{"id":10514,"date":"2020-07-08T21:02:06","date_gmt":"2020-07-09T01:02:06","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=10514"},"modified":"2020-07-08T21:02:06","modified_gmt":"2020-07-09T01:02:06","slug":"fernando-martin-velazco","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/fernando-martin-velazco\/","title":{"rendered":"Fernando Mart\u00edn Velazco"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_7071\"><audio class=\"wp-audio-shortcode\" id=\"audio-10514-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/FernandoMartinVelazco.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/FernandoMartinVelazco.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/FernandoMartinVelazco.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><div><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10516 alignright\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Retrato.jpg?resize=300%2C300&#038;ssl=1\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Retrato.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Retrato.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Retrato.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Retrato.jpg?resize=696%2C696&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Retrato.jpg?resize=1068%2C1068&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Retrato.jpg?resize=420%2C420&amp;ssl=1 420w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Retrato.jpg?w=1365&amp;ssl=1 1365w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Fernando Mart\u00edn Velazco is a Mexican writer, theorist, and multidisciplinary researcher. His work focuses on the field of expanded arts and performative literature. Since 2015, he is the captain and founder of the <a href=\"https:\/\/en.stultiferanavis.institute\/\">Stultifera Navis Institutom<\/a>, an organization dedicated to the artistic, scientific, and humanistic research through creative expeditions. In 2017 he started the cycle &#8220;<a href=\"https:\/\/en.stultiferanavis.institute\/los-juegos-del-leviatan\">The Leviathan Games<\/a>&#8221; (2017-2020) carrying out multidisciplinary research with grey whales, a project later supported by the grants program Art, Science &amp; Technology 2018 from the National Autonomous University of Mexico. He was curator of the art exhibition \u201cJoy of the Whale\u201d, presented in LA Film Boutique in Los Angeles, California (2019), and coordinator of \u201cFusion\/Fision. Intensive poetic-body research workshop with gray whales\u201d in Baja, Mexico (2020). He is part of the 2020 Djerassi Resident Artists Program.<\/div>\n<div><\/div>\n<div>Learn more on <a href=\"https:\/\/twitter.com\/StultiferaN\">Twitter<\/a>, <a href=\"https:\/\/www.instagram.com\/stultiferanavisinstitutom\/\">Instagram<\/a>, <a href=\"https:\/\/www.youtube.com\/channel\/UCW4rlq0tP_DgHhWr50kQ0tA?\">Youtube<\/a> and <a href=\"https:\/\/www.facebook.com\/stultiferanavisinstitutom\/\">Facebook<\/a>.<\/div>\n<div><\/div>\n<div>\n<figure id=\"attachment_10517\" aria-describedby=\"caption-attachment-10517\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-10517 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Maritime-ode.png?resize=640%2C390&#038;ssl=1\" alt=\"\" width=\"640\" height=\"390\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Maritime-ode.png?resize=1024%2C624&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Maritime-ode.png?resize=300%2C183&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Maritime-ode.png?resize=768%2C468&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Maritime-ode.png?resize=1536%2C936&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Maritime-ode.png?resize=2048%2C1249&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Maritime-ode.png?resize=696%2C424&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Maritime-ode.png?resize=1068%2C651&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Maritime-ode.png?resize=689%2C420&amp;ssl=1 689w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Maritime-ode.png?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-10517\" class=\"wp-caption-text\">Reading of the &#8220;Maritime ode&#8221; (2019) Site-specific intervention part of &#8220;The Leviathan Games&#8221;<\/figcaption><\/figure>\n<\/div>\n<div>\n<figure id=\"attachment_10518\" aria-describedby=\"caption-attachment-10518\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-10518 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Meyihe%CC%81l.jpg?resize=640%2C359&#038;ssl=1\" alt=\"\" width=\"640\" height=\"359\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Meyihe%CC%81l.jpg?resize=1024%2C575&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Meyihe%CC%81l.jpg?resize=300%2C168&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Meyihe%CC%81l.jpg?resize=768%2C431&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Meyihe%CC%81l.jpg?resize=696%2C391&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Meyihe%CC%81l.jpg?resize=1068%2C600&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Meyihe%CC%81l.jpg?resize=748%2C420&amp;ssl=1 748w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Meyihe%CC%81l.jpg?w=1282&amp;ssl=1 1282w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-10518\" class=\"wp-caption-text\">&#8220;Meyih\u00e9l&#8221; (2020) Photography, part of &#8220;The Leviathan Games&#8221;<\/figcaption><\/figure>\n<\/div>\n<div><\/div>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/IyQOgxABv7c\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/FernandoMartinVelazco.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listFernando Mart\u00edn Velazco is a Mexican writer, theorist, and multidisciplinary researcher. His work focuses on the field of expanded arts and performative literature. Since 2015, he is the captain and founder of the Stultifera Navis Institutom, an organization dedicated to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":10517,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":{"0":"post-10514","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"category-writers"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/Maritime-ode.png?fit=2152%2C1312&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-2JA","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10514","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=10514"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10514\/revisions"}],"predecessor-version":[{"id":10519,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10514\/revisions\/10519"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/10517"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=10514"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=10514"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=10514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}