{"id":3745,"date":"2018-03-15T13:46:24","date_gmt":"2018-03-15T14:46:24","guid":{"rendered":"https:\/\/thebirthofeverything.com\/authorsite\/paige-wery\/"},"modified":"2018-08-20T15:24:03","modified_gmt":"2018-08-20T15:24:03","slug":"paige-wery","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/paige-wery\/","title":{"rendered":"Paige Wery"},"content":{"rendered":"

\"\"Paige Wery is the owner and curator of The Good Luck Gallery<\/em><\/a>, the only commercial space in Los Angeles dedicated to showing Self-taught art including Outsider, Folk and Visionary work.<\/p>\n

Before opening The Good Luck Gallery in early 2014, she spent six years as the publisher and advertising director of Artillery<\/em> Magazine<\/em>, a contemporary art print publication based in Los Angeles.<\/p>\n

Paige has served on the board of MOCA Contemporaries<\/em>, the executive board of Art Table’s Southern California <\/em>chapter and on the founding board of the Los Angeles Downtown Art Walk<\/em>.<\/p>\n

\"\"
Artist Willard Hill’s installation of masking tape sculptures at The Good Luck Gallery<\/figcaption><\/figure>\n
\"\"
Artist HelenRae at her first solo show in 2014 age 76 at at The Good Luck Gallery<\/figcaption><\/figure>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Paige Wery is the owner and curator of The Good Luck Gallery, the only commercial space in Los Angeles dedicated to showing Self-taught art including Outsider, Folk and Visionary work. Before opening The Good Luck Gallery in early 2014, she spent six years as the publisher and advertising director of Artillery Magazine, a contemporary art […]<\/p>\n","protected":false},"author":3,"featured_media":3771,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-3745","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/3745","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=3745"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/3745\/revisions"}],"predecessor-version":[{"id":3772,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/3745\/revisions\/3772"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/3771"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=3745"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=3745"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=3745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}