{"id":6308,"date":"2018-12-05T21:15:11","date_gmt":"2018-12-05T22:15:11","guid":{"rendered":"http:\/\/thebirthofeverything.com\/authorsite\/chas-ray-krider\/"},"modified":"2018-12-05T23:11:50","modified_gmt":"2018-12-05T23:11:50","slug":"chas-ray-krider","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/chas-ray-krider\/","title":{"rendered":"Chas Ray Krider"},"content":{"rendered":"<p><a href=\"https:\/\/chasraykrider.com\/\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-8575 alignleft\" src=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/12\/chas_krider_by_shively.sm_-1.jpg\" alt=\"\" width=\"244\" height=\"300\" srcset=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/12\/chas_krider_by_shively.sm_-1.jpg 244w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/12\/chas_krider_by_shively.sm_-2.jpg 324w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/12\/chas_krider_by_shively.sm_-3.jpg 696w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/12\/chas_krider_by_shively.sm_-4.jpg 342w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/12\/chas_krider_by_shively.sm_-5.jpg 767w\" sizes=\"auto, (max-width: 244px) 100vw, 244px\" data-recalc-dims=\"1\" \/>Chas Ray Krider&rsquo;s<\/a> photographs are part of a tradition of erotic art that employs exaggeration, mystery and the guilty pleasures of voyeurism. His photographs are about the forms employed in narrative based erotic art.<\/p>\n<p>Chas Ray&rsquo;s work is widely exhibited and published, including three solo book, <a href=\"http:\/\/motelfetish.com\/\"><em>Motel Fetish<\/em><\/a> by TASCHEN in 2002, 2nd edition 2012. and <em>Do Not Disturb<\/em> by La Musardine of Paris, 2007, <em>Dirty Rendezvous<\/em>, Goliath Books, Berlin, 2014. Krider is currently working of a series of self-published books under his banner, I.M.O.S. Editions. Titles: <em>she comes in colors<\/em>, <em>In a White Room<\/em> and <em>Reveries of a Day Dreamer.<\/em><\/p>\n<p>Chas Ray lives in Columbus Ohio with his wife and small dog. You can find him on <a href=\"https:\/\/www.instagram.com\/chasray\/\">Instagram<\/a> as well.<\/p>\n<figure class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-8576 size-large\" src=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/12\/mutual-obsession-Ditacord-27.jpg\" alt=\"\" width=\"640\" height=\"960\" srcset=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/12\/mutual-obsession-Ditacord-27-1.jpg 683w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/12\/mutual-obsession-Ditacord-27-2.jpg 200w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/12\/mutual-obsession-Ditacord-27-3.jpg 696w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/12\/mutual-obsession-Ditacord-27-4.jpg 280w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/12\/mutual-obsession-Ditacord-27-5.jpg 720w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-caption-text\">Motel Fetish image with Dita Von Teese, 1998<\/figcaption><\/figure>\n<figure class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-8577 size-large\" src=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/12\/charlie_rowe_white_room.048bw2.jpg\" alt=\"\" width=\"640\" height=\"981\" srcset=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/12\/charlie_rowe_white_room.048bw2-1.jpg 668w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/12\/charlie_rowe_white_room.048bw2-2.jpg 196w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/12\/charlie_rowe_white_room.048bw2-3.jpg 696w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/12\/charlie_rowe_white_room.048bw2-4.jpg 274w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/12\/charlie_rowe_white_room.048bw2-5.jpg 705w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-caption-text\">PostMotel Fetish period from the series In a White Room, 2016<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Chas Ray Krider&rsquo;s photographs are part of a tradition of erotic art that employs exaggeration, mystery and the guilty pleasures of voyeurism. His photographs are about the forms employed in narrative based erotic art. Chas Ray&rsquo;s work is widely exhibited and published, including three solo book, Motel Fetish by TASCHEN in 2002, 2nd edition 2012. [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":6328,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-6308","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/6308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=6308"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/6308\/revisions"}],"predecessor-version":[{"id":6329,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/6308\/revisions\/6329"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/6328"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=6308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=6308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=6308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}