{"id":10034,"date":"2019-12-17T18:17:29","date_gmt":"2019-12-17T23:17:29","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/interviews\/?p=10034"},"modified":"2019-12-17T18:17:29","modified_gmt":"2019-12-17T23:17:29","slug":"tannaz-farsi","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/interviews\/tannaz-farsi\/","title":{"rendered":"Tannaz Farsi"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_2526\"><audio class=\"wp-audio-shortcode\" id=\"audio-10034-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/TannazFarsi.mp3?_=1\" \/><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/interview\/TannazFarsi.mp3\">https:\/\/museumofnonvisibleart.com\/interviews\/interview\/TannazFarsi.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/5ZxsN79E1W6VJOjQF9GNuZ\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"http:\/\/tunein.com\/radio\/Interviews-by-Brainard-Carey-p1236598\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/feeds.podcastmirror.com\/interviews-by-brainard\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/goo.gl\/xSQrKY\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"Click here to  join mailing list\" rel=\"nofollow\">Click here to  join mailing list<\/a><\/p><p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10044 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/51237847_10155839992496746_6781245102544125952_n.jpg?resize=300%2C273&#038;ssl=1\" alt=\"\" width=\"300\" height=\"273\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/51237847_10155839992496746_6781245102544125952_n.jpg?resize=300%2C273&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/51237847_10155839992496746_6781245102544125952_n.jpg?resize=768%2C699&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/51237847_10155839992496746_6781245102544125952_n.jpg?resize=696%2C633&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/51237847_10155839992496746_6781245102544125952_n.jpg?resize=462%2C420&amp;ssl=1 462w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/51237847_10155839992496746_6781245102544125952_n.jpg?w=900&amp;ssl=1 900w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><a href=\"https:\/\/www.tannazfarsi.com\/\"><em>Tannaz\u00a0Farsi\u2019s<\/em><\/a><em> practice <\/em>straddles sculpture, installation and image making allowing her to work within a serial structure to create interdependencies in meaning. She uses organic materials such as flowers and plants, creates spatial compositions from light, air, words and continually engages with the history and specificity of objects to critically address broader socio-political systems through both an analytical and poetic framework. Farsi\u2019s research draws from historic cultural objects, feminist histories, and theories of displacement evidenced by long standing colonialist and authoritarian interventions into daily life to complicate the network of relations around conception of memory, history, identity and geography.<\/p>\n<p>Farsi\u2019s work has been exhibited at venues including SFAC Galleries, San Francisco; Portland Institute of Contemporary Art, Portland; Disjecta Art Center, Portland; Linfield Gallery McMinnville, ; Pitzer College Art Galleries, Claremont; Tacoma Art Museum, Tacoma; the Urban Institute of Contemporary Art, Grand Rapids; Delaware Center for the Contemporary Arts, Wilmington; and The Sculpture Center, Cleveland. She has been granted residencies at Bemis Center for Contemporary Art, Ucross Foundation, the\u202fMacDowell\u202fColony, Studios at Mass MOCA, Santa Fe Art Institute and the Rauschenberg Foundation. Her work has been supported through grants and awards from the Oregon Arts Commission, National Endowment for the Arts, University of Oregon and the Ford Family Foundation. She received a Hallie Ford Fellowship in 2014 and was named the twenty-eighth Bonnie Bronson Fellow in 2019. Born in Iran, Farsi lives and works in Eugene, OR where she is on the faculty at the University of Oregon.<\/p>\n<figure id=\"attachment_10045\" aria-describedby=\"caption-attachment-10045\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-10045 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/2019_03-Part-and-Parcel-36.jpg?resize=640%2C428&#038;ssl=1\" alt=\"\" width=\"640\" height=\"428\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/2019_03-Part-and-Parcel-36.jpg?resize=1024%2C684&amp;ssl=1 1024w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/2019_03-Part-and-Parcel-36.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/2019_03-Part-and-Parcel-36.jpg?resize=768%2C513&amp;ssl=1 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/2019_03-Part-and-Parcel-36.jpg?resize=696%2C465&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/2019_03-Part-and-Parcel-36.jpg?resize=1068%2C713&amp;ssl=1 1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/2019_03-Part-and-Parcel-36.jpg?resize=629%2C420&amp;ssl=1 629w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/2019_03-Part-and-Parcel-36.jpg?w=2000&amp;ssl=1 2000w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/2019_03-Part-and-Parcel-36.jpg?w=1392&amp;ssl=1 1392w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-10045\" class=\"wp-caption-text\">The Names [state III], 2019, powder coated steel<\/figcaption><\/figure>\n<figure id=\"attachment_10046\" aria-describedby=\"caption-attachment-10046\" style=\"width: 700px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-10046 size-full\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/tf.jpeg?resize=696%2C517&#038;ssl=1\" alt=\"\" width=\"696\" height=\"517\" srcset=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/tf.jpeg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/tf.jpeg?resize=300%2C223&amp;ssl=1 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/tf.jpeg?resize=80%2C60&amp;ssl=1 80w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/tf.jpeg?resize=265%2C198&amp;ssl=1 265w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/tf.jpeg?resize=696%2C517&amp;ssl=1 696w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/tf.jpeg?resize=565%2C420&amp;ssl=1 565w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-10046\" class=\"wp-caption-text\">Tyrrany stops life., 2109, Iranian rug, silica grit, aluminum, archival ink jet print, polyester film, dried tulip petals<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/museumofnonvisibleart.com\/interviews\/interview\/TannazFarsi.mp3Subscribe: Apple Podcasts | Spotify | TuneIn | RSS | Click here to join mailing listTannaz\u00a0Farsi\u2019s practice straddles sculpture, installation and image making allowing her to work within a serial structure to create interdependencies in meaning. She uses organic materials such as flowers and plants, creates spatial compositions from light, air, words and continually engages [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":10045,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-10034","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/12\/2019_03-Part-and-Parcel-36.jpg?fit=2000%2C1335&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p47FRq-2BQ","_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/comments?post=10034"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10034\/revisions"}],"predecessor-version":[{"id":10047,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/posts\/10034\/revisions\/10047"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media\/10045"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/media?parent=10034"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/categories?post=10034"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/interviews\/wp-json\/wp\/v2\/tags?post=10034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}