{"id":11589,"date":"2021-07-14T19:16:22","date_gmt":"2021-07-14T23:16:22","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=11589"},"modified":"2021-07-15T09:31:50","modified_gmt":"2021-07-15T13:31:50","slug":"susan-louise-aberth","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/susan-louise-aberth\/","title":{"rendered":"Susan Louise Aberth"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_6179\"><audio class=\"wp-audio-shortcode\" id=\"audio-11589-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/SusanLouiseAberth.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/SusanLouiseAberth.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/SusanLouiseAberth.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11590 alignleft\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/sue-final-version-2012-08-05-13.07.02-300x265.jpg\" alt=\"\" width=\"300\" height=\"265\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/sue-final-version-2012-08-05-13.07.02-300x265.jpg 300w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/sue-final-version-2012-08-05-13.07.02-1024x904.jpg 1024w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/sue-final-version-2012-08-05-13.07.02-768x678.jpg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/sue-final-version-2012-08-05-13.07.02-696x615.jpg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/sue-final-version-2012-08-05-13.07.02-1068x943.jpg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/sue-final-version-2012-08-05-13.07.02-476x420.jpg 476w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/sue-final-version-2012-08-05-13.07.02.jpg 1333w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Susan L. Aberth is the Edith C. Blum Professor of the Art History and Visual Culture Program at Bard College. She received her M.A. from the Institute of Fine Arts, New York University, and her Ph.D. from the Graduate Center, City University of New York.<\/p>\n<p>In addition to her 2004 book<i class=\"\"> Leonora Carrington: Surrealism, Alchemy and Art<\/i> (Lund Humphries), forthcoming is\u00a0 <i class=\"\">Leonora Carrington: The Tarot<\/i> (Fulgur Press, 2020) co-authored with Mexican curator Tere Arcq.\u00a0 She has contributed to <i class=\"\">Surrealism and Magic<\/i>, Guggenheim Venice (2021); <i class=\"\">Seeking the Marvelous: Ithell Colquhoun, British Women and Surrealism <\/i>(Fulgur Press, 2021), <i class=\"\">Agnes Pelton: Desert Transcendentalist <\/i>(Phoenix Art Museum, 2019), <i class=\"\">Juanita Guccione: Otherwhere<\/i> (Napa Valley Museum, 2019), <i class=\"\">Surrealism, Occultism and Politics: In Search of the Marvelous <\/i>(Routledge Press, 2018), <i class=\"\">Leonora Carrington: Cuentos Magicos <\/i>(Museo de Arte Moderno &amp; INBA, Mexico City, 2018), <i class=\"\">Unpacking: The Marciano Collection<\/i> (Delmonico Books, Prestel, 2017), and <i class=\"\">Leonora Carrington and the International Avant-Garde<\/i> (Manchester University Press, 2017), as well as to <i class=\"\">Abraxas: International Journal of Esoteric Studies<\/i>, <i class=\"\">Black Mirror<\/i>, and <i class=\"\">Journal of Surrealism of the Americas<\/i>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-11593\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/1-the-magician-copy-901x1024.jpg\" alt=\"\" width=\"640\" height=\"727\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/1-the-magician-copy-901x1024.jpg 901w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/1-the-magician-copy-264x300.jpg 264w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/1-the-magician-copy-768x873.jpg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/1-the-magician-copy-1352x1536.jpg 1352w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/1-the-magician-copy-1802x2048.jpg 1802w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/1-the-magician-copy-696x791.jpg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/1-the-magician-copy-1068x1214.jpg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/1-the-magician-copy-370x420.jpg 370w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-11595\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/12-the-hanged-man-copy-904x1024.jpg\" alt=\"\" width=\"640\" height=\"725\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/12-the-hanged-man-copy-904x1024.jpg 904w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/12-the-hanged-man-copy-265x300.jpg 265w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/12-the-hanged-man-copy-768x870.jpg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/12-the-hanged-man-copy-1357x1536.jpg 1357w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/12-the-hanged-man-copy-1809x2048.jpg 1809w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/12-the-hanged-man-copy-696x788.jpg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/12-the-hanged-man-copy-1068x1209.jpg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/12-the-hanged-man-copy-371x420.jpg 371w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-11597\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/TLC-Cover-copy-811x1024.jpg\" alt=\"\" width=\"640\" height=\"808\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/TLC-Cover-copy-811x1024.jpg 811w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/TLC-Cover-copy-237x300.jpg 237w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/TLC-Cover-copy-768x970.jpg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/TLC-Cover-copy-1216x1536.jpg 1216w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/TLC-Cover-copy-696x879.jpg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/TLC-Cover-copy-1068x1349.jpg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/TLC-Cover-copy-332x420.jpg 332w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/TLC-Cover-copy.jpg 1500w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<figure id=\"attachment_11607\" aria-describedby=\"caption-attachment-11607\" style=\"width: 752px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11607\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/Carrington-Negromante.jpeg\" alt=\"\" width=\"752\" height=\"1024\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/Carrington-Negromante.jpeg 752w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/Carrington-Negromante-220x300.jpeg 220w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/Carrington-Negromante-696x948.jpeg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/07\/Carrington-Negromante-308x420.jpeg 308w\" sizes=\"auto, (max-width: 752px) 100vw, 752px\" \/><figcaption id=\"caption-attachment-11607\" class=\"wp-caption-text\">A painting (Necromancer) using The Magician tarot imagery, oil on canvas<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/SusanLouiseAberth.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listSusan L. Aberth is the Edith C. Blum Professor of the Art History and Visual Culture Program at Bard College. She received her M.A. from the Institute of Fine Arts, New York University, and her Ph.D. from the Graduate Center, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":11593,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,27,20],"tags":[],"class_list":["post-11589","post","type-post","status-publish","format-standard","has-post-thumbnail","category-writers","category-education","category-professor"],"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/11589","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=11589"}],"version-history":[{"count":3,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/11589\/revisions"}],"predecessor-version":[{"id":11608,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/11589\/revisions\/11608"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/11593"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=11589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=11589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=11589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}