{"id":7619,"date":"2019-04-07T17:32:31","date_gmt":"2019-04-07T17:32:31","guid":{"rendered":"http:\/\/thebirthofeverything.com\/authorsite\/pedro-lasch\/"},"modified":"2019-04-07T18:12:25","modified_gmt":"2019-04-07T18:12:25","slug":"pedro-lasch","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/pedro-lasch\/","title":{"rendered":"Pedro Lasch"},"content":{"rendered":"<p><a href=\"http:\/\/www.pedrolasch.com\/#en\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-8963 alignright\" src=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/PedroLasch_IMG_1363-d13-2-copy-1.jpg\" alt=\"\" width=\"256\" height=\"300\" srcset=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/PedroLasch_IMG_1363-d13-2-copy-1.jpg 256w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/PedroLasch_IMG_1363-d13-2-copy-2.jpg 359w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/PedroLasch_IMG_1363-d13-2-copy-3.jpg 481w\" sizes=\"auto, (max-width: 256px) 100vw, 256px\" data-recalc-dims=\"1\" \/>Pedro Lasch<\/a> (Mexico\/US\/Germany) is a visual artist, Duke professor, and 16 Beaver organizer. He is also director of the FHI Social Practice Lab at Duke. Solo exhibitions and presentations include&nbsp;<em>Open Routines<\/em>&nbsp;(QMA), <em>Black Mirror<\/em>&nbsp;(Nasher), <em>Abstract Nationalism <\/em>(Phillips Collection), <em>Art of the MOOC<\/em> (Creative Time), <em>A Sculptural Proposal for the Z&oacute;calo <\/em>(Casa Wabi); group exhibitions include MoMA PS1,&nbsp;MASS MoCA (USA); RCA, Hayward Gallery, Baltic (UK); Centro Nacional de las Artes, MUAC, National Palace Gallery (Mexico); Prospect 4 Triennial New Orleans (2017), Gwangju Biennial (2006), Havana Biennial (2015), Documenta 13 (ANDANDAND, 2012), and 56<sup>th<\/sup> Venice Biennale (Creative Time Summit, 2015).&nbsp;Author of four books, his work has appeared in numerous catalogues, as well as journals like <em>October Magazine<\/em>, <em>Saber Ver,<\/em> <em>Art Forum<\/em>, <em>ARTnews, Cultural Studies, The New York Times<\/em>, <em>and La Jornada.<\/em> His online pedagogical artwork <em>ART of the MOOC<\/em> has had over 30,000 enrolled participants in 134 countries since it launched in 2015.<\/p>\n<figure class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-8961\" src=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/IMG_4048.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/IMG_4048-1.jpg 1024w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/IMG_4048-2.jpg 300w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/IMG_4048-3.jpg 768w, https:\/\/i1.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2019\/03\/IMG_4048.jpg?resize=80%2C60&amp;ssl=1 80w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/IMG_4048-4.jpg 265w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/IMG_4048-5.jpg 696w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/IMG_4048-6.jpg 1068w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/IMG_4048-7.jpg 560w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/IMG_4048-8.jpg 1280w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/IMG_4048-9.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-caption-text\">Pedro Lasch, A Sculptural Proposal for the Zocalo (1999\/2004\/2018). Architectural model exhibition at Casa Wabi Santa Maria, Mexico City, 2018-2019.<\/figcaption><\/figure>\n<figure class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-8962\" src=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/IMG_4766.png\" alt=\"\" width=\"640\" height=\"360\" srcset=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/IMG_4766-1.png 1024w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/IMG_4766-2.png 300w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/IMG_4766-3.png 768w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/IMG_4766-4.png 696w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/IMG_4766-5.png 1068w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/IMG_4766-6.png 747w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/IMG_4766-7.png 1280w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2019\/04\/IMG_4766-8.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-caption-text\">Pedro Lasch, Phantom Limbs paintings (2001-2011). Selection: WTC Kabul, WTC Paris, WTC Baghdad) at &lsquo;Politics of Fiction&rsquo; solo exhibition at Espacio Mexico, Montreal (March 2nd &ndash; June 9th, 2019)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Pedro Lasch (Mexico\/US\/Germany) is a visual artist, Duke professor, and 16 Beaver organizer. He is also director of the FHI Social Practice Lab at Duke. Solo exhibitions and presentations include&nbsp;Open Routines&nbsp;(QMA), Black Mirror&nbsp;(Nasher), Abstract Nationalism (Phillips Collection), Art of the MOOC (Creative Time), A Sculptural Proposal for the Z&oacute;calo (Casa Wabi); group exhibitions include MoMA [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":7644,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-7619","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/7619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=7619"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/7619\/revisions"}],"predecessor-version":[{"id":7645,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/7619\/revisions\/7645"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/7644"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=7619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=7619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=7619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}