{"id":9721,"date":"2019-08-16T15:01:02","date_gmt":"2019-08-16T15:01:02","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/kemi-adeyemi\/"},"modified":"2019-08-16T15:09:38","modified_gmt":"2019-08-16T15:09:38","slug":"kemi-adeyemi","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/kemi-adeyemi\/","title":{"rendered":"Kemi Adeyemi"},"content":{"rendered":"<div><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-9617 alignright\" src=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2019\/08\/adeyemi_headshot-201x300-1.jpg\" alt=\"\" width=\"201\" height=\"300\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2019\/08\/adeyemi_headshot-201x300-1.jpg 201w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2019\/08\/adeyemi_headshot-687x1024.jpg 687w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2019\/08\/adeyemi_headshot-696x1038.jpg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2019\/08\/adeyemi_headshot-282x420.jpg 282w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2019\/08\/adeyemi_headshot.jpg 704w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/><a href=\"https:\/\/kemiadeyemi.com\/\">Kemi Adeyemi<\/a> is assistant professor of Gender, Women and Sexuality Studies and Director of The <a href=\"https:\/\/www.blackembodiments.org\/\">Black Embodiments Studio<\/a>, an arts writing residency, at the University of Washington.<\/div>\n<div>Her book manuscript&nbsp;on<i>&nbsp;<\/i>black queer women&rsquo;s geographies of neoliberalism, and her co-edited volume&nbsp;<i>Queer Nightlife<\/i>,&nbsp;are currently in development. Adeyemi&rsquo;s has forthcoming writing in&nbsp;<i>GLQ: a journal of lesbian and gay studies,&nbsp;<\/i>and has published in&nbsp;<i>Women &amp; Performance<\/i>,&nbsp;<i>Transgender Studies Quarterly, Gulf Coast: A Journal of Literature and Fine Arts<\/i>, and&nbsp;<i>QED: A Journal of GLBTQ Worldmaking<\/i>.<\/div>\n<div><\/div>\n<div>She has contributed exhibition essays for&nbsp;<i>Tschabalala Self<\/i>&nbsp;(Seattle),&nbsp;<i>This is Not a Gun&nbsp;<\/i>(Los Angeles),&nbsp;<i>black is a color<\/i>&nbsp;(Los Angeles),&nbsp;<i>Impractical Weaving Suggestions<\/i>&nbsp;(Madison), and&nbsp;<i>Endless Flight&nbsp;<\/i>(Chicago); and writings on artists including Liz Mputu, Adee Robinson,&nbsp;Brendan Fernandes, Oli Rodriguez, and Indira Allegra. Adeyemi co-curated the&nbsp;<i>unstable objects<\/i>&nbsp;exhibition at The Alice Gallery in 2017 and is curating Amina Ross&rsquo; October 2019 solo show at Ditch Projects.<\/div>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Kemi Adeyemi is assistant professor of Gender, Women and Sexuality Studies and Director of The Black Embodiments Studio, an arts writing residency, at the University of Washington. Her book manuscript&nbsp;on&nbsp;black queer women&rsquo;s geographies of neoliberalism, and her co-edited volume&nbsp;Queer Nightlife,&nbsp;are currently in development. Adeyemi&rsquo;s has forthcoming writing in&nbsp;GLQ: a journal of lesbian and gay studies,&nbsp;and [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":9729,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-9721","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/9721","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=9721"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/9721\/revisions"}],"predecessor-version":[{"id":9730,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/9721\/revisions\/9730"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/9729"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=9721"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=9721"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=9721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}