{"id":12868,"date":"2022-09-09T17:01:33","date_gmt":"2022-09-09T21:01:33","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=12868"},"modified":"2022-09-10T06:24:20","modified_gmt":"2022-09-10T10:24:20","slug":"anna-eva-bergman","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/anna-eva-bergman\/","title":{"rendered":"Anna-Eva Bergman"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_7720\"><audio class=\"wp-audio-shortcode\" id=\"audio-12868-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interview\/2022\/ThomasSchlesser.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interview\/2022\/ThomasSchlesser.mp3\">https:\/\/museumofnonvisibleart.com\/interview\/2022\/ThomasSchlesser.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12869 alignnone\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/UT4029-224x300.jpg\" alt=\"\" width=\"224\" height=\"300\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/UT4029-224x300.jpg 224w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/UT4029-766x1024.jpg 766w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/UT4029-768x1027.jpg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/UT4029-1149x1536.jpg 1149w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/UT4029-1532x2048.jpg 1532w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/UT4029-696x931.jpg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/UT4029-1068x1428.jpg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/UT4029-1920x2567.jpg 1920w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/UT4029-scaled.jpg 1915w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><a href=\"https:\/\/www.perrotin.com\/\">Perrotin New York<\/a> is pleased to present the first survey exhibition in the United States of the late Norwegian-born painter\u00a0Anna-Eva Bergman (1909-1987), entitled\u00a0<i class=\"\">Revelation<\/i>. A central figure in the development of European modernism,\u00a0Bergman\u00a0abstracted the landscapes of Norway into spiritually transcendent compositions. Despite Bergman\u2019s colorful life and\u00a0strikingly original creative output, there has yet to be such a spotlight on her talent \u2014 a situation that is soon to change,\u00a0given a major pair of retrospectives set to open at the Mus\u00e9e d\u2019Art Moderne de Paris and the National Museum of Oslo in\u00a02023.<\/p>\n<p>This interview is with Thomas Schlesser, the director of the Hans Hartung and Anna-Eva Bergman foundation.<\/p>\n<figure id=\"attachment_12870\" aria-describedby=\"caption-attachment-12870\" style=\"width: 696px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-12870 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/4-1024x975.jpeg\" alt=\"\" width=\"696\" height=\"663\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/4-1024x975.jpeg 1024w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/4-300x286.jpeg 300w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/4-768x731.jpeg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/4-1536x1463.jpeg 1536w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/4-696x663.jpeg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/4-1068x1017.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/4-1920x1828.jpeg 1920w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/4.jpeg 2048w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-12870\" class=\"wp-caption-text\">N\u00b063-1961 Big universe with small squares, 1961. Oil and metal sheet on canvas Framed: 198.2 \u00d7 208 \u00d7 6 cm. Photographer: Claire Dorn. \u00a9Anna-Eva Bergman \/ADAGP, Paris &amp; ARS, New York 2022. Courtesy Fondation Hartung -Bergman &amp; Perrotin<\/figcaption><\/figure>\n<figure id=\"attachment_12871\" aria-describedby=\"caption-attachment-12871\" style=\"width: 696px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-12871 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/9-879x1024.jpeg\" alt=\"\" width=\"696\" height=\"811\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/9-879x1024.jpeg 879w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/9-257x300.jpeg 257w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/9-768x895.jpeg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/9-1318x1536.jpeg 1318w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/9-696x811.jpeg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/9-1068x1245.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/9.jpeg 1757w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-12871\" class=\"wp-caption-text\">Anna-Eva Bergman N\u00b059-1962 Small golden fire on black, 1962 Tempera and metal sheet on canvas Unframed: 24 1\/16 x 19 11\/16 inch Framed: 25 7\/8 x 21 9\/16 x 1 9\/16 inch \u00a9Anna-Eva Bergman\/ADAGP, Paris &amp; ARS, New York 2022. Courtesy Fondation Hartung-Bergman &amp; Perrotin<\/figcaption><\/figure>\n<figure id=\"attachment_12872\" aria-describedby=\"caption-attachment-12872\" style=\"width: 696px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-12872 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/10-838x1024.jpeg\" alt=\"\" width=\"696\" height=\"850\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/10-838x1024.jpeg 838w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/10-245x300.jpeg 245w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/10-768x939.jpeg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/10-1256x1536.jpeg 1256w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/10-696x851.jpeg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/10-1068x1306.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/09\/10.jpeg 1675w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-12872\" class=\"wp-caption-text\">Anna-Eva Bergman N\u00b017-1976 Nunatak II, 1976 Acrylic and metal sheet on canvas Unframed: 98 7\/16 x 78 3\/4 inch Framed: 101 3\/8 x 81 9\/16 x 2 3\/8 inch \u00a9Anna-Eva Bergman\/ADAGP, Paris &amp; ARS, New York 2022. Courtesy Fondation Hartung-Bergman &amp; Perrotin<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interview\/2022\/ThomasSchlesser.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listPerrotin New York is pleased to present the first survey exhibition in the United States of the late Norwegian-born painter\u00a0Anna-Eva Bergman (1909-1987), entitled\u00a0Revelation. A central figure in the development of European modernism,\u00a0Bergman\u00a0abstracted the landscapes of Norway into spiritually transcendent compositions. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12870,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-12868","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artists"],"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/12868","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=12868"}],"version-history":[{"count":4,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/12868\/revisions"}],"predecessor-version":[{"id":12876,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/12868\/revisions\/12876"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/12870"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=12868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=12868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=12868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}