{"id":7477,"date":"2019-03-26T22:17:50","date_gmt":"2019-03-26T23:17:50","guid":{"rendered":"http:\/\/thebirthofeverything.com\/authorsite\/hilary-plum\/"},"modified":"2019-03-27T00:19:10","modified_gmt":"2019-03-27T00:19:10","slug":"hilary-plum","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/hilary-plum\/","title":{"rendered":"Hilary Plum"},"content":{"rendered":"

\"\"Hilary Plum is the author of the novel Strawberry Fields<\/i>, winner of the Fence Modern Prize in Prose (2018); the work of nonfiction Watchfires<\/i>(2016), winner of the 2018 GLCA New Writers Award; and the novel They Dragged Them Through the Streets<\/i> (2013). She has worked for a number of years as an editor of international literature, history, and politics.<\/p>\n

She teaches at Cleveland State University and in the NEOMFA program and is associate director of the CSU Poetry Center. With Zach Savich she edits the Open Prose Series<\/a> at Rescue Press. Recent work has appeared in the Brooklyn Rail<\/a><\/i>, Oversound<\/i>, the Fairy Tale Review<\/i>, Poetry Northwest<\/i>, and elsewhere.<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Hilary Plum is the author of the novel Strawberry Fields, winner of the Fence Modern Prize in Prose (2018); the work of nonfiction Watchfires(2016), winner of the 2018 GLCA New Writers Award; and the novel They Dragged Them Through the Streets (2013). She has worked for a number of years as an editor of international literature, history, and politics. She […]<\/p>\n","protected":false},"author":3,"featured_media":7500,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-7477","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/7477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=7477"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/7477\/revisions"}],"predecessor-version":[{"id":7501,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/7477\/revisions\/7501"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/7500"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=7477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=7477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=7477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}