{"id":13490,"date":"2023-02-23T13:48:34","date_gmt":"2023-02-23T18:48:34","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=13490"},"modified":"2023-02-24T12:21:23","modified_gmt":"2023-02-24T17:21:23","slug":"bruno-dunley","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/bruno-dunley\/","title":{"rendered":"Bruno Dunley"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_2023\"><audio class=\"wp-audio-shortcode\" id=\"audio-13490-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interview\/2023\/brunodunley.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interview\/2023\/brunodunley.mp3\">https:\/\/museumofnonvisibleart.com\/interview\/2023\/brunodunley.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_13492\" aria-describedby=\"caption-attachment-13492\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-13492 size-medium\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/Portrait_Bruno_Dunley_Photo-Maxwell_Matias.jpg?resize=300%2C200&#038;ssl=1\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/Portrait_Bruno_Dunley_Photo-Maxwell_Matias-scaled.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/Portrait_Bruno_Dunley_Photo-Maxwell_Matias-scaled.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/Portrait_Bruno_Dunley_Photo-Maxwell_Matias-scaled.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/Portrait_Bruno_Dunley_Photo-Maxwell_Matias-scaled.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/Portrait_Bruno_Dunley_Photo-Maxwell_Matias-scaled.jpg?resize=2048%2C1365&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/Portrait_Bruno_Dunley_Photo-Maxwell_Matias-scaled.jpg?resize=696%2C464&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/Portrait_Bruno_Dunley_Photo-Maxwell_Matias-scaled.jpg?resize=1068%2C712&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/Portrait_Bruno_Dunley_Photo-Maxwell_Matias-scaled.jpg?resize=1920%2C1280&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/Portrait_Bruno_Dunley_Photo-Maxwell_Matias-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-13492\" class=\"wp-caption-text\">Bruno Dunley. Photo: Maxwell Matias \/ @kief.m<\/figcaption><\/figure>\n<p>The work of <a href=\"https:\/\/nararoesler.art\/en\/exhibitions\/231\/\">Bruno Dunley<\/a> questions the specificity of painting, particularly in relation to representation and materiality. His paintings depart from carefully constructed compositions, which he gradually begins to correct,alter, and cover up, frequently revealing the lacunae in the apparent continuity of perception. Bruno Dunley is part of a new generation of Brazilian painters called 200e8 group. The collective, based in S\u00e3o Paulo, was founded with a common interest in painting, to enable its eight members to develop a critical approach to painting within the contemporary art scene. Dunley\u2019s work begins with found images and with an analysis of the nature of painting, where language codes such as gesture, plane, surface, and representation are understood as an alphabet. Recently, his practice has shifted towards gestural abstraction, all while maintaining his interest for representation.<\/p>\n<p>As stated by the artist \u201cI see my work as a series of questions and affirmations about the possibilities of painting, about its essence and our expectations of it.\u201d Often, a single color predominates the surface of his compositions, establishing a minimalist language and a meditative quality, that is frequently addressed in critical texts about his work. More recently, the artist has shown an interest for more aggressive composition, expressed through vibrant and contrasting colors. The 200e8&#8217;s practices stipulate that stable or preconceived ideas about artistic processes should be abandoned, and procedures continually reformulated. In the work of Dunley, promises are made and consequently broken, testing the limits of the viewer\u2019s tension.<\/p>\n<p>Bruno Dunley was born in 1984 in Petropolis, Brazil. He lives and work in S\u00e3o Paulo. Recent solo shows and projects include:\u00a0<em>Vir\u00e1,\u00a0<\/em>at Nara Roesler (2020), in S\u00e3o Paulo, Brazil;<i>The Mirror<\/i>, at Nara Roesler (2018), in New York, USA;\u00a0<i>Dil\u00favio<\/i>, at SIM Galeria (2018), in Curitiba, Brazil;\u00a0<i>Ru\u00eddo<\/i>, at Nara Roesler (2015), in Rio de Janeiro, Brazil;\u00a0<i>e<\/i>, at Centro Universit\u00e1rio Maria Antonia (CEUMA) (2013), in S\u00e3o Paulo, Brazil. He participated in the 33th Bienal de S\u00e3o Paulo, S\u00e3o Paulo, Brazil (2018). Recent group shows include:\u00a0<i>Entre tanto,\u00a0<\/i>at Casa de Cultura do Parque (CCP) (2020), and many others.<\/p>\n<figure id=\"attachment_13497\" aria-describedby=\"caption-attachment-13497\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-13497 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51895_BD_FlavioFreire_high_1.jpg?resize=696%2C464&#038;ssl=1\" alt=\"\" width=\"696\" height=\"464\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51895_BD_FlavioFreire_high_1-scaled.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51895_BD_FlavioFreire_high_1-scaled.