{"id":13132,"date":"2022-11-28T18:24:01","date_gmt":"2022-11-28T23:24:01","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=13132"},"modified":"2022-11-29T09:33:36","modified_gmt":"2022-11-29T14:33:36","slug":"kathryn-spence","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/kathryn-spence\/","title":{"rendered":"Kathryn Spence"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_3959\"><audio class=\"wp-audio-shortcode\" id=\"audio-13132-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interview\/2022\/KathrynSpence.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interview\/2022\/KathrynSpence.mp3\">https:\/\/museumofnonvisibleart.com\/interview\/2022\/KathrynSpence.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><span style=\"color: #333333;\"><span class=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13141 alignleft\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/IMG_7562-300x229.jpeg\" alt=\"\" width=\"300\" height=\"229\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/IMG_7562-300x229.jpeg 300w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/IMG_7562-1024x781.jpeg 1024w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/IMG_7562-768x586.jpeg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/IMG_7562-696x531.jpeg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/IMG_7562-1068x814.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/IMG_7562.jpeg 1259w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><a href=\"https:\/\/petrabibeau.net\/Kathryn-Spence\">Kathryn Spence<\/a> has spent years compiling, sorting and transforming culture\u2019s discards into sculptural objects that reveal a human determination on the topic of sufficiency.\u00a0<\/span><span class=\"\">Fascinated with space, materiality, and objectness, she attends to materials conventionally wasted to produce installations and individual objects that act as a point of unhinging between the natural world and the controlled world.<\/span><\/span><\/p>\n<p>The show being discussed is <span class=\"\" style=\"color: #333333;\">Kathryn Spence at <a href=\"https:\/\/petrabibeau.net\/Kathryn-Spence\">P. Bibeau, <\/a><\/span><span class=\"\" style=\"color: #333333;\">September 9 &#8211; October 22, 2022.<\/span><\/p>\n<div class=\"\">\n<div class=\"\"><span style=\"color: #333333;\"><span class=\"\">Kathryn Spence<\/span><span class=\"\">\u00a0(b. 1963) resides in the Bay Area and is featured in numerous public collections including SFMOMA, National Gallery of Art, Washington D.C., U.C. Berkeley Art Museum, the Oakland Museum of California, Mills College at Northeastern University, the Denver\u00a0<\/span><span class=\"\">Art Museum, the San Jose Museum of Art, and the Santa Barbara Museum of Art.\u00a0<\/span><\/span><\/div>\n<div class=\"\"><br class=\"\" \/><span style=\"color: #333333;\"><span class=\"\">Museum solo exhibitions include the Aldrich Museum of Contemporary Art, 2012, Mills College Art Museum, Oakland, CA, 2010, the Johnson Museum at Cornell University, Ithaca, 2001, and the Kemper Museum of Contemporary Art, Kansas City, 1999.\u00a0<\/span><span class=\"\">Spence is a recipient of the Anonymous was a Woman award, the Eureka Fellowship, an Artadia award, and the Fleischhacker Foundation award. Her<\/span><span class=\"\">\u00a0&#8216;Pigeons&#8217; were recently on view at SFMOMA in \u2018Greater Than the Sum,\u2019 2021-22.\u00a0<\/span><span class=\"\">Spence showed for 18 years at Stephen Wirtz in San Francisco.<\/span><\/span><\/div>\n<\/div>\n<div>The books mentioned in the interview are: Douglas W. Tallamy, Nature\u2019s Best Hope: A New Approach to Conservation that Starts in Your Yard\u00a0 and E.O. Wilson, Half Earth.<\/div>\n<div><\/div>\n<div>\n<figure id=\"attachment_13142\" aria-describedby=\"caption-attachment-13142\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-13142 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/MG_2717-1024x803.jpeg\" alt=\"\" width=\"696\" height=\"546\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/MG_2717-1024x803.jpeg 1024w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/MG_2717-300x235.jpeg 300w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/MG_2717-768x602.jpeg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/MG_2717-1536x1204.jpeg 1536w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/MG_2717-2048x1606.jpeg 2048w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/MG_2717-696x546.jpeg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/MG_2717-1068x837.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/MG_2717-1920x1505.jpeg 1920w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-13142\" class=\"wp-caption-text\">Installation (close-up) P.Bibeau Gallery, 2019-22Socks, sweatpants, t-shirts, bed sheets, curtains, necktie, fabric scraps, found crocheted and knitted project parts, brown corduroy, yarn, cell phone ads, string, thread, mud, felt, wood, cardboard, pencil drawings, field guides, magazine scraps, stuffed animal fur, wax, plaster, plywood. Photo by Peter Sit.