{"id":10115,"date":"2020-02-12T15:45:43","date_gmt":"2020-02-12T20:45:43","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=10115"},"modified":"2020-02-20T12:20:18","modified_gmt":"2020-02-20T17:20:18","slug":"violeta-ospina","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/violeta-ospina\/","title":{"rendered":"Violeta Ospina"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_6044\"><audio class=\"wp-audio-shortcode\" id=\"audio-10115-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/VioletaOspina.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/VioletaOspina.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/VioletaOspina.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><figure id=\"attachment_10124\" aria-describedby=\"caption-attachment-10124\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-10124 size-medium\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/02\/foto_violeta.png?resize=300%2C199&#038;ssl=1\" alt=\"\" width=\"300\" height=\"199\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/02\/foto_violeta.png?resize=300%2C199&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/02\/foto_violeta.png?resize=696%2C462&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/02\/foto_violeta.png?w=737&amp;ssl=1 737w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/02\/foto_violeta.png?resize=633%2C420&amp;ssl=1 633w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-10124\" class=\"wp-caption-text\">Algers, Jiser, 2019 (photo: Hichem Merouche).<\/figcaption><\/figure>\n<p>Interdisciplinary artist who operates at the crossroads of visual, education and living arts. She has spent most of her life in Bogot\u00e1, where art can be found in a hole in the asphalt.<\/p>\n<div>\n<p>She lives and works in Barcelona since 2015, and she speaks from migrant body<span class=\"gmail-Apple-converted-space\">\u00a0<\/span>on the borders of multiply body, overturning technology to imaginative and micro-political ways of learning. Her work is about listening time: how perception of time operates within a people and the city and how we can change the function of everyday objects, monuments and also, institutions. With her video, sound and radio performances, she has been recently exploring the disruption of language and the social meaning of using &#8216;our voice&#8217;. <a href=\"https:\/\/www.mixcloud.com\/radia-cavaret\/consultorio-sentimental-de-la-se%C3%B1orita-b-buz%C3%B3n-de-orgasmos\/\">Listen to that project here.<\/a><\/p>\n<p class=\"gmail-p1\">She is Radio Cava-ret, with Samuel C\u00e9spedes, since 2016, a living arts and <i>radia<\/i> collective. Recently, she made a &#8216;solo exhibition&#8217; in Alalim\u00f3n Galer\u00eda (2019), called &#8216;So happy together &amp; altres covers&#8217;, where she has invited Radio Cava-ret to the gallery space. In Barcelona, she has co-founded Radioactius Poble-sec with Pla Comunitari (2017), an online radio community. She works with several projects in Jiser Reflexions Mediterr\u00e0nies, like the radio program Taula, and she has been also collaborating with R\u00e0dio Web MACBA.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Ydo0qcHAXM4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\nDuring her career she has been awarded the Otto de Greiff Award (2010), New Names of the Bank of the Republic of Colombia (2011), National University Postgraduate Scholarship (2011 &#8211; 2013), Master in Theater and Living Arts and ICETEX (Young Talents) Scholarship<span class=\"gmail-Apple-converted-space\">\u00a0<\/span>to study sound art at the University of Barcelona (2014- 2015). She has made some grants in Barcelona with collective projects like Beca de creaci\u00f3n La Escocesa in 2018 and Sala d&#8217;Art Jove in 2019, with Radio Cava-ret.<\/p>\n<p>The book mentioned in the interview was <a href=\"https:\/\/www.bookdepository.com\/Listening-Dreams-Ione\/9780595783267\">Listening in Dreams : A Compendium of Sound Dreams, Meditations And Rituals for Deep Dreamers.<\/a><\/p>\n<figure id=\"attachment_10125\" aria-describedby=\"caption-attachment-10125\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-10125 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/02\/vedette.gif?resize=696%2C464&#038;ssl=1\" alt=\"\" width=\"696\" height=\"464\" \/><figcaption id=\"caption-attachment-10125\" class=\"wp-caption-text\">Trampa para monumentos (Eclipse), 2010, videoperformance, photographer: Luc\u00eda Huertas.<\/figcaption><\/figure>\n<figure id=\"attachment_10126\" aria-describedby=\"caption-attachment-10126\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-10126 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/02\/escultura26-he%CC%81roe-cai%CC%81do.jpg?resize=640%2C427&#038;ssl=1\" alt=\"\" width=\"640\" height=\"427\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/02\/escultura26-he%CC%81roe-cai%CC%81do-scaled.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/02\/escultura26-he%CC%81roe-cai%CC%81do-scaled.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/02\/escultura26-he%CC%81roe-cai%CC%81do-scaled.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/02\/escultura26-he%CC%81roe-cai%CC%81do-scaled.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/02\/escultura26-he%CC%81roe-cai%CC%81do-scaled.jpg?resize=2048%2C1365&amp;ssl=1 2048w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/02\/escultura26-he%CC%81roe-cai%CC%81do-scaled.jpg?resize=696%2C464&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/02\/escultura26-he%CC%81roe-cai%CC%81do-scaled.jpg?resize=1068%2C712&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/02\/escultura26-he%CC%81roe-cai%CC%81do-scaled.jpg?resize=630%2C420&amp;ssl=1 630w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/02\/escultura26-he%CC%81roe-cai%CC%81do-scaled.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-10126\" class=\"wp-caption-text\">La vuelta al mundo en 80 teatros, 2017, videoperformance, photographer: Daniel Authier.<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/VioletaOspina.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listInterdisciplinary artist who operates at the crossroads of visual, education and living arts. She has spent most of her life in Bogot\u00e1, where art can be found in a hole in the asphalt. She lives and works in Barcelona since [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":10125,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[328,215,125],"class_list":{"0":"post-10115","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists","8":"tag-artist","9":"tag-barcelona","10":"tag-spain"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/02\/vedette.gif?fit=800%2C533&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-2D9","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=10115"}],"version-history":[{"count":6,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10115\/revisions"}],"predecessor-version":[{"id":10154,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10115\/revisions\/10154"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/10125"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=10115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=10115"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=10115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}