{"id":32970,"date":"2025-06-14T15:13:37","date_gmt":"2025-06-14T15:13:37","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=32970"},"modified":"2025-06-14T16:17:14","modified_gmt":"2025-06-14T16:17:14","slug":"carolina-fusilier","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/carolina-fusilier\/","title":{"rendered":"Carolina Fusilier"},"content":{"rendered":"
\"\"Carolina Fusilier<\/a> (b.1985, Buenos Aires) is a multidisciplinary artist who explores the physicality of technology, notions of non-linear time, and post-human imaginaries at the intersections between organic and mechanical bodies, industrial and domestic settings. Her work takes various forms through moving image, painting, sound, and site-specific projects.<\/div>\n
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Carolina Fusilier lives and works in Oaxaca, Mexico. She studied at the Universidad del Cine in Buenos Aires and completed postgraduate programs at Universidad Torcuato Di Tella (2011), SOMA in Mexico City (2016), and was a guest student at the D\u00fcsseldorf Academy under Rita McBride in 2018.<\/p>\n

Recent solo and duo exhibitions include Imago, Margot Samel, New York, NY (2025); \u00bfC\u00f3mo se escribe muerte al sur?, Museo Anahuacalli, Mexico City, Mexico (2025); Isla El\u00e9ctrica, PEANA, Mexico City, Mexico (2024); Nuit Blanche, Toronto, Canada (2024); Espejo-Espectro, MALBA, Buenos Aires, Argentina (2024); Corrientes Mercuriales, Museo Jumex, Mexico City, Mexico (2023); Clepsidra, Daniela Elbahara Gallery, Mexico City, Mexico (2021); Kitchen with a View, Locust Projects, Miami, FL (2019); and Angel Engines, Natalia Hug, Cologne, Germany (2018).<\/p>\n

Selected group exhibitions include Otr\u2019s Mund\u2019s, curated by Aram Moshayedi and Lena Sol\u00e1 Nogu\u00e9, Museo Tamayo, Mexico City, Mexico (2025);Yendo de la cama al living, curated by Enrique Giner, Sal\u00f3n ACME, Mexico City, Mexico (2025); Breaking up of ice on a river, curated by Lilian Hiob, Margot Samel, New York, NY (2024); Casa Ideal, Proyectos Multiprop\u00f3sito, Mexico City, Mexico (2024); Linhas Tortas, Mendes Wood, S\u00e3o Paulo, Brazil (2023); Hic Sunt Dracones, Deli Gallery, Mexico City, Mexico (2023).<\/p>\n

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Carolina Fusilier, S\u00fabitamente (IMAGO station), 2025, Oil on hexagonal canvas, stainless steel and speaker. Audio by Miko Revereza., 90 1\/2 x 157 1\/2 x 2 in | 230 x 400 x 5 cm. photo by Matthew Sherman<\/figcaption><\/figure>\n
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Carolina Fusilier, Altar II (Imago Lab), 2025 Oil on hexagonal canvas, stainless steel frame 35 3\/8 x 25 5\/8 in | 90 x 65 cm. photo by Matthew Sherman<\/figcaption><\/figure>\n
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Carolina Fusilier, War song II, 2025, Oil on hexagonal canvas, 31 1\/2 x 19 3\/4 in | 80 x 50 cm. photo by Matthew Sherman<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Carolina Fusilier (b.1985, Buenos Aires) is a multidisciplinary artist who explores the physicality of technology, notions of non-linear time, and post-human imaginaries at the intersections between organic and mechanical bodies, industrial and domestic settings. Her work takes various forms through moving image, painting, sound, and site-specific projects. Carolina Fusilier lives and works in Oaxaca, Mexico. […]<\/p>\n","protected":false},"author":3,"featured_media":16239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-32970","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/32970","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=32970"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/32970\/revisions"}],"predecessor-version":[{"id":33011,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/32970\/revisions\/33011"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/16239"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=32970"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=32970"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=32970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}