{"id":13261,"date":"2023-01-02T13:54:02","date_gmt":"2023-01-02T18:54:02","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=13261"},"modified":"2023-01-02T13:54:02","modified_gmt":"2023-01-02T18:54:02","slug":"arin-dwihartanto-sunaryo","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/arin-dwihartanto-sunaryo\/","title":{"rendered":"Arin Dwihartanto Sunaryo"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_5465\"><audio class=\"wp-audio-shortcode\" id=\"audio-13261-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interview\/2022\/ArinDwihartantoSunaryo.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interview\/2022\/ArinDwihartantoSunaryo.mp3\">https:\/\/museumofnonvisibleart.com\/interview\/2022\/ArinDwihartantoSunaryo.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_13268\" aria-describedby=\"caption-attachment-13268\" style=\"width: 225px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-13268 size-medium\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo.-Profile-2022.jpg?resize=225%2C300&#038;ssl=1\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo.-Profile-2022-scaled.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo.-Profile-2022-scaled.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo.-Profile-2022-scaled.jpg?resize=1152%2C1536&amp;ssl=1 1152w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo.-Profile-2022-scaled.jpg?resize=1536%2C2048&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo.-Profile-2022-scaled.jpg?resize=696%2C928&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo.-Profile-2022-scaled.jpg?resize=1068%2C1424&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo.-Profile-2022-scaled.jpg?w=1920&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo.-Profile-2022-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><figcaption id=\"caption-attachment-13268\" class=\"wp-caption-text\">Arin Dwihartanto Sunaryo<\/figcaption><\/figure>\n<p>Arin Dwihartanto Sunaryo (b. 1978, Bandung, Indonesia) is an artist based in Bandung, Indonesia who received his Bachelor\u2019s Degree in Painting from Bandung Institute of Technology (2001) and a Master\u2019s in Fine Art from Central Saint Martins (2005). Sunaryo is interested in the utilization of resin as a medium that captures minerals, pigments, and other particles in various states of flux within a sense of stasis. Working initially with more industrial pigments, he has more recently worked with volcanic ash, perishable food ingredients, as well as crude palm oil and converted them into his own distinctive pigments.<\/p>\n<p>Sunaryo\u2019s work has been featured in numerous exhibitions in Southeast Asia, Europe, the UK, and USA, including <em>No Country: Contemporary Art for South and Southeast Asia<\/em> (2014) at the Solomon R. Guggenheim Museum, New York, USA. Selected solo exhibitions include <em>Arin Dwihartanto Sunaryo: New Paintings<\/em> (2021) at Art Basel OVR: Portals presentation by <a href=\"https:\/\/rohprojects.net\/\">ROH Projects<\/a>; <em>ARGO<\/em> (2019) at Simon Lee Gallery, London, UK; <em>after taste<\/em> (2017) at Sullivan+Strumpf, Sydney, Australia; <em>Silent Salvo<\/em> (2015) at ARNDT Gallery, Berlin, Germany; and group shows include <a href=\"https:\/\/www.silverlensgalleries.com\/exhibitions\/2022-11-16\/external-entrails\"><em>External Entrails<\/em> (2022)<\/a> at <a href=\"https:\/\/www.silverlensgalleries.com\/\">Silverlens<\/a> New York, New York, USA; <em>IRL<\/em> (2020) at Art Basel OVR: 2020; <em>Ripples: Continuity in Indonesian Contemporary Art<\/em> (2019) at Taipei Dangdai, Taiwan; <em>These Painter\u2019s Painters<\/em> (2018) at ROH Projects, Jakarta, Indonesia; <em>iris<\/em> (2018) at Silverlens Galleries, Manila, Philippines; <em>\u03c9<\/em> (2017) at Edouard Malingue Gallery, Hong Kong; Biennale Jogja XIV: Age of Hope (2017) in Yogyakarta, Indonesia; <em>Constituent Concreteness<\/em> (2017) at Mizuma Gallery, Singapore; <em>Lines of Flight<\/em> (2017) at Gallery Exit, Hong Kong; <em>Lompat Pagar\/Crossing Borders<\/em> (2015) at National Gallery of Indonesia, Jakarta, Indonesia; <em>Marcel Duchamp in Southeast Asia<\/em> (2012), Equator Art Project, Gillman Barracks, Singapore; and <em>Manifesto<\/em> (2008), National Gallery of Indonesia, Jakarta, Indonesia. Sunaryo was nominated as a Finalist for Best Emerging Artist using Painting by the Prudential Eye Awards in 2015; and a Finalist in the Sovereign Asia Art Prize in 2010.