{"id":10540,"date":"2020-07-27T15:11:04","date_gmt":"2020-07-27T19:11:04","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=10540"},"modified":"2020-07-30T15:59:48","modified_gmt":"2020-07-30T19:59:48","slug":"ljiljana-radosevic","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/ljiljana-radosevic\/","title":{"rendered":"Ljiljana Rado\u0161evi\u0107"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_420\"><audio class=\"wp-audio-shortcode\" id=\"audio-10540-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/LjiljanaRadosevic.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/LjiljanaRadosevic.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/LjiljanaRadosevic.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><div><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10541 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/moj-portret-Jeca.jpg?resize=267%2C300&#038;ssl=1\" alt=\"\" width=\"267\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/moj-portret-Jeca.jpg?resize=267%2C300&amp;ssl=1 267w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/moj-portret-Jeca.jpg?resize=913%2C1024&amp;ssl=1 913w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/moj-portret-Jeca.jpg?resize=768%2C862&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/moj-portret-Jeca.jpg?resize=1369%2C1536&amp;ssl=1 1369w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/moj-portret-Jeca.jpg?resize=696%2C781&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/moj-portret-Jeca.jpg?resize=1068%2C1198&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/moj-portret-Jeca.jpg?resize=374%2C420&amp;ssl=1 374w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/moj-portret-Jeca.jpg?w=1444&amp;ssl=1 1444w\" sizes=\"auto, (max-width: 267px) 100vw, 267px\" \/><a href=\"https:\/\/streetartwalksbelgrade.com\/\">Ljiljana Rado\u0161evi\u0107<\/a> was born in Belgrade (Serbia) in 1978. She got MA in Art History at the University of Belgrade by defending thesis about appearance and development of graffiti in Belgrade 1996-2005. She started her research in the year 2000 and continued to document art works and interview graffiti and street artists until present day. During her second MA studies in Management in Culture she had an opportunity to do her internship at the most important comics festival in Europe FIBD Angouleme and consequently wrote her thesis about it. After working in the field for several years she started her PH.D. studies at the University of Jyvaskyla (Finland) with the thesis under the title Understanding Street Art; A Study of European Street Art. At the moment she is in the final stages of writing but has managed to initiate in collaboration with her colleagues projects such as <a href=\"http:\/\/www.streetartwalksbelgrade.com\/\">www.streetartwalksbelgrade.com<\/a> and <a href=\"http:\/\/www.urbanheritagehub.com\/\">www.urbanheritagehub.com<\/a> (not active yet).<\/div>\n<div><\/div>\n<div>The books mentioned in the interview are <a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Dresden_Files\">The Dresden Files<\/a>, and the authors <a href=\"https:\/\/en.wikipedia.org\/wiki\/Ursula_K._Le_Guin\">Ursula K. LaGuin<\/a> and <a href=\"https:\/\/en.wikipedia.org\/wiki\/Andrzej_Sapkowski\">Andrzej Sapkowski<\/a>. As well as the series called <a href=\"https:\/\/en.wikipedia.org\/wiki\/C._E._Murphy\">Urban Shaman<\/a>.<\/div>\n<div>\n<figure id=\"attachment_10543\" aria-describedby=\"caption-attachment-10543\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-10543 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/gal2.jpg?resize=640%2C853&#038;ssl=1\" alt=\"\" width=\"640\" height=\"853\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/gal2.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/gal2.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/gal2.jpg?resize=696%2C928&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/gal2.jpg?resize=315%2C420&amp;ssl=1 315w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/gal2.jpg?w=1000&amp;ssl=1 1000w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-10543\" class=\"wp-caption-text\">Photo taken in 2016 and we see a stencil by Vudemn paying respect to Leonard Cohen and it says &#8220;Singer must die but the song is forever.&#8221; And the colorful side is done by Vlica.<\/figcaption><\/figure>\n<\/div>\n<div>\n<figure id=\"attachment_10544\" aria-describedby=\"caption-attachment-10544\" style=\"width: 1000px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-10544 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/gal4.jpg?resize=696%2C522&#038;ssl=1\" alt=\"\" width=\"696\" height=\"522\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/gal4.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/gal4.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/gal4.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/gal4.jpg?resize=80%2C60&amp;ssl=1 80w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/gal4.jpg?resize=265%2C198&amp;ssl=1 265w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/gal4.jpg?resize=696%2C522&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/gal4.jpg?resize=560%2C420&amp;ssl=1 560w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-10544\" class=\"wp-caption-text\">Dor\u0107ol Platz (@dorcolplatz) which references a traditional Balkan dance called \u201ckolo\u201d. Made and photographed in 2016. . . Artists: Das Drogen (@das_drogen), Nikola (@kori.nikola), Neon (@neon_blck), Linnch (@linnchlinnch), Leaf Kid (@alekleaf) and Zez (@zez_lunatic).<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/LjiljanaRadosevic.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listLjiljana Rado\u0161evi\u0107 was born in Belgrade (Serbia) in 1978. She got MA in Art History at the University of Belgrade by defending thesis about appearance and development of graffiti in Belgrade 1996-2005. She started her research in the year 2000 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":10543,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-10540","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/gal2.jpg?fit=1000%2C1333&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-2K0","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10540","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=10540"}],"version-history":[{"count":4,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10540\/revisions"}],"predecessor-version":[{"id":10547,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10540\/revisions\/10547"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/10543"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=10540"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=10540"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=10540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}