{"id":12390,"date":"2022-04-21T15:56:55","date_gmt":"2022-04-21T19:56:55","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=12390"},"modified":"2022-04-22T18:54:27","modified_gmt":"2022-04-22T22:54:27","slug":"gabriel-de-la-mora","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/gabriel-de-la-mora\/","title":{"rendered":"Gabriel de la Mora"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_3745\"><audio class=\"wp-audio-shortcode\" id=\"audio-12390-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/GabrieldelaMora.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/GabrieldelaMora.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/GabrieldelaMora.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_12400\" aria-describedby=\"caption-attachment-12400\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-12400 size-medium\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/portrait.jpeg?resize=300%2C287&#038;ssl=1\" alt=\"\" width=\"300\" height=\"287\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/portrait.jpeg?resize=300%2C287&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/portrait.jpeg?resize=1024%2C979&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/portrait.jpeg?resize=768%2C734&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/portrait.jpeg?resize=696%2C666&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/portrait.jpeg?resize=1068%2C1021&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/portrait.jpeg?resize=439%2C420&amp;ssl=1 439w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/portrait.jpeg?w=1280&amp;ssl=1 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-12400\" class=\"wp-caption-text\">Photo Courtesy Perrotin and the artist.<\/figcaption><\/figure>\n<p><a href=\"https:\/\/www.perrotin.com\/artists\/gabriel_de_la_mora_\/455#news\">Gabriel de la Mora<\/a>, born in 1968 in Mexico City where he currently lives and works, is best known for constructing visual works from found, discarded, and obsolete objects. In an obsessive process of collecting and fragmenting materials &#8211; eggshells, shoe soles, speaker screens, feathers &#8211; the Mexican artist creates seemingly minimal and often monochrome-looking surfaces that belie great technical complexity, conceptual rigor, and embedded information.<\/p>\n<p>De la Mora has exhibited at the Drawing Center, New York, and the Museo Amparo, Puebla, Mexico. His work is part of collections including the Albright-Knox Art Gallery, Buffalo, New York; El Museo del Barrio, New York; Colecci\u00f3n Jumex, Mexico City; the Museum of Contemporary Art, Los Angeles; the Museum of Fine Arts, Houston; and P\u00e9rez Art Museum Miami.<\/p>\n<figure id=\"attachment_12401\" aria-describedby=\"caption-attachment-12401\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-12401 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/image1.jpg?resize=640%2C644&#038;ssl=1\" alt=\"\" width=\"640\" height=\"644\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/image1.jpg?resize=1017%2C1024&amp;ssl=1 1017w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/image1.jpg?resize=298%2C300&amp;ssl=1 298w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/image1.jpg?resize=768%2C773&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/image1.jpg?resize=696%2C701&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/image1.jpg?resize=1068%2C1075&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/image1.jpg?resize=417%2C420&amp;ssl=1 417w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/image1.jpg?w=1471&amp;ssl=1 1471w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/image1.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-12401\" class=\"wp-caption-text\">Gabriel de la Mora 720 I &#8211; M.D, 2021 Mosaico de alas de mariposa Morpho didius sobre cartulina de museo \/ Morpho didius butterfly wings mosaic on museum cardboard. Framed Dimensions: 35 x 35 x 6 cm 13.78 x 13.78 x 2.36 inches. Image Dimensions: 30 x 30 x 2 cm 11.81 x 11.81 x .79 inches. Signed backwards and dated backwards firmada al reverso y fechada al reverso *The butterfly wings used in this new Lepidoptera series come from butterflies raised in butterfly farms in Peru, Indonesia and Madagascar, dying naturally when released, they are collected by local communities. <i>Photo Courtesy Perrotin and the artist.<\/i><\/figcaption><\/figure>\n<figure id=\"attachment_12402\" aria-describedby=\"caption-attachment-12402\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-12402 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/image2.jpeg?resize=640%2C640&#038;ssl=1\" alt=\"\" width=\"640\" height=\"640\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/image2.jpeg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/image2.jpeg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/image2.jpeg?resize=768%2C769&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/image2.jpeg?resize=696%2C697&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/image2.jpeg?resize=1068%2C1069&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/image2.jpeg?resize=420%2C420&amp;ssl=1 420w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/image2.jpeg?w=1279&amp;ssl=1 1279w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-12402\" class=\"wp-caption-text\">Gabriel de la Mora 1,240 &#8211; H. L., 2021, Mosaico de alas de mariposa Hebomoia leucippe sobre cartulina de museo \/ Hebomoia leucippe butterfly wings mosaic on museum cardboard. Framed Dimensions: 35 x 35 x 6 cm 13.78 x 13.78 x 2.36 inches. Image Dimensions: 30 x 30 x 2 cm 11.81 x 11.81 x .79 inches.\u00a0 *The butterfly wings used in this new Lepidoptera series come from butterflies raised in butterfly farms in Peru, Indonesia and Madagascar, dying naturally when released, they are collected by local communities. <i>Photos Courtesy Perrotin and the artist.<\/i><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/GabrieldelaMora.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listGabriel de la Mora, born in 1968 in Mexico City where he currently lives and works, is best known for constructing visual works from found, discarded, and obsolete objects. In an obsessive process of collecting and fragmenting materials &#8211; eggshells, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12401,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[352,353],"class_list":{"0":"post-12390","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"tag-gabriel-de-la-mora","9":"tag-perrotin"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2022\/04\/image1.jpg?fit=1471%2C1481&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-3dQ","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/12390","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=12390"}],"version-history":[{"count":5,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/12390\/revisions"}],"predecessor-version":[{"id":12415,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/12390\/revisions\/12415"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/12401"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=12390"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=12390"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=12390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}