{"id":12942,"date":"2022-09-29T21:15:56","date_gmt":"2022-09-30T01:15:56","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=12942"},"modified":"2022-09-30T10:44:24","modified_gmt":"2022-09-30T14:44:24","slug":"monia-ben-hamouda","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/monia-ben-hamouda\/","title":{"rendered":"Monia Ben Hamouda"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_5390\"><audio class=\"wp-audio-shortcode\" id=\"audio-12942-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interview\/2022\/MoniaBenHamouda.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interview\/2022\/MoniaBenHamouda.mp3\">https:\/\/museumofnonvisibleart.com\/interview\/2022\/MoniaBenHamouda.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><div class=\"\">\n<figure id=\"attachment_12945\" aria-describedby=\"caption-attachment-12945\" style=\"width: 272px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-12945 \" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/Monia-Ben-Hamouda-portrait.jpg?resize=272%2C408&#038;ssl=1\" alt=\"\" width=\"272\" height=\"408\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/Monia-Ben-Hamouda-portrait-scaled.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/Monia-Ben-Hamouda-portrait-scaled.jpg?resize=683%2C1024&amp;ssl=1 683w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/Monia-Ben-Hamouda-portrait-scaled.jpg?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/Monia-Ben-Hamouda-portrait-scaled.jpg?resize=1024%2C1536&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/Monia-Ben-Hamouda-portrait-scaled.jpg?resize=1365%2C2048&amp;ssl=1 1365w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/Monia-Ben-Hamouda-portrait-scaled.jpg?resize=696%2C1044&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/Monia-Ben-Hamouda-portrait-scaled.jpg?resize=1068%2C1602&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/Monia-Ben-Hamouda-portrait-scaled.jpg?resize=1920%2C2880&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/Monia-Ben-Hamouda-portrait-scaled.jpg?w=1707&amp;ssl=1 1707w\" sizes=\"auto, (max-width: 272px) 100vw, 272px\" \/><figcaption id=\"caption-attachment-12945\" class=\"wp-caption-text\">Monia Ben Hamouda, photo: Michele Gabriele<\/figcaption><\/figure>\n<p><span class=\"\" style=\"color: #000000;\"><a href=\"https:\/\/ashesonashes.com\/remarkably-clear-almost-invisible\">Monia Ben Hamouda<\/a> (b. 1991, Milan) lives and works between al-Qayrawan and Milan.\u00a0<\/span><span class=\"\" style=\"color: #000000;\">She graduated with a BA in Fine Arts from the Brera Academy of Fine Arts, Milan.\u00a0<\/span><span class=\"\" style=\"color: #000000;\">Previous positions include a visiting professorship at the Hochschule f\u00fcr Bildende K\u00fcnste in Dresden and a Master of Curating at Istituto Marangoni, Florence, and a seat in the jury at the Filmmaker Festival, Milan.\u00a0<\/span><\/p>\n<\/div>\n<div class=\"\">Her work has been presented in various venues including ChertL\u00fcdde, Berlin; <a href=\"https:\/\/ashesonashes.com\/remarkably-clear-almost-invisible\">ASHES\/ASHES<\/a>, New York; Ar\/Ge kunst Kunstverein, Bozen; Jevouspropose, Zurich; Museo Salvatore Ferragamo, Florence; Et.Al, San Francisco; Ada, Rome; Galerie Valeria Cetraro, Paris; Universit\u00e4tssammlungen Kunst, Dresden; Alios 16me Biennale d\u2019Art Contemporain, La Teste de Buch; Marselleria Permanent Exhibition, Milan. Awards include: Pollock-Krasner Foundation Grant (winner); VI Club Gamec Prize (finalist); TSI Art Award x Artissima (winner); Art Business Accelerator Grant, Artwork Archive and Redline Contemporary Art Center (winner); DUCATO Contemporary Art Prize\u00a0\u00a0(special prize winner).<\/div>\n<div class=\"\">\n<div class=\"gmail_default\">\n<div class=\"\">Additional information for Monia can be found on her\u00a0<a class=\"\" href=\"https:\/\/chertluedde.com\/artist\/monia-ben-hamouda\/\">artist page<\/a>.<\/div>\n<\/div>\n<div class=\"gmail_default\">\n<div class=\"\"><span class=\"\" style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\">The book she discussed in the interview is <\/span><a class=\"\" style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\" href=\"https:\/\/books.google.it\/books?id=1mAuN6eHAJ0C&amp;printsec=frontcover&amp;redir_esc=y#v=onepage&amp;q&amp;f=false\"><i class=\"\">The Big Something<\/i> by Ron Padgett<\/a><span style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\">.<\/span><\/div>\n<\/div>\n<div class=\"\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\" dir=\"auto\">\n<div>\n<figure id=\"attachment_12946\" aria-describedby=\"caption-attachment-12946\" style=\"width: 696px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-12946 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/17.