{"id":1150,"date":"2015-04-28T09:45:31","date_gmt":"2015-04-28T13:45:31","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=1150"},"modified":"2018-05-21T23:50:52","modified_gmt":"2018-05-22T03:50:52","slug":"jacob-fabricius","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/jacob-fabricius\/","title":{"rendered":"Jacob Fabricius"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_9918\"><audio class=\"wp-audio-shortcode\" id=\"audio-1150-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/jacobfabricius.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/jacobfabricius.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/jacobfabricius.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_1156\" aria-describedby=\"caption-attachment-1156\" style=\"width: 230px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-1156 size-medium\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/JF_5557.jpg?resize=230%2C300&#038;ssl=1\" alt=\"JF_5557\" width=\"230\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/JF_5557.jpg?resize=230%2C300&amp;ssl=1 230w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/JF_5557.jpg?resize=787%2C1024&amp;ssl=1 787w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/JF_5557.jpg?resize=624%2C812&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/JF_5557.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/JF_5557.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 230px) 100vw, 230px\" \/><figcaption id=\"caption-attachment-1156\" class=\"wp-caption-text\">Photograph by Laura Stamer<\/figcaption><\/figure>\n<p class=\"p1\"><span class=\"s1\"><a href=\"http:\/\/jacobfabricius.net\/\" target=\"_blank\">Jacob Fabricius<\/a> is currently working as a freelance curator, writer and publisher. He lives in Copenhagen, Denmark. \u00a0Previously\u00a0Fabricius was director at Malm\u00f6 Konsthall, Sweden (2008-12) and at Kunsthal Charlottenborg, Copenhagen, Denmark (2013-14), where he has curated a large number of exhibitions including solo shows by Rivane Neuenschwander, Henrik Olesen, Pascale Marthine Tayou, Karl Holmqvist, Hans-Peter Feldmann, Judith Hopf, Liz Magic Laser, Walead Beshty,\u00a0Sora Kim, Josef Strau, Johanna Billing, Susan Philipsz, Elmgreen&amp;Dragset, David Shrigley\u00a0to mention a few. Fabricius does not limit himself to the institution space and did as a director initiated innovative public exhibitions such as the hitchhiking exhibition Auto Stop (2008), the\u00a0crime novel based exhibition Polis Polis Potatismos (Police Police Potato Mash, 2010)\u00a0and\u00a0Tournament d\u2019objet\u00a0a gestalt by Henrik Plenge Jakobsen (2013).<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Previously as associated curator at Centre d\u2019Art Santa Monica, Barcelona, Spain (2005-07), he curated solo exhibitions with Mike Nelson, Dave Hullfish Bailey and Ceal Floyer among others.\u00a0Fabricius has also utilized a number of international exhibitions and projects at unusual venues among them &#8220;What is a guy from Leicester, a Swedish girl, a family father and a gay couple doing on a deserted island between Denmark and Sweden?&#8221; (1997), Art Calls (1997), S-tog (1999), Rent-a-Bench (2002), Sandwiched (2003, 2014), KBH Kunsthal (2005-06) and the\u00a0Contour 2013: 6th Biennial of Moving Image\u00a0Leisure, Discipline and Punishment in a prison, football stadium and a church in\u00a0Mechelen, Belgium, in 2013.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Fabricius is also founder of the publishing company <a href=\"http:\/\/porksaladpress.org\/\" target=\"_blank\">Pork Salad Press<\/a> and newspaper project <a href=\"http:\/\/oldnewsnews.org\/\" target=\"_blank\">Old News.<\/a> He has published more than 70 books, records and CDs &#8211; most recently he has published David Robbins\u2019 Concrete Comedy, David Horvitz\u2019 Stolen Spoons and Dena Yago\u2019s ESPRIT REPRISE.\u00a0Sergej Jensen Dogs\u00a0and\u00a0Trevor Shimizu\u00a0Season 2, Episode 8\u00a0(it\u2019s coming out in may) \u00a0<\/span><\/p>\n<figure id=\"attachment_1158\" aria-describedby=\"caption-attachment-1158\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-1158 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/6.Valerie-Tavere.front_.jpg?resize=625%2C813&#038;ssl=1\" alt=\"6.Valerie Tavere.front\" width=\"625\" height=\"813\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/6.Valerie-Tavere.front_.jpg?resize=787%2C1024&amp;ssl=1 787w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/6.Valerie-Tavere.front_.jpg?resize=231%2C300&amp;ssl=1 231w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/6.Valerie-Tavere.front_.jpg?resize=624%2C812&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/6.Valerie-Tavere.front_.jpg?w=1017&amp;ssl=1 1017w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-1158\" class=\"wp-caption-text\">Sandwiched (sandwich board by Valerie Tevere, Fulton Mall street, 2003)<\/figcaption><\/figure>\n<figure id=\"attachment_1159\" aria-describedby=\"caption-attachment-1159\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-1159 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/old-news-2.jpg?resize=625%2C469&#038;ssl=1\" alt=\"old news 2\" width=\"625\" height=\"469\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/old-news-2.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/old-news-2.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/old-news-2.jpg?resize=624%2C468&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/old-news-2.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/old-news-2.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-1159\" class=\"wp-caption-text\">Installation view Old News (Cneai, Chatou, 2006)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/jacobfabricius.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listJacob Fabricius is currently working as a freelance curator, writer and publisher. He lives in Copenhagen, Denmark. \u00a0Previously\u00a0Fabricius was director at Malm\u00f6 Konsthall, Sweden (2008-12) and at Kunsthal Charlottenborg, Copenhagen, Denmark (2013-14), where he has curated a large number of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1159,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9,7],"tags":[181,182],"class_list":{"0":"post-1150","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-writers","8":"category-curator","9":"tag-copenhagen","10":"tag-denmark"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/old-news-2.jpg?fit=2816%2C2112&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-iy","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/1150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=1150"}],"version-history":[{"count":7,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/1150\/revisions"}],"predecessor-version":[{"id":1166,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/1150\/revisions\/1166"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/1159"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=1150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=1150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=1150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}