{"id":9078,"date":"2019-07-04T17:20:40","date_gmt":"2019-07-04T17:20:40","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/daniel-maidman\/"},"modified":"2019-07-04T18:11:50","modified_gmt":"2019-07-04T18:11:50","slug":"daniel-maidman","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/daniel-maidman\/","title":{"rendered":"Daniel Maidman"},"content":{"rendered":"

\"\"Daniel Maidman<\/a> is best known for his vivid depiction of the figure. Maidman’s drawings and paintings are included in the permanent collections of the Library of Congress, the New Britain Museum of American Art, the Wausau Museum of Contemporary Art, and the Long Beach Museum of Art.<\/p>\n

His art and writing on art have been featured in The Huffington Post<\/em>, Whitehot<\/em>, Poets\/Artists<\/em>, ARTnews<\/em>, Forbes<\/em>, W<\/em>, and many others. He has been shown in solo shows in New York City and in group shows across the United States and Europe. He designs coins for the US Mint and the Canadian mint.<\/p>\n

He is a repeat guest critic at the New York Academy of Art. His books, Daniel Maidman: Nudes<\/em> and Theseus: Vincent Desiderio on Art<\/em>, are available from Griffith Moon Publishing. He lives and paints in Brooklyn, New York.<\/p>\n

\"\"
The Edge of the Forest<\/em>, oil on canvas, 36”x48”, 2019<\/figcaption><\/figure>\n
\"\"
Man versus The Tower<\/em>, oil on canvas, 36”x36”, 2019<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Daniel Maidman is best known for his vivid depiction of the figure. Maidman’s drawings and paintings are included in the permanent collections of the Library of Congress, the New Britain Museum of American Art, the Wausau Museum of Contemporary Art, and the Long Beach Museum of Art. His art and writing on art have been […]<\/p>\n","protected":false},"author":3,"featured_media":9099,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-9078","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/9078","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=9078"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/9078\/revisions"}],"predecessor-version":[{"id":9100,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/9078\/revisions\/9100"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/9099"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=9078"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=9078"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=9078"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}