{"id":1113,"date":"2015-04-22T15:14:24","date_gmt":"2015-04-22T19:14:24","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=1113"},"modified":"2018-05-25T02:01:53","modified_gmt":"2018-05-25T06:01:53","slug":"laura-gibellini","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/laura-gibellini\/","title":{"rendered":"Laura F. Gibellini"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_4662\"><audio class=\"wp-audio-shortcode\" id=\"audio-1113-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/museumofnonvisibleart.com\/interview\/lauragibellini.mp3?_=1\" \/><a href=\"http:\/\/museumofnonvisibleart.com\/interview\/lauragibellini.mp3\">http:\/\/museumofnonvisibleart.com\/interview\/lauragibellini.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_1115\" aria-describedby=\"caption-attachment-1115\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-1115 size-medium\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/laura_6_12_1_small.jpg?resize=300%2C200&#038;ssl=1\" alt=\"laura_6_12_1_small\" width=\"300\" height=\"200\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/laura_6_12_1_small.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/laura_6_12_1_small.jpg?resize=624%2C416&amp;ssl=1 624w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/laura_6_12_1_small.jpg?w=720&amp;ssl=1 720w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-1115\" class=\"wp-caption-text\">Photo by Chase Collum<\/figcaption><\/figure>\n<p>Laura F. Gibellini is a process-based artist working between Madrid and NYC. She teaches in the MFA in Art Practice at the <a href=\"http:\/\/svaartpractice.tumblr.com\/post\/84250767832\/speaking-of-place-an-interview-with-laur\" target=\"_blank\">School of Visual Arts<\/a> \/SVA.<\/p>\n<p>Gibellini\u2019s work grapples with the notion of \u2018place\u2019 and what it means to inhabit the world. In her most recent body of work, like in <em>Notes on a Working Space<\/em> presented in NYC at El Museo de Los Sures, issues like impermanence, invisibility and the difficulties of representing the fluid nature of a <a href=\"http:\/\/www.iscp-nyc.org\/events\/archive\/off-site-projects\/off-site-projects-2015\/laura-f.-gibellini-notes-on-a-working-space.html\" target=\"_blank\">particular site have become prominent<\/a>. \u00a0\u00a0<a href=\"http:\/\/www.southsideunitedhdfc.org\/museo\" target=\"_blank\"><em>Notes on a Working Space<\/em><\/a> reflects on the gaps implicit in representation and on how that which is irrepresentable (the air, the ocean) remains unacknowledged and that which is unacknowledged remains un-thinkable. It is this \u2018unthinkability\u2019 and the possibility of imagining the irrepresentable that Gibellini is most interested in contemplating.<\/p>\n<p>Gibellini recently completed <em>DOM (Variations)<\/em> a permanent public art installation for three <a href=\"http:\/\/hyperallergic.com\/130964\/new-subway-art-installation-brings-home-into-the-commute\/\" target=\"_blank\">subway stations<\/a> in New York City that inspired the subsequent solo show <a href=\"http:\/\/www.slowtracksociety.com\/en\/2014\/Laura-F-Gibellini\" target=\"_blank\"><em>De Rerum Natura<\/em>, Slowtrack,<\/a> Madrid, (2014).<\/p>\n<p>Recent projects include <em>A Place of Which We Know No Certainty, ISCP, <\/em>New York (2014); <em>Constructing a Place<\/em>, ICI, New York (2013); <em>Muestras de Archivo<\/em>, Matadero, Madrid (2012); <em>Variations on a Landscape<\/em>, asm28, Madrid (2011); <em>YANS &amp; RETO<\/em>, Anthology Film Archives, New York (2011); <em>Night of Festivals 2012<\/em>, Nottingham (2012); <em>Video Guerrilh<\/em>a, Urban Space Projections, Sao Paolo, (2011). Gibellini\u2019s first book <em>Construyendo un Lugar \/<a href=\"http:\/\/www.laurafgibellini.com\/wp-content\/uploads\/2013\/02\/constructingaplace.pdf\" target=\"_blank\">Constructing a Place <\/a><\/em><a href=\"http:\/\/www.laurafgibellini.com\/wp-content\/uploads\/2013\/02\/constructingaplace.pdf\" target=\"_blank\">was published by Complutense University <\/a>of Madrid in 2012.<\/p>\n<p><em>Antes del Oc\u00e9ano<\/em>, Carpe Diem. Arte e Pesquisa, Lisbon (2015) and a solo show at Centro de Arte de Alcobendas, Madrid (2016) are among Gibellini\u2019s <a href=\"http:\/\/www.carpediemartepesquisa.com\/pt-pt\/gallery\/slowtrack\" target=\"_blank\">upcoming projects.\u00a0<\/a><\/p>\n<figure id=\"attachment_1116\" aria-describedby=\"caption-attachment-1116\" style=\"width: 886px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-1116 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/Gibellini_interrupcioes_Lisbon.jpg?resize=696%2C616&#038;ssl=1\" alt=\"Gibellini_interrupcioes_Lisbon\" width=\"696\" height=\"616\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/Gibellini_interrupcioes_Lisbon.jpg?w=886&amp;ssl=1 886w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/Gibellini_interrupcioes_Lisbon.jpg?resize=300%2C265&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/Gibellini_interrupcioes_Lisbon.jpg?resize=624%2C552&amp;ssl=1 624w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-1116\" class=\"wp-caption-text\">Interrup\u00e7\u00f5es, Drawing on Wall. Carpe D\u00edem, Lisbon, 2015.<\/figcaption><\/figure>\n<figure id=\"attachment_1117\" aria-describedby=\"caption-attachment-1117\" style=\"width: 948px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-1117 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/Gibellini_snowdrawing00_NYC.jpg?resize=696%2C499&#038;ssl=1\" alt=\"Gibellini_snowdrawing00_NYC\" width=\"696\" height=\"499\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/Gibellini_snowdrawing00_NYC.jpg?w=948&amp;ssl=1 948w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/Gibellini_snowdrawing00_NYC.jpg?resize=300%2C215&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/Gibellini_snowdrawing00_NYC.jpg?resize=624%2C447&amp;ssl=1 624w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-1117\" class=\"wp-caption-text\">Snow Drawing 00, Drawing on Wall. El Museo de los Sures, NYC, 2015.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/museumofnonvisibleart.com\/interview\/lauragibellini.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listLaura F. Gibellini is a process-based artist working between Madrid and NYC. She teaches in the MFA in Art Practice at the School of Visual Arts \/SVA. Gibellini\u2019s work grapples with the notion of \u2018place\u2019 and what it means to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1117,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[123,125],"class_list":{"0":"post-1113","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"tag-madrid","9":"tag-spain"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2015\/04\/Gibellini_snowdrawing00_NYC.jpg?fit=948%2C679&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-hX","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/1113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=1113"}],"version-history":[{"count":10,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/1113\/revisions"}],"predecessor-version":[{"id":1130,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/1113\/revisions\/1130"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/1117"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=1113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=1113"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=1113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}