{"id":4515,"date":"2018-05-02T23:05:16","date_gmt":"2018-05-02T23:05:16","guid":{"rendered":"https:\/\/thebirthofeverything.com\/authorsite\/james-hart-dyke\/"},"modified":"2018-08-20T22:27:20","modified_gmt":"2018-08-20T22:27:20","slug":"james-hart-dyke","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/james-hart-dyke\/","title":{"rendered":"James Hart Dyke"},"content":{"rendered":"

\"\"James Hart Dyke’s<\/a> work is centered on his passion for ‘landscape’, from the domesticity of paintings of country houses to paintings generated from physically demanding expeditions over remote mountains. At present he is working on a group of paintings from a climbing expedition to Patagonia.<\/p>\n

He has also undertaken a series of projects including accompanying HRH The Prince of Wales as the official artist on royal tours, working as ‘artist in residence’ for The British Secret Intelligence Service, working as an artist embedded with the British Forces in war zones, working for the producers of the James Bond films and working as ‘artist in residence’ for Aston Martin.<\/p>\n

James studied at the Royal College of Art, Manchester University and The City & Guilds School of London School of Art.<\/p>\n

Follow him on Instagram<\/a>.<\/p>\n

 <\/p>\n

\"\"
Sketch study of Fitz Roy 2018, acrylic, pencil and chalk on paper 20x15cm<\/figcaption><\/figure>\n
\"\"
Dark on light, Fitz Roy, Patagonia, 2018, oil on canvas, 120x120cm<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

James Hart Dyke’s work is centered on his passion for ‘landscape’, from the domesticity of paintings of country houses to paintings generated from physically demanding expeditions over remote mountains. At present he is working on a group of paintings from a climbing expedition to Patagonia. He has also undertaken a series of projects including accompanying […]<\/p>\n","protected":false},"author":3,"featured_media":4543,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-4515","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/4515","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=4515"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/4515\/revisions"}],"predecessor-version":[{"id":4544,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/4515\/revisions\/4544"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/4543"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=4515"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=4515"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=4515"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}