{"id":13984,"date":"2023-09-10T12:10:10","date_gmt":"2023-09-10T16:10:10","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=13984"},"modified":"2023-09-11T14:10:24","modified_gmt":"2023-09-11T18:10:24","slug":"jasmin-anoschkin","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/jasmin-anoschkin\/","title":{"rendered":"Jasmin Anoschkin"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_7773\"><audio class=\"wp-audio-shortcode\" id=\"audio-13984-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interview\/2023\/JasminAnoschkin.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interview\/2023\/JasminAnoschkin.mp3\">https:\/\/museumofnonvisibleart.com\/interview\/2023\/JasminAnoschkin.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13989 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/3d5af3df3ca174bac8c0a80f8cc7640d.jpg?resize=300%2C241&#038;ssl=1\" alt=\"\" width=\"300\" height=\"241\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/3d5af3df3ca174bac8c0a80f8cc7640d.jpg?resize=300%2C241&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/3d5af3df3ca174bac8c0a80f8cc7640d.jpg?w=473&amp;ssl=1 473w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>In this interview with Jasmin Anoschkin, her husband, Severi Haapala serves as the translator for part of the interview<\/p>\n<p><a href=\"https:\/\/www.hb381gallery.com\/exhibitions\/supercharged-lollipop-valley#tab-1:thumbnails\">Jasmin Anoschkin<\/a> creates her sculptures entirely by her own hand, whether she is carving wood with a chainsaw or molding clay. Eschewing attempts at technical perfection, she does not hide evidence of these physical processes, embracing uneven surfaces or unexpected glaze effects in her ceramic works. Her whimsical yet poignant characters and the dreamlike world they inhabit suggest an alternative to the rigid and narrow societal standards of what is valued and accepted. Their absolute and unironic sincerity feels almost radical\u2014perhaps even uncomfortable sometimes\u2014provoking reflection not only on the prejudices we hold towards others but on the internalized shame we carry within ourselves. Empowering through the permission it offers, this fantasy universe is an invitation to play and to exist as we are, without inhibition.<\/p>\n<p>Each work that Anoschkin has produced over the course of her career as a sculptor forms a piece to an ongoing story. No linear timeline or cohesive narrative is made apparent to the viewer in this surreal journey; her creatures interact but their relationships remain ambiguous. Yet, the artist allows us glimpses into her inner life through the unique titles she bestows upon each piece. Often humorous and surprising, they imbue the sculptures with distinct personalities and individual histories.\u00a0<em>There\u2019s No Italian Man<\/em>\u00a0and\u00a0<em>Bunch of Violets<\/em>\u00a0were conceived as a pair, in memory of Anoschkin\u2019s late aunt Terttu, a great supporter of Jasmin\u2019s creativity. When Terttu was younger, there was an Italian man she would visit every summer. Later, when Jasmin would try to inquire about him, she would always snap, \u201cThere\u2019s no Italian man.\u201d\u00a0<em>Bunch of Violets<\/em>\u00a0in Finnish is\u00a0<em>Terttu Orvokki<\/em>, a play on her aunt\u2019s name.\u00a0<em>Contemporary Stalker<\/em>\u00a0received its title when it emerged from the kiln and Jasmin, an artist for the past twenty years, proclaimed, \u201cOh yes, I have finally made contemporary art!\u201d A recurring motif throughout her practice has been the unicorn, which she has adopted as an avatar both in her sculptural and video works, as seen in this exhibition with\u00a0<em>Platinum Yoga Unicorn<\/em>\u00a0and\u00a0<em>Golden Menstruation Yoga<\/em>. Through her unicorn persona, Anoschkin rejoices in herself.<\/p>\n<p><em><a href=\"https:\/\/www.hb381gallery.com\/exhibitions\/supercharged-lollipop-valley#tab-1:thumbnails\">Supercharged Lollipop Valley<\/a>\u00a0<\/em>marks Jasmin Anoschkin\u2019s second solo presentation in the United States. Her breakthrough artwork in Finland was\u00a0<em>Bambi<\/em>, shown at the M\u00e4ntt\u00e4 Art Festival in 2009, and again in 2010 at the W\u00e4in\u00f6 Aaltonen Museum of Art, Turku on the occasion of the 100th Anniversary of the Association of Finnish Sculptors. This piece was subsequently acquired by the Finnish State Art Collection. Anoschkin has been the recipient of numerous awards, grants, and accolades, including being selected as the 2012 young artist in the Satakunta region of Finland, as well as having her work published on a series of postage stamps in 2017. She has exhibited extensively, and is in the collections of numerous institutions such as the Espoo Museum of Modern Art; W\u00e4in\u00f6 Aaltonen Museum of Art, Turku; H\u00e4meenlinna Art Museum; Vantaa Art Museum; L\u00f6nnstr\u00f6m Art Museum; and Kerava Art Museum. Her work is on permanent display in the lobby of the Helsinki City Museum, and she is currently featured in group exhibitions at the Hvittr\u00e4sk Museum, Kirkkonummi, the W\u00e4in\u00f6 Aaltonen Museum of Art, Turku, and the Espoo Museum of Modern Art. Anoschkin has been a member of the Arabia Art Department Society since 2014.