schliebener_Coloring-Book-Series_2023_33.3x33.3-in_2-scaled.jpg?resize=2048%2C2034&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2-Catalina-Schliebener_Coloring-Book-Series_2023_33.3x33.3-in_2-scaled.jpg?resize=696%2C691&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2-Catalina-Schliebener_Coloring-Book-Series_2023_33.3x33.3-in_2-scaled.jpg?resize=1068%2C1061&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2-Catalina-Schliebener_Coloring-Book-Series_2023_33.3x33.3-in_2-scaled.jpg?resize=1920%2C1907&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2-Catalina-Schliebener_Coloring-Book-Series_2023_33.3x33.3-in_2-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-14473\" class=\"wp-caption-text\">Catalina Schliebener Mu\u00f1oz, Coloring Book Series, Minnie II, 2023, Vinyl, colored pencil, and embroidery on mat board, 33.3 x 33.3 in 83.82 x 83.82 cm<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interview\/2024\/MINOLITISCHLIEBENERMUNOZ.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listBARRO NY is pleased to present \u201cManifesto of Immature Abstraction,\u201d an exhibition featuring the works of Ad Minoliti and Catalina Schliebener Mu\u00f1oz. This show explores queer approaches to abstraction through the use of colors and shapes that articulate non-binary narratives [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":14473,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-14465","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/02\/2-Catalina-Schliebener_Coloring-Book-Series_2023_33.3x33.3-in_2-scaled.jpg?fit=2560%2C2542&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-3Lj","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/14465","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=14465"}],"version-history":[{"count":10,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/14465\/revisions"}],"predecessor-version":[{"id":14481,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/14465\/revisions\/14481"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/14473"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=14465"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=14465"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=14465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}