{"id":12598,"date":"2022-07-21T13:00:28","date_gmt":"2022-07-21T17:00:28","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=12598"},"modified":"2022-07-21T16:15:20","modified_gmt":"2022-07-21T20:15:20","slug":"marley-freeman","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/marley-freeman\/","title":{"rendered":"Marley Freeman"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_7628\"><audio class=\"wp-audio-shortcode\" id=\"audio-12598-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/2022\/marleyfreeman.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/2022\/marleyfreeman.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/2022\/marleyfreeman.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_12700\" aria-describedby=\"caption-attachment-12700\" style=\"width: 228px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-12700 size-medium\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/Marley-Freeman_Portrait-1064x1400-1.jpeg?resize=228%2C300&#038;ssl=1\" alt=\"\" width=\"228\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/Marley-Freeman_Portrait-1064x1400-1.jpeg?resize=228%2C300&amp;ssl=1 228w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/Marley-Freeman_Portrait-1064x1400-1.jpeg?resize=778%2C1024&amp;ssl=1 778w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/Marley-Freeman_Portrait-1064x1400-1.jpeg?resize=768%2C1011&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/Marley-Freeman_Portrait-1064x1400-1.jpeg?resize=696%2C916&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/Marley-Freeman_Portrait-1064x1400-1.jpeg?w=1064&amp;ssl=1 1064w\" sizes=\"auto, (max-width: 228px) 100vw, 228px\" \/><figcaption id=\"caption-attachment-12700\" class=\"wp-caption-text\">Marley Freeman Portrait by Sarah Rice, The New York Times<\/figcaption><\/figure>\n<p class=\"p1\"><a href=\"https:\/\/bookstore.karmakarma.org\/product\/marley-freeman\/\"><span class=\"s1\">Marley Freeman<\/span><\/a>\u00a0is a New York-based artist who combines the disciplines of abstract and representational painting. Her unique facture is characterized by the hand-mixed gesso, acrylic, and oils she uses to create meticulous, psychologically-charged color fields. Through this technical process, she studies the ways in which paint \u201cwants to perform.\u201d \u201cPigments have their own ways of acting,\u201d Freeman says, \u201cand I became obsessed with learning their traits.\u201d Freeman\u2019s distinct vocabulary of forms is made up of brushy strokes, color washes, and shapes that freely transform across the picture plane. The influence of textile design is evident in her close attention to the textural subtleties of her paints, and her reverence for their surface effects\u2014their impressions in the warp and weft of the canvas.<\/p>\n<p class=\"p1\">Freeman completed her MFA at the Milton Avery Graduate School of Arts at Bard College, New York, and her BFA at the School of the Art Institute of Chicago. Freeman\u2019s work can be found in the collections of the Whitney Museum of American Art, New York, New York; RISD Museum, Providence, Rhode Island; the San Antonio Museum of Art, San Antonio, Texas; and the Colorado University Art Museum, Bolder, Colorado.<\/p>\n<figure id=\"attachment_12701\" aria-describedby=\"caption-attachment-12701\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-12701 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/MF-21-054.jpg?resize=696%2C631&#038;ssl=1\" alt=\"\" width=\"696\" height=\"631\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/MF-21-054-scaled.jpg?resize=1024%2C929&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/MF-21-054-scaled.jpg?resize=300%2C272&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/MF-21-054-scaled.jpg?resize=768%2C696&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/MF-21-054-scaled.jpg?resize=1536%2C1393&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/MF-21-054-scaled.jpg?resize=2048%2C1857&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/MF-21-054-scaled.jpg?resize=696%2C631&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/MF-21-054-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-12701\" class=\"wp-caption-text\">Marley Freeman,\u00a0<i>tuned to existence<\/i>, 2021, Oil and acrylic on linen, 8\u215b x 9\u215b inches; 20.65 x 23.19 cm, 9\u00bc x 10\u00bc inches; 23.5 x 26 cm (framed)<\/figcaption><\/figure>\n<figure id=\"attachment_12702\" aria-describedby=\"caption-attachment-12702\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-12702 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/MF-21-056.jpg?resize=696%2C692&#038;ssl=1\" alt=\"\" width=\"696\" height=\"692\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/MF-21-056-scaled.jpg?resize=1024%2C1018&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/MF-21-056-scaled.jpg?resize=300%2C298&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/MF-21-056-scaled.jpg?resize=768%2C764&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/MF-21-056-scaled.jpg?resize=2048%2C2037&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/MF-21-056-scaled.jpg?resize=696%2C692&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/MF-21-056-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-12702\" class=\"wp-caption-text\">Marley Freeman,<i>\u00a0a self area<\/i>, 2021, Oil and acrylic on linen, 54 x 54\u215b inches; 137.2 x 137.5 cm, 54\u00be x 54\u215e inches; 139.1 x 139.4 cm (framed)<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/2022\/marleyfreeman.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listMarley Freeman\u00a0is a New York-based artist who combines the disciplines of abstract and representational painting. Her unique facture is characterized by the hand-mixed gesso, acrylic, and oils she uses to create meticulous, psychologically-charged color fields. Through this technical process, she [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12702,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-12598","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/07\/MF-21-056-scaled.jpg?fit=2560%2C2546&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-3hc","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/12598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=12598"}],"version-history":[{"count":5,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/12598\/revisions"}],"predecessor-version":[{"id":12706,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/12598\/revisions\/12706"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/12702"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=12598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=12598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=12598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}