{"id":8203,"date":"2019-05-09T19:31:37","date_gmt":"2019-05-09T19:31:37","guid":{"rendered":"https:\/\/thebirthofeverything.com\/authorsite\/jeffrey-yang\/"},"modified":"2019-05-09T20:12:25","modified_gmt":"2019-05-09T20:12:25","slug":"jeffrey-yang","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/jeffrey-yang\/","title":{"rendered":"Jeffrey Yang"},"content":{"rendered":"
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author photo credit: Hafiz Hamzah<\/figcaption><\/figure>\n

Jeffrey Yang is the author of three poetry collections Hey, Marfa<\/i>; Vanishing-Line<\/i>; and An Aquarium. <\/i><\/p>\n<\/div>\n

He is the translator of Bei Dao’s autobiography City Gate, Open Up<\/i>, Liu Xiaobo’s June Fourth Elegies<\/i>, Ahtmajan Osman’s Uyghurland, the Farthest Exile<\/i>, and Su Shi’s East Slope. <\/i>He is also the editor of The Sea Is a Continual Miracle: Sea Poems and Other Writings by Walt Whitman<\/i>; Time of Grief: Mourning Poems<\/i>; and Birds, Beasts, and Seas: Nature Poems from New Directions. <\/i><\/div>\n
Here is a link to recent Hey, Marfa review,<\/a> also a link to a Vanishing-Line review<\/a>,and finally a link to Porter book<\/a> where the review can be found that was mentioned in the interview.<\/div>\n
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Cover of Hey, Marfa<\/figcaption><\/figure>\n<\/div>\n
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author photo credit: Hafiz Hamzah Jeffrey Yang is the author of three poetry collections Hey, Marfa; Vanishing-Line; and An Aquarium. He is the translator of Bei Dao’s autobiography City Gate, Open Up, Liu Xiaobo’s June Fourth Elegies, Ahtmajan Osman’s Uyghurland, the Farthest Exile, and Su Shi’s East Slope. He is also the editor of The […]<\/p>\n","protected":false},"author":3,"featured_media":8216,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-8203","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/8203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=8203"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/8203\/revisions"}],"predecessor-version":[{"id":8217,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/8203\/revisions\/8217"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/8216"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=8203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=8203"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=8203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}