{"id":8770,"date":"2019-06-12T13:16:04","date_gmt":"2019-06-12T13:16:04","guid":{"rendered":"http:\/\/museumofnonvisibleart.com\/authorsite\/genevieve-kaplan\/"},"modified":"2019-06-13T00:58:26","modified_gmt":"2019-06-13T00:58:26","slug":"genevieve-kaplan","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/genevieve-kaplan\/","title":{"rendered":"Genevieve Kaplan"},"content":{"rendered":"<div><span class=\"gmail-field-data\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-9296 alignleft\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/G.Kaplan-pic-2018-255x300.jpg\" alt=\"\" width=\"255\" height=\"300\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/G.Kaplan-pic-2018-255x300.jpg 255w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/G.Kaplan-pic-2018-768x905.jpg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/G.Kaplan-pic-2018-869x1024.jpg 869w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/G.Kaplan-pic-2018-696x820.jpg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/G.Kaplan-pic-2018-356x420.jpg 356w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/G.Kaplan-pic-2018.jpg 897w\" sizes=\"auto, (max-width: 255px) 100vw, 255px\" \/>Genevieve Kaplan is the author of <a href=\"http:\/\/redhen.org\/book\/?uuid=7FA7E43F-A862-D13A-B9AD-8B1AEBDDBA1E\" target=\"_blank\" rel=\"noopener noreferrer\"><i>In the ice house<\/i><\/a> (Red Hen Press), winner of the A Room of Her Own Foundation&rsquo;s poetry publication prize, and th<\/span><span class=\"gmail-field-data\">ree chapbooks:<i> <a href=\"http:\/\/greybookpress.com\/index.php\/site\/titles\/\" target=\"_blank\" rel=\"noopener noreferrer\">In an aviary<\/a><\/i> (Grey Book Press, 2016); <a href=\"http:\/\/dulcetshop.myshopify.com\/collections\/dancing-girl-press\/products\/travelogue-genevieve-kaplan\" target=\"_blank\" rel=\"noopener noreferrer\"><i>travelogue<\/i><\/a> (Dancing Girl, 2016); and <a href=\"http:\/\/www.convulsive-editions.org\/p\/titles-ordering.html#settings\" target=\"_blank\" rel=\"noopener noreferrer\"><i>settings for these scenes<\/i><\/a> (Convulsive Editions, 2013), a chapbook of continual erasures. Her recent work has appeared in <i>Thrush Poetry Journal<\/i>, <i>Third Coast<\/i>, <i>Poetry Northwest<\/i>, and <i>The Laurel Review<\/i>. She edits the <a href=\"http:\/\/toadpress.blogspot.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Toad Press<\/a> International chapbook series, publishing contemporary translations of poetry and prose. <\/span><\/div>\n<div><span class=\"gmail-field-data\"><a href=\"https:\/\/genevievekaplan.com\/\">Find her online here<\/a>.<br \/><\/span><\/div>\n<div><\/div>\n<div>\n<figure aria-describedby=\"caption-attachment-9297\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-9297 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/and-the-afternoon-of-it-4-lines-close-1024x581.jpg\" alt=\"\" width=\"640\" height=\"363\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/and-the-afternoon-of-it-4-lines-close-1024x581.jpg 1024w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/and-the-afternoon-of-it-4-lines-close-300x170.jpg 300w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/and-the-afternoon-of-it-4-lines-close-768x436.jpg 768w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/and-the-afternoon-of-it-4-lines-close-696x395.jpg 696w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/and-the-afternoon-of-it-4-lines-close-1068x606.jpg 1068w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/and-the-afternoon-of-it-4-lines-close-741x420.jpg 741w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-caption-text\">Detail from &ldquo;A flutter of modest aspiration&rdquo; woven broadside (2016)<\/figcaption><\/figure>\n<\/div>\n<div>\n<figure aria-describedby=\"caption-attachment-9298\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-9298\" src=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/ice-house-cover.jpg\" alt=\"\" width=\"657\" height=\"657\" srcset=\"https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/ice-house-cover.jpg 500w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/ice-house-cover-300x300.jpg 300w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/06\/ice-house-cover-420x420.jpg 420w\" sizes=\"auto, (max-width: 657px) 100vw, 657px\" \/><figcaption class=\"wp-caption-text\">In the ice house (Red Hen Press, 2011)<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Genevieve Kaplan is the author of In the ice house (Red Hen Press), winner of the A Room of Her Own Foundation&rsquo;s poetry publication prize, and three chapbooks: In an aviary (Grey Book Press, 2016); travelogue (Dancing Girl, 2016); and settings for these scenes (Convulsive Editions, 2013), a chapbook of continual erasures. Her recent work [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-8770","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-interview","7":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/8770","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=8770"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/8770\/revisions"}],"predecessor-version":[{"id":8772,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/8770\/revisions\/8772"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=8770"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=8770"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=8770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}