{"id":8555,"date":"2019-06-03T18:45:21","date_gmt":"2019-06-03T18:45:21","guid":{"rendered":"http:\/\/thebirthofeverything.com\/authorsite\/lania-sproles\/"},"modified":"2019-06-03T20:19:25","modified_gmt":"2019-06-03T20:19:25","slug":"lania-sproles","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/lania-sproles\/","title":{"rendered":"LaNia Sproles"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-9231 alignleft\" src=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/39883535_10214154827722123_3743872324194009088_o-1.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/39883535_10214154827722123_3743872324194009088_o-1.jpg 200w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/39883535_10214154827722123_3743872324194009088_o-2.jpg 768w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/39883535_10214154827722123_3743872324194009088_o-3.jpg 683w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/39883535_10214154827722123_3743872324194009088_o-4.jpg 696w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/39883535_10214154827722123_3743872324194009088_o-5.jpg 1068w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/39883535_10214154827722123_3743872324194009088_o-6.jpg 280w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/39883535_10214154827722123_3743872324194009088_o-7.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" data-recalc-dims=\"1\" \/><a href=\"https:\/\/www.laniasproles.com\/\">LaNia<\/a> grew up in the segregated city of Milwaukee, Wisconsin and graduated with a BFA from Milwaukee Institute of Art and Design.<\/p>\n<p>She devotes most of her time conducting research on the philosophies of self perception, queer and feminist theories, and inherent racial dogmas;&nbsp;while also examining the contemporary works&rsquo; of Laylah Ali, Kara Walker and poet, Warsan Shire.<\/p>\n<p>The combination of printmaking and drawing inspires her to challenge these concepts and to push beyond the traditional expectations of not only the figure but printmaking itself. Through collage and assemblage she strives to conduct work that pays homage to imagery free from the barriers of social constructs and honest in its vulnerability.<\/p>\n<figure class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-9232 size-large\" src=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/drawing5.jpg\" alt=\"\" width=\"640\" height=\"935\" srcset=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/drawing5-1.jpg 701w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/drawing5-2.jpg 205w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/drawing5-3.jpg 768w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/drawing5-4.jpg 696w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/drawing5-5.jpg 1068w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/drawing5-6.jpg 288w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/drawing5-7.jpg 1109w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-caption-text\">Next Door Neighbors Gouache, ink, watercolor pencil, colored pencil, watercolor crayons 13 &#8541; x 19 &frac34; in 2018<\/figcaption><\/figure>\n<figure class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-9233 size-full\" src=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/kentukyana.jpg\" alt=\"\" width=\"640\" height=\"821\" srcset=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/kentukyana-1.jpg 750w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/kentukyana-2.jpg 234w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/kentukyana-3.jpg 696w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/06\/kentukyana-4.jpg 327w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-caption-text\">Kentuckyana Watercolor crayon, gouache, marker, glitter 20x18in 2019<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>LaNia grew up in the segregated city of Milwaukee, Wisconsin and graduated with a BFA from Milwaukee Institute of Art and Design. She devotes most of her time conducting research on the philosophies of self perception, queer and feminist theories, and inherent racial dogmas;&nbsp;while also examining the contemporary works&rsquo; of Laylah Ali, Kara Walker and [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":8578,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-8555","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/8555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=8555"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/8555\/revisions"}],"predecessor-version":[{"id":8579,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/8555\/revisions\/8579"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/8578"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=8555"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=8555"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=8555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}