{"id":8218,"date":"2019-05-09T20:17:40","date_gmt":"2019-05-09T20:17:40","guid":{"rendered":"http:\/\/thebirthofeverything.com\/authorsite\/vasiliki-antonopoulou-2\/"},"modified":"2019-05-09T21:10:19","modified_gmt":"2019-05-09T21:10:19","slug":"vasiliki-antonopoulou-2","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/vasiliki-antonopoulou-2\/","title":{"rendered":"Vasiliki Antonopoulou"},"content":{"rendered":"<div dir=\"auto\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-9135 alignleft\" src=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/IMG_6720-1.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/IMG_6720-1.jpg 300w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/IMG_6720-2.jpg 768w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/IMG_6720-3.jpg 1024w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/IMG_6720-4.jpg 696w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/IMG_6720-5.jpg 1068w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/IMG_6720-6.jpg 747w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/IMG_6720-7.jpg 1334w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/IMG_6720-8.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/>This is the second interview with&nbsp;Vasiliki, the one can be heard by <a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/vasiliki-antonopoulou\/\">clicking here<\/a>.<\/p>\n<p><a href=\"https:\/\/www.vasilikiantonopoulou.com\/\">Vasiliki Antonopoulou<\/a> was born in Greece and raised in Saudi Arabia, two locations which re-emerge in her process. Her practice combines text, performance and moving image, to explore notions of displacement and otherness. These manifest in metaphors that create multiple layers delving into the emotional relationships that exists in particular spaces and architecture.<\/p>\n<p>Using a sculptural language, her work queers the process of image editing by challenging the binary format of rough versus sleek moving image. Her outcomes, are visual poems that occupy a space in between where displaced images reflect the notions she works with.<\/p>\n<\/div>\n<div dir=\"auto\">\n<figure class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-9136 size-large\" src=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/3.Still-from-_Dry_-by-Vasiliki-Antonopoulou.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/3.Still-from-_Dry_-by-Vasiliki-Antonopoulou-1.jpg 1024w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/3.Still-from-_Dry_-by-Vasiliki-Antonopoulou-2.jpg 300w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/3.Still-from-_Dry_-by-Vasiliki-Antonopoulou-3.jpg 768w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/3.Still-from-_Dry_-by-Vasiliki-Antonopoulou-4.jpg 696w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/3.Still-from-_Dry_-by-Vasiliki-Antonopoulou-5.jpg 1068w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/3.Still-from-_Dry_-by-Vasiliki-Antonopoulou-6.jpg 746w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/3.Still-from-_Dry_-by-Vasiliki-Antonopoulou-7.jpg 1280w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/3.Still-from-_Dry_-by-Vasiliki-Antonopoulou-8.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-caption-text\">&lsquo;Dry&rsquo;, Film Still, ongoing&nbsp;<\/figcaption><\/figure>\n<\/div>\n<div dir=\"auto\">\n<figure class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-9137 size-large\" src=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/2.Still-from-Dry-by-Vasiliki-Antonopoulou.jpg\" alt=\"\" width=\"640\" height=\"358\" srcset=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/2.Still-from-Dry-by-Vasiliki-Antonopoulou-1.jpg 1024w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/2.Still-from-Dry-by-Vasiliki-Antonopoulou-2.jpg 300w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/2.Still-from-Dry-by-Vasiliki-Antonopoulou-3.jpg 768w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/2.Still-from-Dry-by-Vasiliki-Antonopoulou-4.jpg 696w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/2.Still-from-Dry-by-Vasiliki-Antonopoulou-5.jpg 1068w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/2.Still-from-Dry-by-Vasiliki-Antonopoulou-6.jpg 751w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/2.Still-from-Dry-by-Vasiliki-Antonopoulou-7.jpg 1280w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/05\/2.Still-from-Dry-by-Vasiliki-Antonopoulou-8.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-caption-text\">&lsquo;Dry&rsquo;, Film Still, ongoing&nbsp;<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>This is the second interview with&nbsp;Vasiliki, the one can be heard by clicking here. Vasiliki Antonopoulou was born in Greece and raised in Saudi Arabia, two locations which re-emerge in her process. Her practice combines text, performance and moving image, to explore notions of displacement and otherness. These manifest in metaphors that create multiple layers [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":8247,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-8218","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/8218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=8218"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/8218\/revisions"}],"predecessor-version":[{"id":8248,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/8218\/revisions\/8248"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/8247"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=8218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=8218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=8218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}