{"id":10594,"date":"2020-09-11T10:33:27","date_gmt":"2020-09-11T14:33:27","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=10594"},"modified":"2020-09-12T09:38:43","modified_gmt":"2020-09-12T13:38:43","slug":"ana-dimitrijevic","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/ana-dimitrijevic\/","title":{"rendered":"Ana Dimitrijevic"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_1775\"><audio class=\"wp-audio-shortcode\" id=\"audio-10594-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/AnaDimitrijevic.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/AnaDimitrijevic.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/AnaDimitrijevic.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><div>\n<figure id=\"attachment_10633\" aria-describedby=\"caption-attachment-10633\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-10633 size-medium\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/mousonturm_karkatag_puna-rezolucija-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/mousonturm_karkatag_puna-rezolucija-300x200.jpg 300w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/mousonturm_karkatag_puna-rezolucija-1024x683.jpg 1024w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/mousonturm_karkatag_puna-rezolucija-768x512.jpg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/mousonturm_karkatag_puna-rezolucija-1536x1024.jpg 1536w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/mousonturm_karkatag_puna-rezolucija-2048x1365.jpg 2048w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/mousonturm_karkatag_puna-rezolucija-696x464.jpg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/mousonturm_karkatag_puna-rezolucija-1068x712.jpg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/mousonturm_karkatag_puna-rezolucija-630x420.jpg 630w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-10633\" class=\"wp-caption-text\">Karakatag collective group photo 2015<\/figcaption><\/figure>\n<p><a href=\"http:\/\/karkatag.org\/index.htm\">Karkatag<\/a> is Belgrade based Serbian art collective. It exists since 2009.<\/div>\n<p>Work of collective includes machines, interactive and autonomous installations and manipulable objects.<br \/>\nCollective uses industrial materials and technologies in research of different natural and scientific phenomena, interactivity and performativity of machines, sound, motion.<br \/>\nThrough public actions and performances, by placing installations and machines in space as urban scenography and props, collective also introduces social aspects of its work. In those settings spectator\/passer-by is being involved in co-play with machine\/installation and thereby becoming an active partaker in changing the perception of space and daily routine of the city.<br \/>\nKarkatag works are participatory and the situation generated through their use is integral part of their realization.<\/p>\n<p>Aiming to encourage experimentation and to make its metalworking and mechanical knowledge available, collective organizes series of workshops as well as offering workplace, tools and advising in its\u00a0<a href=\"http:\/\/karkatag.org\/open_studio.htm\" target=\"_blank\" rel=\"noopener noreferrer\">open studio\/artist-in-residence<\/a>\u00a0project.<\/p>\n<p>Karkatag has three permanent members that are together defining, managing and realizing the work of collective. Nevertheless, team structure is generally fluid and from project to project it involves new people.<\/p>\n<figure id=\"attachment_10634\" aria-describedby=\"caption-attachment-10634\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-10634 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/Rehearsal_01-1024x678.jpg\" alt=\"\" width=\"640\" height=\"424\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/Rehearsal_01-1024x678.jpg 1024w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/Rehearsal_01-300x199.jpg 300w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/Rehearsal_01-768x509.jpg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/Rehearsal_01-1536x1018.jpg 1536w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/Rehearsal_01-696x461.jpg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/Rehearsal_01-1068x708.jpg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/Rehearsal_01-634x420.jpg 634w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/Rehearsal_01.jpg 1600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-10634\" class=\"wp-caption-text\">Setting up of the Rehearsal installation, roof of the Ars Electronica Center, Linz, Austria 2016<\/figcaption><\/figure>\n<figure id=\"attachment_10635\" aria-describedby=\"caption-attachment-10635\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-10635 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/Rehearsal_04-1024x678.jpg\" alt=\"\" width=\"640\" height=\"424\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/Rehearsal_04-1024x678.jpg 1024w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/Rehearsal_04-300x199.jpg 300w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/Rehearsal_04-768x509.jpg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/Rehearsal_04-1536x1017.jpg 1536w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/Rehearsal_04-2048x1356.jpg 2048w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/Rehearsal_04-696x461.jpg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/Rehearsal_04-1068x707.jpg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/Rehearsal_04-634x420.jpg 634w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-10635\" class=\"wp-caption-text\">The Rehearsal installation 2016 Linz, Austria<\/figcaption><\/figure>\n<figure id=\"attachment_10636\" aria-describedby=\"caption-attachment-10636\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-10636 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/themachine02-1024x682.jpg\" alt=\"\" width=\"640\" height=\"426\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/themachine02-1024x682.jpg 1024w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/themachine02-300x200.jpg 300w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/themachine02-768x511.jpg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/themachine02-1536x1023.jpg 1536w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/themachine02-2048x1364.jpg 2048w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/themachine02-696x464.jpg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/themachine02-1068x711.jpg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/09\/themachine02-631x420.jpg 631w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-10636\" class=\"wp-caption-text\">The Machine, production phase, 101 Outdoor Arts Creation Space, Newbury, UK, 2016<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/AnaDimitrijevic.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing list Karkatag is Belgrade based Serbian art collective. It exists since 2009. Work of collective includes machines, interactive and autonomous installations and manipulable objects. Collective uses industrial materials and technologies in research of different natural and scientific phenomena, interactivity and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":10636,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-10594","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artists"],"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=10594"}],"version-history":[{"count":5,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10594\/revisions"}],"predecessor-version":[{"id":10646,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10594\/revisions\/10646"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/10636"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=10594"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=10594"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=10594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}