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51895_BD_FlavioFreire_high_1-scaled.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51895_BD_FlavioFreire_high_1-scaled.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51895_BD_FlavioFreire_high_1-scaled.jpg?resize=2048%2C1365&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51895_BD_FlavioFreire_high_1-scaled.jpg?resize=696%2C464&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51895_BD_FlavioFreire_high_1-scaled.jpg?resize=1068%2C712&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51895_BD_FlavioFreire_high_1-scaled.jpg?resize=1920%2C1280&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51895_BD_FlavioFreire_high_1-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-13497\" class=\"wp-caption-text\">Cloud VIII, 2022 cont\u00e9 crayon, pastel chalk and charcoal on paper 29,7 x 21 cm 11.7 x 8.3 in. Courtesy the artist and Nara Roesler.<\/figcaption><\/figure>\n<figure id=\"attachment_13496\" aria-describedby=\"caption-attachment-13496\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-13496 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/50874_BD_FlavioFreire_high_1.jpg?resize=696%2C464&#038;ssl=1\" alt=\"\" width=\"696\" height=\"464\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/50874_BD_FlavioFreire_high_1-scaled.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/50874_BD_FlavioFreire_high_1-scaled.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/50874_BD_FlavioFreire_high_1-scaled.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/50874_BD_FlavioFreire_high_1-scaled.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/50874_BD_FlavioFreire_high_1-scaled.jpg?resize=2048%2C1365&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/50874_BD_FlavioFreire_high_1-scaled.jpg?resize=696%2C464&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/50874_BD_FlavioFreire_high_1-scaled.jpg?resize=1068%2C712&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/50874_BD_FlavioFreire_high_1-scaled.jpg?resize=1920%2C1280&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/50874_BD_FlavioFreire_high_1-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-13496\" class=\"wp-caption-text\">The obvious, 2022 oil paint on canvas 170 x 140,5 x 4 cm 66.9 x 55.3 x 1.6 in. Courtesy the artist and Nara Roesler.<\/figcaption><\/figure>\n<figure id=\"attachment_13498\" aria-describedby=\"caption-attachment-13498\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-13498 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51877_BD_FlavioFreire_high_1.jpg?resize=696%2C464&#038;ssl=1\" alt=\"\" width=\"696\" height=\"464\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51877_BD_FlavioFreire_high_1-scaled.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51877_BD_FlavioFreire_high_1-scaled.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51877_BD_FlavioFreire_high_1-scaled.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51877_BD_FlavioFreire_high_1-scaled.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51877_BD_FlavioFreire_high_1-scaled.jpg?resize=2048%2C1365&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51877_BD_FlavioFreire_high_1-scaled.jpg?resize=696%2C464&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51877_BD_FlavioFreire_high_1-scaled.jpg?resize=1068%2C712&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51877_BD_FlavioFreire_high_1-scaled.jpg?resize=1920%2C1280&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51877_BD_FlavioFreire_high_1-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-13498\" class=\"wp-caption-text\">Maze, 2021 oil paint on canvas 200 x 250,5 x 4 cm 78.7 x 98.6 x 1.6 in. Courtesy the artist and Nara Roesler.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interview\/2023\/brunodunley.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listThe work of Bruno Dunley questions the specificity of painting, particularly in relation to representation and materiality. His paintings depart from carefully constructed compositions, which he gradually begins to correct,alter, and cover up, frequently revealing the lacunae in the apparent [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13498,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-13490","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/02\/51877_BD_FlavioFreire_high_1-scaled.jpg?fit=2560%2C1707&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-3vA","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/13490","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=13490"}],"version-history":[{"count":4,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/13490\/revisions"}],"predecessor-version":[{"id":13500,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/13490\/revisions\/13500"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/13498"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=13490"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=13490"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=13490"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}