{"id":13967,"date":"2023-09-10T11:35:08","date_gmt":"2023-09-10T15:35:08","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=13967"},"modified":"2023-09-10T11:35:08","modified_gmt":"2023-09-10T15:35:08","slug":"isaac-aden","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/isaac-aden\/","title":{"rendered":"Isaac Aden"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_2242\"><audio class=\"wp-audio-shortcode\" id=\"audio-13967-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interview\/2023\/IsaacAden.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interview\/2023\/IsaacAden.mp3\">https:\/\/museumofnonvisibleart.com\/interview\/2023\/IsaacAden.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-14001\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/IMG_8643-3.jpg?resize=696%2C522&#038;ssl=1\" alt=\"\" width=\"696\" height=\"522\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/IMG_8643-3-scaled.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/IMG_8643-3-scaled.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/IMG_8643-3-scaled.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/IMG_8643-3-scaled.jpg?resize=1536%2C1152&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/IMG_8643-3-scaled.jpg?resize=2048%2C1536&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/IMG_8643-3-scaled.jpg?resize=696%2C522&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/IMG_8643-3-scaled.jpg?resize=1068%2C801&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/IMG_8643-3-scaled.jpg?resize=1920%2C1440&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/IMG_8643-3-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><a href=\"https:\/\/davidrichardgallery.com\/artist\/1366-isaac-aden\">Isaac Aden<\/a> is an American artist. Aden\u2019s work has always engaged painting from the periphery and approached content as a conceptualist. Deeply informed by Art history, Aden implements a structuralist theory developed Rosalind Krauss in her seminal text <i>Sculpture in the Expanded Field <\/i>to painting. One aspect of Aden\u2019s work remains true to the tradition of painting while the other veers into new territory.<\/p>\n<p>Aden has exhibited internationally, including: dOCUMENTA 13, MassMOCA, The Fidericianum, White Box, Kassel Werkstadt, Gallerie Rasch, Ulrike Petschel Gallerie, Ethan Cohen Fine Art, SPRING\/BREAK, Art Miami, Contemporary Istanbul, VOLTA Basel, Sotheby\u2019s, The Jerome A. Cohen and Joan Lebold Cohen Center for Art. The Bertha and Karl Luebsdorf Gallery, The International Gallery of Contemporary Art, The Parthenon Museum, The New York Public Library and the World Trade Center. He has been awarded Fellowships from the Kossak Foundation, Creative Capital, The New York Foundation for the Arts and the United States State Department.<\/p>\n<figure id=\"attachment_14002\" aria-describedby=\"caption-attachment-14002\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14002\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/1-Isaac-Aden-GF.jpg?resize=696%2C527&#038;ssl=1\" alt=\"\" width=\"696\" height=\"527\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/1-Isaac-Aden-GF.jpg?resize=1024%2C775&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/1-Isaac-Aden-GF.jpg?resize=300%2C227&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/1-Isaac-Aden-GF.jpg?resize=768%2C581&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/1-Isaac-Aden-GF.jpg?resize=1536%2C1162&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/1-Isaac-Aden-GF.jpg?resize=696%2C526&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/1-Isaac-Aden-GF.jpg?resize=1068%2C808&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/1-Isaac-Aden-GF.jpg?w=1741&amp;ssl=1 1741w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/1-Isaac-Aden-GF.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-14002\" class=\"wp-caption-text\">Isaac Aden, The Numinous Sublime (installation view), 2021, oil on canvas, 144 x 108 each in., Photography by Yao Zu Lu, courtesy of David Richard Gallery<\/figcaption><\/figure>\n<figure id=\"attachment_14003\" aria-describedby=\"caption-attachment-14003\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14003\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Screen-Shot-2023-09-07-at-12.38.30-PM.png?resize=696%2C519&#038;ssl=1\" alt=\"\" width=\"696\" height=\"519\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Screen-Shot-2023-09-07-at-12.38.30-PM.png?resize=1024%2C763&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Screen-Shot-2023-09-07-at-12.38.30-PM.png?resize=300%2C223&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Screen-Shot-2023-09-07-at-12.38.30-PM.png?resize=768%2C572&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Screen-Shot-2023-09-07-at-12.38.30-PM.png?resize=1536%2C1144&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Screen-Shot-2023-09-07-at-12.38.30-PM.png?resize=696%2C518&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Screen-Shot-2023-09-07-at-12.38.30-PM.png?resize=1068%2C795&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Screen-Shot-2023-09-07-at-12.38.30-PM.png?w=1904&amp;ssl=1 1904w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Screen-Shot-2023-09-07-at-12.38.30-PM.png?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-14003\" class=\"wp-caption-text\">Isaac Aden, The Luminous Sublime (for John Friedrick Kensett), 2023, oil on canvas, 144 x 324 in., and Saturn Devouring His Son, 2021, oil on canvas 144 x 108 in., Photography by Yao Zu Lu, courtesy of David Richard Gallery<\/figcaption><\/figure>\n<figure id=\"attachment_14004\" aria-describedby=\"caption-attachment-14004\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14004\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/AdenIsaac-The-Numinous-Sublime-installation-view-10.jpg?resize=696%2C427&#038;ssl=1\" alt=\"\" width=\"696\" height=\"427\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/AdenIsaac-The-Numinous-Sublime-installation-view-10.jpg?resize=1024%2C628&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/AdenIsaac-The-Numinous-Sublime-installation-view-10.jpg?resize=300%2C184&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/AdenIsaac-The-Numinous-Sublime-installation-view-10.jpg?resize=768%2C471&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/AdenIsaac-The-Numinous-Sublime-installation-view-10.jpg?resize=1536%2C942&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/AdenIsaac-The-Numinous-Sublime-installation-view-10.jpg?resize=696%2C427&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/AdenIsaac-The-Numinous-Sublime-installation-view-10.jpg?resize=1068%2C655&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/AdenIsaac-The-Numinous-Sublime-installation-view-10.jpg?w=1800&amp;ssl=1 1800w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/AdenIsaac-The-Numinous-Sublime-installation-view-10.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-14004\" class=\"wp-caption-text\">Isaac Aden, The Numinous Sublime (installation view), 2021, oil on canvas, 144 x 108 each in., Photography by Yao Zu Lu, courtesy of David Richard Gallery<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interview\/2023\/IsaacAden.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listIsaac Aden is an American artist. Aden\u2019s work has always engaged painting from the periphery and approached content as a conceptualist. Deeply informed by Art history, Aden implements a structuralist theory developed Rosalind Krauss in her seminal text Sculpture in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":14003,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-13967","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Screen-Shot-2023-09-07-at-12.38.30-PM.png?fit=1904%2C1418&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-3Dh","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/13967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=13967"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/13967\/revisions"}],"predecessor-version":[{"id":14005,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/13967\/revisions\/14005"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/14003"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=13967"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=13967"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=13967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}