{"id":6793,"date":"2019-02-08T17:28:06","date_gmt":"2019-02-08T18:28:06","guid":{"rendered":"http:\/\/thebirthofeverything.com\/authorsite\/sylvia-arthur\/"},"modified":"2019-02-08T19:12:22","modified_gmt":"2019-02-08T19:12:22","slug":"sylvia-arthur","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/sylvia-arthur\/","title":{"rendered":"Sylvia Arthur"},"content":{"rendered":"
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Sylvia Arthur at Libreria Ghana<\/figcaption><\/figure>\n

Sylvia Arthur is a British-Ghanaian narrative nonfiction writer whose work explores identity, diaspora, politics, and place. She lives in Accra where she has turned her vast collection of books into Ghana’s only lending library, <\/span>Libreria Ghana<\/span><\/a>. Her writing has been published in <\/span>The Guardian, the BBC<\/span><\/i>, and <\/span>The British Journalism Review<\/span><\/i> and her essay, “Britain’s Invisible Black Middle Class” appears in the anthology, <\/span>Know Your Place: Essays by the Working Class for the Working Class<\/span><\/i>. She has been awarded fellowships to Hedgebrook and Santa Fe Art Institute and received a grant from The Andy Warhol Foundation via 516 Arts to produce a publication on immigration and art produced in and about the US-Mexico border region. <\/span><\/p>\n

Her short play, <\/span>Haze<\/span><\/i>, had a six-night run at The Vaults theatre in London and her one-woman show, <\/span>Obama & Me<\/span><\/i>, was performed in London, Brussels, and San Francisco to a sold-out audience. She holds an MA in Narrative Nonfiction Writing and, for four years, was a consultant to the European Commission on communicating Freedom of Movement. Much of this experience of living and working in mainland Europe informs her writing. She’s currently working on a collection of interconnected narrative essays called <\/span>African, & Other Curse Words<\/span><\/i>. She is a passionate literacy advocate for those from low-income, marginalised, and vulnerable groups.<\/span><\/p>\n

To find out more about Libreria Ghana, visit <\/span>libreriagh.com\/impact-projects\/<\/span><\/a> or <\/span>follow us on Instagram @libreriagh<\/span><\/a>.<\/span><\/p>\n

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Creative Writing Class at Gem Star School<\/figcaption><\/figure>\n
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Market Akenkan (Market Reading) for the children of Dome Market women<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Sylvia Arthur at Libreria Ghana Sylvia Arthur is a British-Ghanaian narrative nonfiction writer whose work explores identity, diaspora, politics, and place. She lives in Accra where she has turned her vast collection of books into Ghana’s only lending library, Libreria Ghana. Her writing has been published in The Guardian, the BBC, and The British Journalism […]<\/p>\n","protected":false},"author":3,"featured_media":6821,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-6793","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/6793","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=6793"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/6793\/revisions"}],"predecessor-version":[{"id":6822,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/6793\/revisions\/6822"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/6821"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=6793"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=6793"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=6793"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}