{"id":10412,"date":"2020-06-05T12:09:39","date_gmt":"2020-06-05T16:09:39","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=10412"},"modified":"2020-06-09T15:57:15","modified_gmt":"2020-06-09T19:57:15","slug":"gideonsson-londre","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/gideonsson-londre\/","title":{"rendered":"GIDEONSSON\/LONDR\u00c9"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_4818\"><audio class=\"wp-audio-shortcode\" id=\"audio-10412-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/gideonssonlondre.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/gideonssonlondre.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/gideonssonlondre.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_10425\" aria-describedby=\"caption-attachment-10425\" style=\"width: 252px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-10425\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/2.jpg?resize=252%2C377&#038;ssl=1\" alt=\"\" width=\"252\" height=\"377\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/2.jpg?resize=684%2C1024&amp;ssl=1 684w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/2.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/2.jpg?resize=768%2C1150&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/2.jpg?resize=1025%2C1536&amp;ssl=1 1025w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/2.jpg?resize=1367%2C2048&amp;ssl=1 1367w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/2.jpg?resize=696%2C1043&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/2.jpg?resize=1068%2C1600&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/2.jpg?resize=280%2C420&amp;ssl=1 280w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/2.jpg?w=1500&amp;ssl=1 1500w\" sizes=\"auto, (max-width: 252px) 100vw, 252px\" \/><figcaption id=\"caption-attachment-10425\" class=\"wp-caption-text\">Tilb\u00f8yelighet&#8221;, Galleri Babel, Trondheim, photo credit: F. Susann Jamt\u00f8y<\/figcaption><\/figure>\n<p class=\"Frval\"><span class=\"\" lang=\"EN-US\">Through long-lasting processes, the artist duo <a href=\"https:\/\/www.gideonssonlondre.com\/\">GIDEONSSON\/LONDR<\/a><\/span><a href=\"https:\/\/www.gideonssonlondre.com\/\"><span class=\"\" lang=\"PT\">\u00c9 <\/span><\/a><span class=\"\" lang=\"EN-US\">search for a dissolved state in-between paralysation and ecstasy. Their practice involves performances, installations and interventions that consist of different forms of highly regulated everyday activities, in relation to different experiences of time. How changes in rhythms and time flows open up for other positions and temporary detachments from established ideas about subjectivity.<\/span><\/p>\n<p class=\"Frval\"><span class=\"\" lang=\"IT\">GIDEONSSON\/LONDR<\/span><span class=\"\" lang=\"PT\">\u00c9 <\/span><span class=\"\" lang=\"EN-US\">live and work in Kallr<\/span><span class=\"\">\u00f6<\/span><span class=\"\" lang=\"EN-US\">r, Sweden, and received an MFA from The Royal Institute of Art in 2014. Recent exhibitions includes <\/span><i class=\"\"><span class=\"\" lang=\"FR\">Change<\/span><\/i><span class=\"\" lang=\"EN-US\">, Havremagasinet, Sweden (2019), <i class=\"\">I am vertical<\/i>, ESPAI 13, Spain (2018) and <i class=\"\">The Swamp Biennale<\/i><\/span><span class=\"\" lang=\"DE\">, Art Lab Gnesta, Sweden (2018).<\/span><\/p>\n<div>\n<figure id=\"attachment_10424\" aria-describedby=\"caption-attachment-10424\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-10424 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/1.jpg?resize=640%2C426&#038;ssl=1\" alt=\"\" width=\"640\" height=\"426\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/1.jpg?resize=1024%2C682&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/1.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/1.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/1.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/1.jpg?resize=696%2C464&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/1.jpg?resize=1068%2C712&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/1.jpg?resize=630%2C420&amp;ssl=1 630w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/1.jpg?w=2000&amp;ssl=1 2000w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/1.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-10424\" class=\"wp-caption-text\">\u201dThe Hour of the Wolf\u201d, Andquestionmark, Stockholm, photo credit: Nayab Ikram<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/gideonssonlondre.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listThrough long-lasting processes, the artist duo GIDEONSSON\/LONDR\u00c9 search for a dissolved state in-between paralysation and ecstasy. Their practice involves performances, installations and interventions that consist of different forms of highly regulated everyday activities, in relation to different experiences of time. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":10425,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,24],"tags":[],"class_list":{"0":"post-10412","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"category-collaborative"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/06\/2.jpg?fit=1500%2C2247&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-2HW","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10412","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=10412"}],"version-history":[{"count":6,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10412\/revisions"}],"predecessor-version":[{"id":10439,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10412\/revisions\/10439"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/10425"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=10412"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=10412"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=10412"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}