{"id":32260,"date":"2025-04-14T19:16:28","date_gmt":"2025-04-14T19:16:28","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=32260"},"modified":"2025-04-14T20:14:21","modified_gmt":"2025-04-14T20:14:21","slug":"laurie-sheck","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/laurie-sheck\/","title":{"rendered":"Laurie Sheck"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-15428 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/04\/Laurie-Sheck-6332.sm-3-1-Large.jpeg?resize=273%2C196&amp;ssl=1\" alt=\"\" width=\"273\" height=\"196\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2025\/04\/Laurie-Sheck-6332.sm-3-1-Large-1.jpeg 1024w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2025\/04\/Laurie-Sheck-6332.sm-3-1-Large-2.jpeg 300w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2025\/04\/Laurie-Sheck-6332.sm-3-1-Large-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2025\/04\/Laurie-Sheck-6332.sm-3-1-Large-4.jpeg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2025\/04\/Laurie-Sheck-6332.sm-3-1-Large-5.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2025\/04\/Laurie-Sheck-6332.sm-3-1-Large-6.jpeg 1280w\" sizes=\"(max-width: 273px) 100vw, 273px\" \/>Laurie Sheck\u2019s novel A Monster\u2019s Notes, a reimagining of Mary Shelley\u2019s Frankenstein, \u00a0was long listed for the Dublin Impac International Fiction Prize. Her book of poems, The Willow Grove, was a finalist for the Pulitzer Prize.<\/p>\n<p>Her work has appeared widely in the Paris Review, the New Yorker and elsewhere. She has been a Guggenheim Fellow, a fellow at the Radcliffe Institute for Advanced Study at Harvard, and at the Cullman Center for Scholars and Writers at the New York Public Library. A member of the MFA Creative Writing faculty at the New School, she lives in New York City.<\/p>\n<p>This interview focuses on her new book, <a href=\"https:\/\/www.tupelopress.org\/product\/cyborg-fever\/\"><em>Cyborg Fever.<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.tupelopress.org\/product\/cyborg-fever\/\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-full wp-image-15430\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2025\/04\/cyborgfevercover.png?resize=593%2C882&amp;ssl=1\" alt=\"\" width=\"593\" height=\"882\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2025\/04\/cyborgfevercover-1.png 593w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2025\/04\/cyborgfevercover-2.png 202w\" sizes=\"auto, (max-width: 593px) 100vw, 593px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Laurie Sheck\u2019s novel A Monster\u2019s Notes, a reimagining of Mary Shelley\u2019s Frankenstein, \u00a0was long listed for the Dublin Impac International Fiction Prize. Her book of poems, The Willow Grove, was a finalist for the Pulitzer Prize. Her work has appeared widely in the Paris Review, the New Yorker and elsewhere. She has been a Guggenheim [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":16239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-32260","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/32260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=32260"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/32260\/revisions"}],"predecessor-version":[{"id":32272,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/32260\/revisions\/32272"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/16239"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=32260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=32260"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=32260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}