<\/p>\n<figure id=\"attachment_13269\" aria-describedby=\"caption-attachment-13269\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-13269 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo.-Liniresin-Bongkah-1-2009-2022.-Pigmented-resin.-Variable-dimension.-Installation-shot-at-Silverlens-New-York.-Courtesy-of-The-Artist-ROH-and-Silverlens.jpg?resize=696%2C464&#038;ssl=1\" alt=\"\" width=\"696\" height=\"464\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo.-Liniresin-Bongkah-1-2009-2022.-Pigmented-resin.-Variable-dimension.-Installation-shot-at-Silverlens-New-York.-Courtesy-of-The-Artist-ROH-and-Silverlens.jpg?resize=1024%2C682&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo.-Liniresin-Bongkah-1-2009-2022.-Pigmented-resin.-Variable-dimension.-Installation-shot-at-Silverlens-New-York.-Courtesy-of-The-Artist-ROH-and-Silverlens.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo.-Liniresin-Bongkah-1-2009-2022.-Pigmented-resin.-Variable-dimension.-Installation-shot-at-Silverlens-New-York.-Courtesy-of-The-Artist-ROH-and-Silverlens.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo.-Liniresin-Bongkah-1-2009-2022.-Pigmented-resin.-Variable-dimension.-Installation-shot-at-Silverlens-New-York.-Courtesy-of-The-Artist-ROH-and-Silverlens.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo.-Liniresin-Bongkah-1-2009-2022.-Pigmented-resin.-Variable-dimension.-Installation-shot-at-Silverlens-New-York.-Courtesy-of-The-Artist-ROH-and-Silverlens.jpg?resize=696%2C464&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo.-Liniresin-Bongkah-1-2009-2022.-Pigmented-resin.-Variable-dimension.-Installation-shot-at-Silverlens-New-York.-Courtesy-of-The-Artist-ROH-and-Silverlens.jpg?resize=1068%2C712&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo.-Liniresin-Bongkah-1-2009-2022.-Pigmented-resin.-Variable-dimension.-Installation-shot-at-Silverlens-New-York.-Courtesy-of-The-Artist-ROH-and-Silverlens.jpg?resize=1920%2C1280&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo.-Liniresin-Bongkah-1-2009-2022.-Pigmented-resin.-Variable-dimension.-Installation-shot-at-Silverlens-New-York.-Courtesy-of-The-Artist-ROH-and-Silverlens.jpg?w=2000&amp;ssl=1 2000w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo.-Liniresin-Bongkah-1-2009-2022.-Pigmented-resin.-Variable-dimension.-Installation-shot-at-Silverlens-New-York.-Courtesy-of-The-Artist-ROH-and-Silverlens.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-13269\" class=\"wp-caption-text\">Arin Dwihartanto Sunaryo. Liniresin (Bongkah #1), 2009-2022. Pigmented resin. Variable dimension. Installation shot at Silverlens New York. Courtesy of The Artist, ROH and Silverlens.<\/figcaption><\/figure>\n<figure id=\"attachment_13270\" aria-describedby=\"caption-attachment-13270\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-13270 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo-Liniresin-Sawit-3-2022.-Palm-oil-charcoal-fiber-and-pigmented-resin-mounted-on-wooden-panel.-200-x-200-x-55-cm.-Courtesy-of-The-Artist-and-ROH.jpg?resize=696%2C696&#038;ssl=1\" alt=\"\" width=\"696\" height=\"696\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo-Liniresin-Sawit-3-2022.-Palm-oil-charcoal-fiber-and-pigmented-resin-mounted-on-wooden-panel.-200-x-200-x-55-cm.-Courtesy-of-The-Artist-and-ROH-scaled.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo-Liniresin-Sawit-3-2022.-Palm-oil-charcoal-fiber-and-pigmented-resin-mounted-on-wooden-panel.-200-x-200-x-55-cm.-Courtesy-of-The-Artist-and-ROH-scaled.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo-Liniresin-Sawit-3-2022.-Palm-oil-charcoal-fiber-and-pigmented-resin-mounted-on-wooden-panel.-200-x-200-x-55-cm.-Courtesy-of-The-Artist-and-ROH-scaled.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo-Liniresin-Sawit-3-2022.-Palm-oil-charcoal-fiber-and-pigmented-resin-mounted-on-wooden-panel.-200-x-200-x-55-cm.-Courtesy-of-The-Artist-and-ROH-scaled.jpg?resize=1536%2C1536&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo-Liniresin-Sawit-3-2022.-Palm-oil-charcoal-fiber-and-pigmented-resin-mounted-on-wooden-panel.-200-x-200-x-55-cm.-Courtesy-of-The-Artist-and-ROH-scaled.jpg?resize=2048%2C2048&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo-Liniresin-Sawit-3-2022.-Palm-oil-charcoal-fiber-and-pigmented-resin-mounted-on-wooden-panel.-200-x-200-x-55-cm.-Courtesy-of-The-Artist-and-ROH-scaled.jpg?resize=696%2C696&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo-Liniresin-Sawit-3-2022.