{"id":11941,"date":"2021-10-22T10:16:53","date_gmt":"2021-10-22T14:16:53","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=11941"},"modified":"2021-10-25T17:20:30","modified_gmt":"2021-10-25T21:20:30","slug":"george-rodriguez","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/george-rodriguez\/","title":{"rendered":"George Rodriguez"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_6882\"><audio class=\"wp-audio-shortcode\" id=\"audio-11941-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/GeorgeRodriguez.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/GeorgeRodriguez.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/GeorgeRodriguez.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_11944\" aria-describedby=\"caption-attachment-11944\" style=\"width: 225px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-11944 size-medium\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/IMG_20170901_143508.jpg?resize=225%2C300&#038;ssl=1\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/IMG_20170901_143508.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/IMG_20170901_143508.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/IMG_20170901_143508.jpg?resize=1152%2C1536&amp;ssl=1 1152w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/IMG_20170901_143508.jpg?resize=1536%2C2048&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/IMG_20170901_143508.jpg?resize=696%2C928&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/IMG_20170901_143508.jpg?resize=1068%2C1424&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/IMG_20170901_143508.jpg?resize=315%2C420&amp;ssl=1 315w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/IMG_20170901_143508.jpg?w=1920&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/IMG_20170901_143508.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><figcaption id=\"caption-attachment-11944\" class=\"wp-caption-text\">George working on &#8220;Tia Catrina&#8221;<\/figcaption><\/figure>\n<p><a href=\"https:\/\/georgerodriguez.net\/\">George Rodriguez<\/a> addresses sensitive sociopolitical issues through his highly ornamented figurative ceramic sculptures. There is a tongue-in cheek-ease that is evident in the sense of warmth his works convey. Themes of culture and identity recur throughout his sculpture, celebrating the unique attributes of diverse cultures as well as the similarities that unite us all.<\/p>\n<p>Rodriguez\u2019s ceramic sculptures eloquently communicate the emotions they embody, through figures spanning a wide range of forms and personalities. Aspects of certain forms echo elements of African, Italian, and South American ceramic traditions, yet the resulting pieces are dynamically modern.<\/p>\n<p>George received a BFA in ceramics from the University of Texas El Paso then went on to receive an MFA from the University of Washington.\u00a0\u00a0His world curiosity grew as a recipient of a Bonderman Travel Fellowship where he traveled the world through most of 2010. His work can be found in the permanent collection of the National Mexican Museum of Art in Chicago, Hallie Ford Museum in Salem, Oregon\u00a0and the Smithsonian\u2019s Renwick Gallery amongst others.\u00a0\u00a0George is represented by <a href=\"https:\/\/fosterwhite.com\/collections\/george-rodriguez?page=1\">Foster\/White Gallery<\/a> in Seattle, WA and is the Artist in Residence at the Tyler School of Art and Architecture in Philadelphia.<\/p>\n<p>The book he was reading that was mentioned in the interview was <a href=\"https:\/\/www.graywolfpress.org\/books\/postcolonial-love-poem\">Natalie Diaz Book of Poems<\/a>.<\/p>\n<figure id=\"attachment_11945\" aria-describedby=\"caption-attachment-11945\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-11945 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/CFXW0622.jpeg?resize=640%2C640&#038;ssl=1\" alt=\"\" width=\"640\" height=\"640\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/CFXW0622-scaled.jpeg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/CFXW0622-scaled.jpeg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/CFXW0622-scaled.jpeg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/CFXW0622-scaled.jpeg?resize=1536%2C1536&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/CFXW0622-scaled.jpeg?resize=2048%2C2048&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/CFXW0622-scaled.jpeg?resize=696%2C696&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/CFXW0622-scaled.jpeg?resize=1068%2C1068&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/CFXW0622-scaled.jpeg?resize=420%2C420&amp;ssl=1 420w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/CFXW0622-scaled.jpeg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-11945\" class=\"wp-caption-text\">Mexican\/American Gothic. 2018. ceramic with glaze. 84 X 39 X 30 in.<\/figcaption><\/figure>\n<figure id=\"attachment_11946\" aria-describedby=\"caption-attachment-11946\" style=\"width: 1540px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-11946 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/05.Rodriguez_George_An-Altar-scaled.jpg?resize=696%2C1157&#038;ssl=1\" alt=\"\" width=\"696\" height=\"1157\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/05.Rodriguez_George_An-Altar-scaled.jpg?w=1540&amp;ssl=1 1540w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/05.Rodriguez_George_An-Altar-scaled.jpg?resize=181%2C300&amp;ssl=1 181w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/05.Rodriguez_George_An-Altar-scaled.jpg?resize=616%2C1024&amp;ssl=1 616w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/05.Rodriguez_George_An-Altar-scaled.jpg?resize=768%2C1276&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/05.Rodriguez_George_An-Altar-scaled.jpg?resize=924%2C1536&amp;ssl=1 924w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/05.Rodriguez_George_An-Altar-scaled.jpg?resize=1232%2C2048&amp;ssl=1 1232w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/05.Rodriguez_George_An-Altar-scaled.jpg?resize=696%2C1157&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/05.Rodriguez_George_An-Altar-scaled.jpg?resize=1068%2C1775&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/05.Rodriguez_George_An-Altar-scaled.jpg?resize=253%2C420&amp;ssl=1 253w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/05.Rodriguez_George_An-Altar-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-11946\" class=\"wp-caption-text\">An Altar. 2018. ceramic with glaze. 100 X 60 X 60 in.<\/figcaption><\/figure>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/B5fDudf4230\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/GeorgeRodriguez.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listGeorge Rodriguez addresses sensitive sociopolitical issues through his highly ornamented figurative ceramic sculptures. There is a tongue-in cheek-ease that is evident in the sense of warmth his works convey. Themes of culture and identity recur throughout his sculpture, celebrating the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":11945,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-11941","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/10\/CFXW0622-scaled.jpeg?fit=2560%2C2560&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-36B","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/11941","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=11941"}],"version-history":[{"count":3,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/11941\/revisions"}],"predecessor-version":[{"id":11965,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/11941\/revisions\/11965"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/11945"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=11941"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=11941"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=11941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}