{"id":10510,"date":"2020-07-08T21:01:10","date_gmt":"2020-07-09T01:01:10","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=10510"},"modified":"2020-07-08T21:01:35","modified_gmt":"2020-07-09T01:01:35","slug":"phil-smith-2","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/phil-smith-2\/","title":{"rendered":"Phil Smith"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_1647\"><audio class=\"wp-audio-shortcode\" id=\"audio-10510-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/PhilSmith2.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/PhilSmith2.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/PhilSmith2.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10520 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC01011.jpg?resize=300%2C225&#038;ssl=1\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC01011-scaled.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC01011-scaled.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC01011-scaled.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC01011-scaled.jpg?resize=1536%2C1152&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC01011-scaled.jpg?resize=2048%2C1536&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC01011-scaled.jpg?resize=80%2C60&amp;ssl=1 80w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC01011-scaled.jpg?resize=265%2C198&amp;ssl=1 265w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC01011-scaled.jpg?resize=696%2C522&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC01011-scaled.jpg?resize=1068%2C801&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC01011-scaled.jpg?resize=560%2C420&amp;ssl=1 560w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC01011-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><a href=\"https:\/\/www.plymouth.ac.uk\/staff\/phil-smith\">Phil Smith<\/a> is a performance-maker, writer and academic researcher, specialising in work around walking, site-specificity, mythogeographies and counter-tourism. With artist Helen Billinghurst, he is one half of Crab &amp; Bee, who have recently completed an exhibition and walking project called \u2018Plymouth Labyrinth (funded by Arts Council England), a short walking project in the Isles of Scilly and a residency at Teats Hill slipway. They are currently engaged in a series of walks across the UK researching their forthcoming book, \u2018The Pattern\u2019 (2020). With Tony Whitehead and photographer John Schott, Phil recently published \u2018Guidebook For An Armchair Pilgrimage\u2019 with Triarchy Press.<\/p>\n<p>He is currently developing a \u2018subjectivity-protective movement practice\u2019 with Canada-based choreographer Melanie Kloetzel. As a dancer he toured with Jane Mason in \u2018Life Forces\u2019 (2014-15). With Claire Hind and Helen Billinghurst, he co-organised the recent \u2018Walking\u2019s New Movements\u2019 conference at the University of Plymouth. As company dramaturg and co-writer for TNT Theatre (Munich), he most recently premiered \u2018Free Mandela\u2019, co-authored with TNT\u2019s artistic director Paul Stebbings, about the end of apartheid in South Africa.<\/p>\n<p>Phil is a member of site-based arts collective Wrights &amp; Sites, who recently published \u2018The Architect-Walker\u2019 (2018). As well as \u2018Walking Stumbling Limping Falling\u2019 (Triarchy Press, 2017) with poet Alyson Hallett, Phil\u2019s publications include \u2018Making Site-Specific Theatre and Performance\u2019 (Red Globe\/Macmillan, 2018), \u2018Rethinking Mythogeography in Northfield, Minnesota\u2019 (2018) (with US photographer John Schott), \u2018Anywhere\u2019 (2017), \u2018A Footbook of Zombie Walking\u2019 and \u2018Walking\u2019s New Movement\u2019 (2015), \u2018On Walking\u2019 and \u2018Enchanted Things\u2019 (2014), \u2018Counter-Tourism: The Handbook\u2019 (2012) and \u2018Mythogeography\u2019 (2010). He is an Associate Professor (Reader) at the University of Plymouth.<\/p>\n<p>The book mentioned in the interview that Phil was reading is <a href=\"https:\/\/www.macmillanihe.com\/page\/detail\/Embodying-the-Dead\/?K=9781137602916\"><em>Embodying the Dead<\/em><\/a>.<\/p>\n<figure id=\"attachment_10521\" aria-describedby=\"caption-attachment-10521\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-10521 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/79-Murder-of-Sherlock-Holmes-performed-in-Cantonese.jpg?resize=640%2C736&#038;ssl=1\" alt=\"\" width=\"640\" height=\"736\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/79-Murder-of-Sherlock-Holmes-performed-in-Cantonese-scaled.jpg?resize=891%2C1024&amp;ssl=1 891w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/79-Murder-of-Sherlock-Holmes-performed-in-Cantonese-scaled.jpg?resize=261%2C300&amp;ssl=1 261w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/79-Murder-of-Sherlock-Holmes-performed-in-Cantonese-scaled.jpg?resize=768%2C882&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/79-Murder-of-Sherlock-Holmes-performed-in-Cantonese-scaled.jpg?resize=1337%2C1536&amp;ssl=1 1337w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/79-Murder-of-Sherlock-Holmes-performed-in-Cantonese-scaled.jpg?resize=1782%2C2048&amp;ssl=1 1782w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/79-Murder-of-Sherlock-Holmes-performed-in-Cantonese-scaled.jpg?resize=696%2C800&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/79-Murder-of-Sherlock-Holmes-performed-in-Cantonese-scaled.jpg?resize=1068%2C1227&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/79-Murder-of-Sherlock-Holmes-performed-in-Cantonese-scaled.jpg?resize=366%2C420&amp;ssl=1 366w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/79-Murder-of-Sherlock-Holmes-performed-in-Cantonese-scaled.jpg?w=1392&amp;ssl=1 1392w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/79-Murder-of-Sherlock-Holmes-performed-in-Cantonese-scaled.jpg?w=2088&amp;ssl=1 2088w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-10521\" class=\"wp-caption-text\">\u2018The Murder of Sherlock Holmes (written by Paul Stebbings and Phil Smith) performed by the Shanghai Dramatic Arts Theatre\u2019.<\/figcaption><\/figure>\n<figure id=\"attachment_10522\" aria-describedby=\"caption-attachment-10522\" style=\"width: 640px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.triarchypress.net\/tnt.html\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-10522 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC04302.jpg?resize=640%2C853&#038;ssl=1\" alt=\"\" width=\"640\" height=\"853\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC04302-scaled.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC04302-scaled.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC04302-scaled.jpg?resize=1152%2C1536&amp;ssl=1 1152w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC04302-scaled.jpg?resize=1536%2C2048&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC04302-scaled.jpg?resize=696%2C928&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC04302-scaled.jpg?resize=1068%2C1424&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC04302-scaled.jpg?resize=315%2C420&amp;ssl=1 315w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC04302-scaled.jpg?w=1920&amp;ssl=1 1920w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/DSC04302-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><figcaption id=\"caption-attachment-10522\" class=\"wp-caption-text\">\u2018TNT: The New Theatre\u2019 by Paul Stebbings and Phil Smith (Triarchy Press)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/PhilSmith2.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listPhil Smith is a performance-maker, writer and academic researcher, specialising in work around walking, site-specificity, mythogeographies and counter-tourism. With artist Helen Billinghurst, he is one half of Crab &amp; Bee, who have recently completed an exhibition and walking project called [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":10521,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[25,22,8,60,239],"tags":[],"class_list":{"0":"post-10510","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-academic","8":"category-actor","9":"category-artists","10":"category-performer","11":"category-theatre-director"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/07\/79-Murder-of-Sherlock-Holmes-performed-in-Cantonese-scaled.jpg?fit=2228%2C2560&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-2Jw","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10510","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=10510"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10510\/revisions"}],"predecessor-version":[{"id":10523,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10510\/revisions\/10523"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/10521"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=10510"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=10510"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=10510"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}