-Monia-Ben-Hamouda-1.jpg?resize=696%2C870&#038;ssl=1\" alt=\"\" width=\"696\" height=\"870\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/17.-Monia-Ben-Hamouda-1-scaled.jpg?resize=819%2C1024&amp;ssl=1 819w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/17.-Monia-Ben-Hamouda-1-scaled.jpg?resize=240%2C300&amp;ssl=1 240w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/17.-Monia-Ben-Hamouda-1-scaled.jpg?resize=768%2C960&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/17.-Monia-Ben-Hamouda-1-scaled.jpg?resize=1229%2C1536&amp;ssl=1 1229w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/17.-Monia-Ben-Hamouda-1-scaled.jpg?resize=1638%2C2048&amp;ssl=1 1638w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/17.-Monia-Ben-Hamouda-1-scaled.jpg?resize=696%2C870&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/17.-Monia-Ben-Hamouda-1-scaled.jpg?resize=1068%2C1335&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/17.-Monia-Ben-Hamouda-1-scaled.jpg?resize=1920%2C2400&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/17.-Monia-Ben-Hamouda-1-scaled.jpg?w=2048&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/17.-Monia-Ben-Hamouda-1-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-12946\" class=\"wp-caption-text\">Monia Ben Hamouda Denial of a Red-Winged Blackbird (Aniconism As Figurative Urgency), 2022 laser-cut steel, spice powders, charcoal 86 1\/4 x 76 3\/8 x 3\/64 inches (219 x 194 x 0.3 centimeters). \u00a9 Monia Ben Hamouda, courtesy ASHES\/ASHES, New York and ChertL\u00fcdde, Berlin.<\/figcaption><\/figure>\n<\/div>\n<div>\n<figure id=\"attachment_12947\" aria-describedby=\"caption-attachment-12947\" style=\"width: 696px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-12947 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/22.-Monia-Ben-Hamouda-3.jpg?resize=696%2C870&#038;ssl=1\" alt=\"\" width=\"696\" height=\"870\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/22.-Monia-Ben-Hamouda-3-scaled.jpg?resize=819%2C1024&amp;ssl=1 819w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/22.-Monia-Ben-Hamouda-3-scaled.jpg?resize=240%2C300&amp;ssl=1 240w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/22.-Monia-Ben-Hamouda-3-scaled.jpg?resize=768%2C960&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/22.-Monia-Ben-Hamouda-3-scaled.jpg?resize=1229%2C1536&amp;ssl=1 1229w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/22.-Monia-Ben-Hamouda-3-scaled.jpg?resize=1638%2C2048&amp;ssl=1 1638w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/22.-Monia-Ben-Hamouda-3-scaled.jpg?resize=696%2C870&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/22.-Monia-Ben-Hamouda-3-scaled.jpg?resize=1068%2C1335&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/22.-Monia-Ben-Hamouda-3-scaled.jpg?resize=1920%2C2400&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/22.-Monia-Ben-Hamouda-3-scaled.jpg?w=2048&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/22.-Monia-Ben-Hamouda-3-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-12947\" class=\"wp-caption-text\">Monia Ben Hamouda Denial of a Red-Winged Blackbird (Aniconism As Figurative Urgency), 2022 laser-cut steel, spice powders, charcoal 86 1\/4 x 76 3\/8 x 3\/64 inches (219 x 194 x 0.3 centimeters). \u00a9 Monia Ben Hamouda, courtesy ASHES\/ASHES, New York and ChertL\u00fcdde, Berlin.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interview\/2022\/MoniaBenHamouda.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing list Monia Ben Hamouda (b. 1991, Milan) lives and works between al-Qayrawan and Milan.\u00a0She graduated with a BA in Fine Arts from the Brera Academy of Fine Arts, Milan.\u00a0Previous positions include a visiting professorship at the Hochschule f\u00fcr Bildende K\u00fcnste [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12946,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-12942","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/17.-Monia-Ben-Hamouda-1-scaled.jpg?fit=2048%2C2560&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-3mK","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/12942","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=12942"}],"version-history":[{"count":5,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/12942\/revisions"}],"predecessor-version":[{"id":12951,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/12942\/revisions\/12951"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/12946"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=12942"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=12942"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=12942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}