<\/figcaption><\/figure>\n<\/div>\n<div>\n<figure id=\"attachment_13143\" aria-describedby=\"caption-attachment-13143\" style=\"width: 683px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-13143 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/Kathryn-Spence_pbibeau_PeterSit_1-683x1024.jpeg\" alt=\"\" width=\"683\" height=\"1024\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/Kathryn-Spence_pbibeau_PeterSit_1-683x1024.jpeg 683w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/Kathryn-Spence_pbibeau_PeterSit_1-200x300.jpeg 200w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/Kathryn-Spence_pbibeau_PeterSit_1-768x1152.jpeg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/Kathryn-Spence_pbibeau_PeterSit_1-1024x1536.jpeg 1024w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/Kathryn-Spence_pbibeau_PeterSit_1-1365x2048.jpeg 1365w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/Kathryn-Spence_pbibeau_PeterSit_1-696x1044.jpeg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/Kathryn-Spence_pbibeau_PeterSit_1-1068x1602.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/Kathryn-Spence_pbibeau_PeterSit_1-1920x2880.jpeg 1920w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/Kathryn-Spence_pbibeau_PeterSit_1-scaled.jpeg 1707w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption id=\"caption-attachment-13143\" class=\"wp-caption-text\">\u2018Untitled, (Great gray owl)\u2019 2019-22:: Gray socks, sweatpants, t-shirts, fabric scraps, stuffed animal fur, cardboard, bird field guide pages, wax, wood. Photo by Peter Sit.<\/figcaption><\/figure>\n<\/div>\n<div>\n<figure id=\"attachment_13144\" aria-describedby=\"caption-attachment-13144\" style=\"width: 683px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-13144 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/Kathryn-Spence_pbibeau_PeterSit_016-683x1024.jpg\" alt=\"\" width=\"683\" height=\"1024\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/Kathryn-Spence_pbibeau_PeterSit_016-683x1024.jpg 683w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/Kathryn-Spence_pbibeau_PeterSit_016-200x300.jpg 200w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/Kathryn-Spence_pbibeau_PeterSit_016-768x1152.jpg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/Kathryn-Spence_pbibeau_PeterSit_016-1024x1536.jpg 1024w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/Kathryn-Spence_pbibeau_PeterSit_016-1365x2048.jpg 1365w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/Kathryn-Spence_pbibeau_PeterSit_016-696x1044.jpg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/Kathryn-Spence_pbibeau_PeterSit_016-1068x1602.jpg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/Kathryn-Spence_pbibeau_PeterSit_016-1920x2880.jpg 1920w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/11\/Kathryn-Spence_pbibeau_PeterSit_016-scaled.jpg 1707w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption id=\"caption-attachment-13144\" class=\"wp-caption-text\">&#8216;Untitled, (Boreal owl),\u2019 2019-22 Found crocheted and knitting project parts, scraps of fabric, yarn, fur from stuffed animals, field guide, cell phone ads, cardboard, thread, string, mud. Photo by Peter Sit.<\/figcaption><\/figure>\n<\/div>\n<div class=\"\"><\/div>\n<div class=\"\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interview\/2022\/KathrynSpence.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listKathryn Spence has spent years compiling, sorting and transforming culture\u2019s discards into sculptural objects that reveal a human determination on the topic of sufficiency.\u00a0Fascinated with space, materiality, and objectness, she attends to materials conventionally wasted to produce installations and individual [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13143,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-13132","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artists"],"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/13132","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=13132"}],"version-history":[{"count":4,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/13132\/revisions"}],"predecessor-version":[{"id":13156,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/13132\/revisions\/13156"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/13143"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=13132"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=13132"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=13132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}