{"id":3848,"date":"2018-03-15T13:56:43","date_gmt":"2018-03-15T14:56:43","guid":{"rendered":"https:\/\/thebirthofeverything.com\/authorsite\/ellen-harvey-2\/"},"modified":"2018-03-15T13:56:43","modified_gmt":"2018-03-15T14:56:43","slug":"ellen-harvey-2","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/ellen-harvey-2\/","title":{"rendered":"Ellen Harvey"},"content":{"rendered":"
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Photograph: Brooke Williams, 2017<\/figcaption><\/figure>\n

Ellen Harvey<\/a> is a British-born artist living and working in Brooklyn.<\/p>\n

This is the second interview with Ellen, the first interview (part one) is here<\/a>.<\/p>\n

She is a 2016 recipient of a John Simon Guggenheim Memorial Fellowship in the Visual Arts and a graduate of the Whitney Independent Study Program.<\/p>\n

She has exhibited extensively in the U.S. and internationally and was included in the 2008 Whitney Biennial. Solo exhibitions include Metal Painting<\/em> at the Barnes Foundation in Philadelphia, The Unloved<\/em> at the Groeninge Museum in Bruges, Belgium, The Alien’s Guide to the Ruins of Washington DC<\/em> at the Corcoran Gallery of Art in Washington DC, The Nudist Museum<\/em> at the Bass Museum in Miami Beach, Ruins are More Beautiful<\/em> at the Center for Contemporary Art in Warsaw, Poland, Mirror<\/em> at the Pennsylvania Academy in Philadelphia and A Whitney for the Whitney at Philip Morris<\/em> at the Whitney Museum at Altria in New York.  She has completed numerous commissions, including Arcadia<\/em> for the opening exhibition of the Turner Contemporary in Margate, UK and permanent public works for New York Percent for Art, New York Arts in Transit, the Chicago Transit Authority, the Philadelphia International Airport, the Federal Art in Architecture program and the Flemish National Architect.<\/p>\n

Her Belgian project Repeat<\/em>, won the Wivina Demeester Prize for Commissioned Public Art in 2016.  She is currently working on Atlantis<\/em>, a new permanent installation commissioned for the renovation of the Miami Beach Convention Center.  Her work has been the subject of several books including New York Beautification Project<\/em>, published by G. R. Miller & Co. in 2005, Mirror<\/em>, published by the Pennsylvania Academy in 2006, Ellen Harvey: The Unloved<\/em>, published by Hannibal in 2014 and Ellen Harvey: Museum of Failure, <\/em>published by G. R. Miller & Co. in 2015.  She is represented by Danese \/ Corey Gallery in New York, Locks Gallery in Philadelphia, Meessen de Clerq Gallery in Brussels, Belgium and Galerie Gebruder Lehman in Germany.<\/p>\n

This current show at the Children’s Museum of the Arts mentioned in the interview is here<\/a>. And the book mentioned in the interview is here, a click away<\/a>.<\/p>\n

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New York Beautification Project. Ellen Harvey, 1998–2001. Gesso and oil on forty graffiti sites and photographic edition in frames, each painting: 5 x 7″ (12.7 x 17.7 cm), orientation variable. Photograph: Ellen Harvey Studio<\/figcaption><\/figure>\n
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The Irreplaceable Cannot Be Replaced. Ellen Harvey, 2008. Painting 3 of 11 oil paintings on gesso board and thirty framed texts, each painting, board, and text: 16 x 20″ (40.6 x 50.8 cm).<\/figcaption><\/figure>\n
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Exchange Your Luck. Ellen Harvey, 2012. Two sets of seventy-seven bronze charms, Polaroids, swapped items, and two wood shelves, each charm: approx. 1–3″ (2.5–7.6 cm) high; each shelf: 19′ (579 cm) long, acrylic on wall. Edition of charms: 2 plus 2 artist’s proofs. Commissioned by Cosmopolitan of Las Vegas and Art Production Fund. Installation view, Exchange Your Luck, Cosmopolitan of Las Vegas, December 5–23, 2012<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Photograph: Brooke Williams, 2017 Ellen Harvey is a British-born artist living and working in Brooklyn. This is the second interview with Ellen, the first interview (part one) is here. She is a 2016 recipient of a John Simon Guggenheim Memorial Fellowship in the Visual Arts and a graduate of the Whitney Independent Study Program. She has […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-3848","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-interview","7":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/3848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=3848"}],"version-history":[{"count":0,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/3848\/revisions"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=3848"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=3848"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=3848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}