{"id":31785,"date":"2025-02-21T12:41:20","date_gmt":"2025-02-21T13:41:20","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=31785"},"modified":"2025-02-21T16:10:07","modified_gmt":"2025-02-21T16:10:07","slug":"does-it-seem-unfair","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/does-it-seem-unfair\/","title":{"rendered":"Does It Seem Unfair?"},"content":{"rendered":"<p>\u201cWe hang the petty thieves and appoint the great ones to public office.\u201d Aesop<\/p>\n<p>What does it take to succeed? Is it hard work and persistence? Or is there sometimes a darker motivation to those who rise to a high station? It may seem as though success often comes to those who play dirty \u2013 and in fact there is some research to back up the idea that toxic individuals often achieve success at higher rates. But the flipside is that this success is often short-lived. So carry on doing what you do, block out the noise, and forge ahead.<\/p>\n<p><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/tess-bilhartz\/\" target=\"_blank\" rel=\"noopener\">Tess Bilhartz<\/a> joined us to talk about her show,\u00a0<a href=\"https:\/\/www.deannaevansprojects.com\/tess-bilhartz\" target=\"_blank\" rel=\"noopener\"><em>Now You See Me<\/em><\/a>, running through March 1 at Deanna Evans Projects. The oil on canvas works cover a variety of topics. One work, titled\u00a0<em>Green<\/em>, draws on several sources, including a drawing of the artist\u2019s own torso in a pool. In all of the work in this show, memories, emotions and more haunt ethereal landscapes. To learn more, <a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/tess-bilhartz\/\" target=\"_blank\" rel=\"noopener\">listen to the complete interview<\/a>.<\/p>\n<p><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/irina-lotarevich\/\" target=\"_blank\" rel=\"noopener\">Irina Lotarevich<\/a> chatted about\u00a0<a href=\"https:\/\/www.silkelindner.com\/settings-1\" target=\"_blank\" rel=\"noopener\"><em>Settings<\/em><\/a>, her exhibition at Silke Lindner Gallery that ran through February 8. The title was inspired by looking at sculptural techniques within jewelry settings. Lotarevich scaled up this sculptural device throughout the show. The title is a double entendre, too, of course, also alluding to a place and time. To learn more, <a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/irina-lotarevich\/\" target=\"_blank\" rel=\"noopener\">listen to the complete interview<\/a>.<\/p>\n<p><strong>A Few Words to Keep in Your Pocket.<\/strong><\/p>\n<p>There is a lot to be said for honestly earning your success.<\/p>\n<p><strong>Outings.<\/strong><\/p>\n<p>Join me at <a href=\"https:\/\/www.instagram.com\/reel\/C_nzhnpqBHM\/?utm_source=ig_web_copy_link&amp;igsh=MzRlODBiNWFlZA==\" target=\"_blank\" rel=\"noopener\">Luhring Augustine<\/a> for a group show.<\/p>\n<p>Interviews are <a href=\"https:\/\/www.goodreads.com\/book\/show\/124272.The_Wings_of_the_Dove\" target=\"_blank\" rel=\"noopener\">available on iTunes<\/a> as podcasts, and for Android, please click <a href=\"https:\/\/www.subscribeonandroid.com\/feeds.podcastmirror.com\/interviews-by-brainard\" target=\"_blank\" rel=\"noopener\">here<\/a>. All weekly essay pieces are <a href=\"https:\/\/blog.praxiscenterforaesthetics.com\/resources-for-artists\/\" target=\"_blank\" rel=\"noopener\">here<\/a> in a shareable format. The full archive of interviews is <a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/category\/interviews\/\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p><strong>More Books to Read.<\/strong><\/p>\n<p>Ours is a community of readers. Tell us what books you\u2019re reading now by adding your titles to our reading list <a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/reading\/\">here<\/a>. Praxis user Libby M Gilpatric is reading\u00a0<a href=\"https:\/\/www.goodreads.com\/book\/show\/60965426-the-creative-act\" target=\"_blank\" rel=\"noopener\"><em>The Creative Act: A Way of Being<\/em><\/a> by Rick Rubin.<\/p>\n<p><strong>Opportunities.<\/strong><\/p>\n<p><a href=\"https:\/\/www.watershedceramics.org\/residencies\/salad-days-artist-residency\/\" target=\"_blank\" rel=\"noopener\">Watershed Center\u2019s annual Salad Days<\/a> fundraiser celebrates handmade ceramics and local food. Each year an artist is selected to create 500 shallow plates or bowls that are then taken home by fundraiser guests. To learn more about this unique opportunity, <a href=\"https:\/\/www.watershedceramics.org\/residencies\/salad-days-artist-residency\/\" target=\"_blank\" rel=\"noopener\">visit the website<\/a>. Deadline for residency applications is\u00a0<strong>March 7<\/strong>.<\/p>\n<p>\u00a0<\/p>\n<h6><em>Brainard Carey is an author, artist and educator. He is the director of Praxis Center for Aesthetics and is currently faculty at the School of Visual Arts in NYC. He has written seven books for artists, including <a href=\"https:\/\/www.amazon.com\/dp\/162153765X\/ref=redir_mobile_desktop?_encoding=UTF8&amp;fbclid=IwAR0m2cFPe9xHLHPOV6ZWn4LLIYT6KcNYm6pGmWSxRBQedXbFxe-n82LTyfo&amp;ref_=dp_ob_neva_mobile\" target=\"_blank\" rel=\"noopener\">Making it in the Art World<\/a>. His seventh book, <a href=\"https:\/\/www.amazon.com\/Problem-Art-World-Z-Navigation\/dp\/1621537951\" target=\"_blank\" rel=\"noopener\">The Problems in the Art World: An Artist\u2019s A-Z Action Guide<\/a>, is available now.\u00a0<\/em><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>\u201cWe hang the petty thieves and appoint the great ones to public office.\u201d Aesop What does it take to succeed? Is it hard work and persistence? Or is there sometimes a darker motivation to those who rise to a high station? It may seem as though success often comes to those who play dirty \u2013 [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":20433,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[],"class_list":{"0":"post-31785","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art-career","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/31785","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=31785"}],"version-history":[{"count":1,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/31785\/revisions"}],"predecessor-version":[{"id":31786,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/31785\/revisions\/31786"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/20433"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=31785"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=31785"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=31785"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}