{"id":33122,"date":"2025-07-02T20:49:00","date_gmt":"2025-07-02T20:49:00","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=33122"},"modified":"2025-07-02T21:12:11","modified_gmt":"2025-07-02T21:12:11","slug":"hoda-kashiha","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/hoda-kashiha\/","title":{"rendered":"Hoda Kashiha"},"content":{"rendered":"

\"\"Hoda Kashiha (b.\u202f1986, Tehran, Iran) is a painter whose work fuses humor, fragmented figuration, and political resonance. Trained at the University of Tehran (BFA,\u202f2009) and Boston University (MFA,\u202f2014), she spent several years in the U.S. before returning to Tehran in 2016. Her artistic language combines Persian miniature and pop influences\u2014with digital collage, airbrushed flat shapes, and emotive cartoon references\u2014to probe identity, gender fluidity, and everyday acts of resistance.<\/p>\n

Kashiha\u2019s recent solo exhibitions reflect her international trajectory and evolving visual strategy. In 2021, In Appreciation of Blinking<\/em> at Parallel Circuit in Tehran, followed in 2022 by I\u2019m Here, I\u2019m Not Here<\/em> at Passerelle Centre d\u2019Art Contemporain in Brest. She was presented in Brussels in 2023 with Another World Is Waiting for Us<\/em> at Galerie Nathalie Obadia. Most recently, she held her first New York solo exhibition, The Doubt Between Us Sways Like Hung Mirrored Eyes<\/em> at episode<\/a>, on view from April\u202f12 to June\u202f27,\u202f2025. The show featured new paintings exploring surveillance, intimacy, and the shifting power dynamics between visibility and erasure.<\/p>\n

Her work has been shown in notable venues like Palais de Tokyo, Gagosian & Jeffrey Deitch (Miami Art Week), and Helena Anrather in New York, and has been featured in Artforum<\/em>, Frieze<\/em>, and Art in America<\/em>. She is a recipient of the Joan Mitchell Foundation Grant, MacDowell Colony Fellowship, and Esther B. & Albert S. Kahn Career Entry Award, and her works are held by the Howard Gotlieb Archival Research Center and Commonwealth Hotel collections.<\/p>\n

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Hoda Kashiha, Folding gaze, 2025 Acrylic on canvas 48 x 37.8 inches (122 x 96 cm) Image courtesy of the artist and episode, NY. Photography by Archtechtonic.<\/figcaption><\/figure>\n
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Hoda Kashiha, The hole, 2024 Acrylic on canvas 14 x 18 inches (35.5 x 45.7 cm) 24 x 18 incehs (60.9 x 45.7 cm) Image courtesy of the artist and episode, NY. Photography by Archtechtonic.<\/figcaption><\/figure>\n
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Hoda Kashiha, The nightmare, 2024 Acrylic on canvas 40 x 30 inches (101.6 x 76.2 cm) Image courtesy of the artist and episode, NY. Photography by Archtechtonic.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Hoda Kashiha (b.\u202f1986, Tehran, Iran) is a painter whose work fuses humor, fragmented figuration, and political resonance. Trained at the University of Tehran (BFA,\u202f2009) and Boston University (MFA,\u202f2014), she spent several years in the U.S. before returning to Tehran in 2016. Her artistic language combines Persian miniature and pop influences\u2014with digital collage, airbrushed flat shapes, […]<\/p>\n","protected":false},"author":3,"featured_media":16239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-33122","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/33122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=33122"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/33122\/revisions"}],"predecessor-version":[{"id":33157,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/33122\/revisions\/33157"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/16239"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=33122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=33122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=33122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}