-Palm-oil-charcoal-fiber-and-pigmented-resin-mounted-on-wooden-panel.-200-x-200-x-55-cm.-Courtesy-of-The-Artist-and-ROH-scaled.jpg?resize=1068%2C1068&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo-Liniresin-Sawit-3-2022.-Palm-oil-charcoal-fiber-and-pigmented-resin-mounted-on-wooden-panel.-200-x-200-x-55-cm.-Courtesy-of-The-Artist-and-ROH-scaled.jpg?resize=1920%2C1920&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo-Liniresin-Sawit-3-2022.-Palm-oil-charcoal-fiber-and-pigmented-resin-mounted-on-wooden-panel.-200-x-200-x-55-cm.-Courtesy-of-The-Artist-and-ROH-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-13270\" class=\"wp-caption-text\">Arin Dwihartanto Sunaryo, Liniresin (Sawit #3), 2022. Palm oil charcoal, fiber and pigmented resin mounted on wooden panel. 200 x 200 x 5,5 cm. Courtesy of The Artist and ROH.<\/figcaption><\/figure>\n<figure id=\"attachment_13271\" aria-describedby=\"caption-attachment-13271\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-13271 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/External-Entrails-2022-2023.-Installation-shot-at-Silverlens-New-York.-Courtesy-of-The-Artist-ROH-and-Silverlens.jpg?resize=696%2C464&#038;ssl=1\" alt=\"\" width=\"696\" height=\"464\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/External-Entrails-2022-2023.-Installation-shot-at-Silverlens-New-York.-Courtesy-of-The-Artist-ROH-and-Silverlens.jpg?resize=1024%2C682&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/External-Entrails-2022-2023.-Installation-shot-at-Silverlens-New-York.-Courtesy-of-The-Artist-ROH-and-Silverlens.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/External-Entrails-2022-2023.-Installation-shot-at-Silverlens-New-York.-Courtesy-of-The-Artist-ROH-and-Silverlens.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/External-Entrails-2022-2023.-Installation-shot-at-Silverlens-New-York.-Courtesy-of-The-Artist-ROH-and-Silverlens.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/External-Entrails-2022-2023.-Installation-shot-at-Silverlens-New-York.-Courtesy-of-The-Artist-ROH-and-Silverlens.jpg?resize=696%2C464&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/External-Entrails-2022-2023.-Installation-shot-at-Silverlens-New-York.-Courtesy-of-The-Artist-ROH-and-Silverlens.jpg?resize=1068%2C712&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/External-Entrails-2022-2023.-Installation-shot-at-Silverlens-New-York.-Courtesy-of-The-Artist-ROH-and-Silverlens.jpg?resize=1920%2C1280&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/External-Entrails-2022-2023.-Installation-shot-at-Silverlens-New-York.-Courtesy-of-The-Artist-ROH-and-Silverlens.jpg?w=2000&amp;ssl=1 2000w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/External-Entrails-2022-2023.-Installation-shot-at-Silverlens-New-York.-Courtesy-of-The-Artist-ROH-and-Silverlens.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-13271\" class=\"wp-caption-text\">External Entrails, 2022-2023. Installation shot at Silverlens New York. Courtesy of The Artist, ROH and Silverlens.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interview\/2022\/ArinDwihartantoSunaryo.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listArin Dwihartanto Sunaryo (b. 1978, Bandung, Indonesia) is an artist based in Bandung, Indonesia who received his Bachelor\u2019s Degree in Painting from Bandung Institute of Technology (2001) and a Master\u2019s in Fine Art from Central Saint Martins (2005). Sunaryo is [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13270,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-13261","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/01\/Arin-Dwihartanto-Sunaryo-Liniresin-Sawit-3-2022.-Palm-oil-charcoal-fiber-and-pigmented-resin-mounted-on-wooden-panel.-200-x-200-x-55-cm.-Courtesy-of-The-Artist-and-ROH-scaled.jpg?fit=2560%2C2560&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-3rT","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/13261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=13261"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/13261\/revisions"}],"predecessor-version":[{"id":13272,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/13261\/revisions\/13272"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/13270"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=13261"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=13261"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=13261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}