{"id":13217,"date":"2022-12-14T13:57:44","date_gmt":"2022-12-14T18:57:44","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=13217"},"modified":"2022-12-14T14:30:45","modified_gmt":"2022-12-14T19:30:45","slug":"jodi-hays","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/jodi-hays\/","title":{"rendered":"Jodi Hays"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_4467\"><audio class=\"wp-audio-shortcode\" id=\"audio-13217-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interview\/2022\/JodiHayes.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interview\/2022\/JodiHayes.mp3\">https:\/\/museumofnonvisibleart.com\/interview\/2022\/JodiHayes.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p class=\"p1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13224 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/12\/IMG-6110.jpg?resize=258%2C300&#038;ssl=1\" alt=\"\" width=\"258\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/12\/IMG-6110.jpg?resize=258%2C300&amp;ssl=1 258w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/12\/IMG-6110.jpg?w=604&amp;ssl=1 604w\" sizes=\"auto, (max-width: 258px) 100vw, 258px\" \/>Jodi Hays (b. 1976) is a Nashville-based artist whose work explores the material vocabulary of the American South through reclaimed and repurposed cardboard, textiles, and fabrics that resemble screen doors, old boards, and sign paintings. She is a 2019 Finalist for the Hopper Prize. Her work has been seen most recently in a solo exhibition at Night Gallery, Los Angeles.<\/p>\n<p class=\"p1\">Jodi Hays and Michi Meko come together in <span class=\"s1\">The Burden of Wait <\/span>to present a selection of works rooted in their shared focus, the Southern landscape. Hays employs reclaimed cardboard, dyed fabrics, and other quotidian materials to explore the visual lexicon of the American South. She describes her practice as \u201ca southern povera,\u201d calling upon the use of unconventional and humble materials. Hays&#8217; work is further inspired by the material habits of Robert Rauschenberg and the rituals and repetitions of Beverly Buchanan. Through her deliberate use of found material, the artist visualizes the resourceful labor of women in the South as those that make, stack, sew, mend, and fix.<\/p>\n<figure id=\"attachment_13218\" aria-describedby=\"caption-attachment-13218\" style=\"width: 724px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-13218 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/12\/hayes1.png?resize=696%2C570&#038;ssl=1\" alt=\"\" width=\"696\" height=\"570\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/12\/hayes1.png?w=724&amp;ssl=1 724w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/12\/hayes1.png?resize=300%2C246&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/12\/hayes1.png?resize=696%2C570&amp;ssl=1 696w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-13218\" class=\"wp-caption-text\">JODI HAYS Meridian, 2022 Dye, paper, ribbon and cardboard collage on panel 24 x 30 in. (JHY0006) Courtesy of Susan Inglett Gallery, NYC.<\/figcaption><\/figure>\n<figure id=\"attachment_13219\" aria-describedby=\"caption-attachment-13219\" style=\"width: 676px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-13219\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/12\/hayes2.png?resize=676%2C659&#038;ssl=1\" alt=\"\" width=\"676\" height=\"659\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/12\/hayes2.png?w=649&amp;ssl=1 649w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/12\/hayes2.png?resize=300%2C293&amp;ssl=1 300w\" sizes=\"auto, (max-width: 676px) 100vw, 676px\" \/><figcaption id=\"caption-attachment-13219\" class=\"wp-caption-text\">JODI HAYS May\/December , 2022 Dye, and cardboard collage on wood strainer 45 x 46 in. (JHY0007) Courtesy of Susan Inglett Gallery, NYC.<\/figcaption><\/figure>\n<figure id=\"attachment_13220\" aria-describedby=\"caption-attachment-13220\" style=\"width: 684px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-13220 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/12\/hayes3.png?resize=684%2C779&#038;ssl=1\" alt=\"\" width=\"684\" height=\"779\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/12\/hayes3.png?w=684&amp;ssl=1 684w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/12\/hayes3.png?resize=263%2C300&amp;ssl=1 263w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" \/><figcaption id=\"caption-attachment-13220\" class=\"wp-caption-text\">JODI HAYS Cotton, 2022 Dye, paper, and cardboard collage 71 x 56 in. (JHY0005) Courtesy of Susan Inglett Gallery, NYC.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interview\/2022\/JodiHayes.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listJodi Hays (b. 1976) is a Nashville-based artist whose work explores the material vocabulary of the American South through reclaimed and repurposed cardboard, textiles, and fabrics that resemble screen doors, old boards, and sign paintings. She is a 2019 Finalist [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13220,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-13217","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/12\/hayes3.png?fit=684%2C779&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-3rb","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/13217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=13217"}],"version-history":[{"count":5,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/13217\/revisions"}],"predecessor-version":[{"id":13227,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/13217\/revisions\/13227"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/13220"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=13217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=13217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=13217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}