{"id":11184,"date":"2021-03-26T10:19:01","date_gmt":"2021-03-26T14:19:01","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=11184"},"modified":"2021-03-26T10:19:01","modified_gmt":"2021-03-26T14:19:01","slug":"jeffrey-say","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/jeffrey-say\/","title":{"rendered":"Jeffrey Say"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_9843\"><audio class=\"wp-audio-shortcode\" id=\"audio-11184-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/JeffreySay.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/JeffreySay.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/JeffreySay.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11187 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/03\/20161214_122731-2.jpg?resize=300%2C169&#038;ssl=1\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/03\/20161214_122731-2-scaled.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/03\/20161214_122731-2-scaled.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/03\/20161214_122731-2-scaled.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/03\/20161214_122731-2-scaled.jpg?resize=1536%2C864&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/03\/20161214_122731-2-scaled.jpg?resize=2048%2C1152&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/03\/20161214_122731-2-scaled.jpg?resize=696%2C392&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/03\/20161214_122731-2-scaled.jpg?resize=1068%2C601&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/03\/20161214_122731-2-scaled.jpg?resize=747%2C420&amp;ssl=1 747w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/03\/20161214_122731-2-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Jeffrey Say is an art historian specialising in Singapore and Southeast <a href=\"https:\/\/www.facebook.com\/LasalleAsianArtHistories\">Asian art history<\/a>. An author of numerous essays on art, his seminal co-edited work <em>Histories, Practices, Interventions: A Reader in Singapore Contemporary Art <\/em>(2016) remains a critical anthology for researchers, curators and students on Singapore art to date. Importantly, Say undertook pioneering research and study of the history of sculpture in pre-and post-war Singapore.<\/p>\n<p>Prior to joining LASALLE College of the Arts in 1997, Say was a curator at the then National Museum where he was overseeing the collection of Buddhist and Indian artefacts. As a museum curator, Say curated major exhibitions on Tibetan Buddhist art, the maritime silk route and <em>Alamkara: 5000 Years of India<\/em>.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11188 alignright\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/03\/Cover-of-my-book.jpg?resize=232%2C300&#038;ssl=1\" alt=\"\" width=\"232\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/03\/Cover-of-my-book.jpg?resize=232%2C300&amp;ssl=1 232w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/03\/Cover-of-my-book.jpg?resize=325%2C420&amp;ssl=1 325w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/03\/Cover-of-my-book.jpg?w=396&amp;ssl=1 396w\" sizes=\"auto, (max-width: 232px) 100vw, 232px\" \/>Say has been instrumental in the development of art history studies at LASALLE supporting artists to develop a contextual and historical understanding of the evolution of visual arts. In 2009, he designed the world\u2019s first Master\u2019s programme focussing on Asian modern and contemporary art histories. He is presently its Programme Leader. This programme has produced graduates who have made significant contributions to the field in the area of scholarship and curation.<\/p>\n<p>Say is a public advocate of the importance of art history as a way to promote visual literacy. He is a frequent public speaker at museums, universities and galleries, and conducts short courses which remain hugely popular among various publics. Say is also a regular commentator on the local visual arts scene.<\/p>\n<p>Say\u2019s current research interest is on <a href=\"http:\/\/www.asianarthistories.com\/site\/\">Singapore modern and contemporary art histories<\/a>. He has written an essay on the early contemporary art scene of Singapore which offers a revisionist view on the beginnings of contemporary art in Singapore (published in the July-Sept 2019 edition of <em>BiblioAsia<\/em>). He is currently working on the second volume on Singapore modern art as well as a children\u2019s series on Southeast Asian art and culture, both of which will be published in 2022.<\/p>\n<div>His essay on the beginnings of contemporary art in Singapore can be found on this link; <a href=\"https:\/\/biblioasia.nlb.gov.sg\/past-issues\/\">July-Sept 2019 issue<\/a>.<\/div>\n<div><\/div>\n<figure id=\"attachment_11189\" aria-describedby=\"caption-attachment-11189\" style=\"width: 371px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-11189 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/03\/Book-cover-with-flap-open.jpg?resize=371%2C375&#038;ssl=1\" alt=\"\" width=\"371\" height=\"375\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/03\/Book-cover-with-flap-open.jpg?w=371&amp;ssl=1 371w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/03\/Book-cover-with-flap-open.jpg?resize=297%2C300&amp;ssl=1 297w\" sizes=\"auto, (max-width: 371px) 100vw, 371px\" \/><figcaption id=\"caption-attachment-11189\" class=\"wp-caption-text\">Book cover with flap open<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/JeffreySay.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listJeffrey Say is an art historian specialising in Singapore and Southeast Asian art history. An author of numerous essays on art, his seminal co-edited work Histories, Practices, Interventions: A Reader in Singapore Contemporary Art (2016) remains a critical anthology for [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":11189,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[25,9,20],"tags":[333],"class_list":{"0":"post-11184","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-academic","8":"category-writers","9":"category-professor","10":"tag-singapore"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/03\/Book-cover-with-flap-open.jpg?fit=371%2C375&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-2Uo","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/11184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=11184"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/11184\/revisions"}],"predecessor-version":[{"id":11190,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/11184\/revisions\/11190"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/11189"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=11184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=11184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=11184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}