{"id":12600,"date":"2022-07-13T13:54:27","date_gmt":"2022-07-13T17:54:27","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=12600"},"modified":"2022-07-13T13:54:44","modified_gmt":"2022-07-13T17:54:44","slug":"alexandra-noel","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/alexandra-noel\/","title":{"rendered":"Alexandra Noel"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_7801\"><audio class=\"wp-audio-shortcode\" id=\"audio-12600-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/2022\/AlexandraNoel.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/2022\/AlexandraNoel.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/2022\/AlexandraNoel.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_12609\" aria-describedby=\"caption-attachment-12609\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-12609 size-medium\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/AN159-a.jpg?resize=300%2C245&#038;ssl=1\" alt=\"\" width=\"300\" height=\"245\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/AN159-a.jpg?resize=300%2C245&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/AN159-a.jpg?resize=1024%2C836&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/AN159-a.jpg?resize=768%2C627&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/AN159-a.jpg?resize=696%2C568&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/AN159-a.jpg?resize=1068%2C872&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/AN159-a.jpg?resize=514%2C420&amp;ssl=1 514w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/AN159-a.jpg?w=1400&amp;ssl=1 1400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-12609\" class=\"wp-caption-text\">Artist Portrait: \u201cY, a self portrait\u201d, 2019 4 x 5 x 1\u201d Oil and enamel on panel<\/figcaption><\/figure>\n<p><a href=\"https:\/\/www.derosia.nyc\/artists\/alexandra-noel\">Alexandra Noel<\/a> (b. 1989) currently lives and works in Los Angeles. She graduated with a BA in Visual Arts from the University of San Diego in 2011 and a MFA from Art Center College of Design in 2013.<\/p>\n<p>Alexandra Noel\u2019s small-scale paintings reveal uncanny assemblages of images. She concentrates on things depicted in a manner somewhere between surreal and familiar: newborns, home objects, and suburbia landscapes. She incorporates these aspects into far-flung imagined landscapes, tragic scenarios, and reinvented cinematic moments. The little panels hint at the size difference between human bodies and electronic devices. She zooms in, crops, stretches, and rescales her little panels as if they were images on screen. The audience is invited to view them from a very intimate perspective. Meanwhile, she emphasizes the tension between being sculptural and illusionistic. As a painter, Noel establishes a linguistic parallel to the dystopic and magical themes of her works by writing fiction that resembles the tone of poetry or a movie.<\/p>\n<p>Alexandra Noel lives and works in Los Angeles. Recent solo exhibitions include <em>Four, <\/em>Derosia, New York, US (forthcoming), <em>Table<\/em>, Crevecoeur, Paris, France, <em>Funny Looking, <\/em>Antenna Space, Shanghai, China, <em>There\u2019s a<\/em><em>lways something, <\/em>Derosia (Bodega), New York, US, <em>Master Planned, <\/em>Freedman Fitzpatrick, Paris, France, <em>Just a head, <\/em>Atlantis, Marseille, France, and <em>Theatre Road, <\/em>Parker Gallery, Los Angeles.<\/p>\n<p>Recent group exhibitions include <em>A Minor Constellation, <\/em>Chris Sharp Gallery, Los Angeles, (forthcoming) <em>Oh, Gods of Dust and Rainbows, <\/em>Cleveland Institute of Art<em>, <\/em>Front Triennial 2022, Cleveland, Ohio, <em>Chambres d\u2019Amis: Ikea, <\/em>Office Baroque, Antwerp, Belgium, <em>Particularities, <\/em>curated by Chris Sharp, X Museum, Beijing China, <em>Made in L.A. 2020: a version, <\/em>Hammer Museum and The Huntington, <em>Bolthole, <\/em>with Orion Martin, Potts, Los Angeles, <em>A Cloth Over a Birdcage, <\/em>Chateau Shatto, Los Angeles, <em>Metamorphoseon, <\/em>Galerie Sultana, Paris, France. Recent publications include \u201cThirty Stuffed Grape Leaves\u201d and \u201cRicky Rides Rick\u201d published by Apogee, Derosia and Holoholo and \u201cTake me out, please\u201d published by Bodega (Derosia) and saxpublishers.<\/p>\n<figure id=\"attachment_12611\" aria-describedby=\"caption-attachment-12611\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-12611 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/AN297-a.jpg?resize=640%2C771&#038;ssl=1\" alt=\"\" width=\"640\" height=\"771\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/AN297-a.jpg?resize=850%2C1024&amp;ssl=1 850w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/AN297-a.jpg?resize=249%2C300&amp;ssl=1 249w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/AN297-a.jpg?resize=768%2C925&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/AN297-a.jpg?resize=1275%2C1536&amp;ssl=1 1275w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/AN297-a.jpg?resize=696%2C838&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/AN297-a.jpg?resize=1068%2C1286&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/AN297-a.jpg?resize=349%2C420&amp;ssl=1 349w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/AN297-a.jpg?w=1400&amp;ssl=1 1400w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-12611\" class=\"wp-caption-text\">\u201cWedgies\u201d, 2022 2 \u00be x 4 \u00bd x \u00be\u201d (x2) Oil and enamel on two panels Currently on view at Front Triennial, Cleveland Institute of Art<\/figcaption><\/figure>\n<figure id=\"attachment_12612\" aria-describedby=\"caption-attachment-12612\" style=\"width: 8601px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-12612 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/Skyscape-Under-Table_SIDE-3.jpg?resize=696%2C464&#038;ssl=1\" alt=\"\" width=\"696\" height=\"464\" \/><figcaption id=\"caption-attachment-12612\" class=\"wp-caption-text\">\u201cSkyscape Under Table\u201d, 2022 4 x 4 \u00bd x 2 \u00be\u201d Oil and enamel on panel and wood Currently on view at Crevecoeur, Paris, France<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/2022\/AlexandraNoel.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listAlexandra Noel (b. 1989) currently lives and works in Los Angeles. She graduated with a BA in Visual Arts from the University of San Diego in 2011 and a MFA from Art Center College of Design in 2013. Alexandra Noel\u2019s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12612,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-12600","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/Skyscape-Under-Table_SIDE-3.jpg?fit=8601%2C5734&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-3he","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/12600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=12600"}],"version-history":[{"count":3,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/12600\/revisions"}],"predecessor-version":[{"id":12614,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/12600\/revisions\/12614"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/12612"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=12600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=12600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=12600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}