<\/p>\n<figure style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-13995 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Contemporary-Stalker-HB5088_1_LR.jpg?resize=696%2C522&#038;ssl=1\" alt=\"\" width=\"696\" height=\"522\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Contemporary-Stalker-HB5088_1_LR.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Contemporary-Stalker-HB5088_1_LR.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Contemporary-Stalker-HB5088_1_LR.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Contemporary-Stalker-HB5088_1_LR.jpg?resize=1536%2C1152&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Contemporary-Stalker-HB5088_1_LR.jpg?resize=2048%2C1536&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Contemporary-Stalker-HB5088_1_LR.jpg?resize=696%2C522&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Contemporary-Stalker-HB5088_1_LR.jpg?resize=1068%2C801&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Contemporary-Stalker-HB5088_1_LR.jpg?resize=1920%2C1440&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Contemporary-Stalker-HB5088_1_LR.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption class=\"wp-caption-text\">Contemporary Stalker, 2023, glazed stoneware, 43.5&#8243; H x 26.5&#8243; W x 27&#8243; D<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-13996 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/HB_Miami_Nov18__9LR.jpg?resize=696%2C464&#038;ssl=1\" alt=\"\" width=\"696\" height=\"464\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/HB_Miami_Nov18__9LR.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/HB_Miami_Nov18__9LR.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/HB_Miami_Nov18__9LR.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/HB_Miami_Nov18__9LR.jpg?resize=696%2C464&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/HB_Miami_Nov18__9LR.jpg?resize=1068%2C712&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/HB_Miami_Nov18__9LR.jpg?w=1500&amp;ssl=1 1500w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/HB_Miami_Nov18__9LR.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption class=\"wp-caption-text\">Golden Menstruation Yoga, 2020, glazed stoneware, 29.5&#8243; H x 23.5&#8243; W x 16&#8243; D<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_13997\" aria-describedby=\"caption-attachment-13997\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-13997 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Aqua-Ancestor-Frog-HB5106_2_LR.jpg?resize=696%2C522&#038;ssl=1\" alt=\"\" width=\"696\" height=\"522\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Aqua-Ancestor-Frog-HB5106_2_LR.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Aqua-Ancestor-Frog-HB5106_2_LR.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Aqua-Ancestor-Frog-HB5106_2_LR.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Aqua-Ancestor-Frog-HB5106_2_LR.jpg?resize=1536%2C1152&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Aqua-Ancestor-Frog-HB5106_2_LR.jpg?resize=2048%2C1536&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Aqua-Ancestor-Frog-HB5106_2_LR.jpg?resize=696%2C522&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Aqua-Ancestor-Frog-HB5106_2_LR.jpg?resize=1068%2C801&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Aqua-Ancestor-Frog-HB5106_2_LR.jpg?resize=1920%2C1440&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Aqua-Ancestor-Frog-HB5106_2_LR.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-13997\" class=\"wp-caption-text\">Aqua Ancestor Frog, 2023, glazed stoneware, 27.5&#8243; H x 15.25&#8243; W x 21.25\u201d D<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interview\/2023\/JasminAnoschkin.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listIn this interview with Jasmin Anoschkin, her husband, Severi Haapala serves as the translator for part of the interview Jasmin Anoschkin creates her sculptures entirely by her own hand, whether she is carving wood with a chainsaw or molding clay. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13995,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-13984","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Anoschkin-Contemporary-Stalker-HB5088_1_LR.jpg?fit=2400%2C1800&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-3Dy","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/13984","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=13984"}],"version-history":[{"count":6,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/13984\/revisions"}],"predecessor-version":[{"id":14024,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/13984\/revisions\/14024"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/13995"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=13984"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=13984"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=13984"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}