{"id":31674,"date":"2025-02-17T20:00:51","date_gmt":"2025-02-17T21:00:51","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=31674"},"modified":"2025-02-17T21:10:31","modified_gmt":"2025-02-17T21:10:31","slug":"irina-lotarevich","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/irina-lotarevich\/","title":{"rendered":"Irina Lotarevich"},"content":{"rendered":"

\"\"Irina Lotarevich\u2019s (*1991, lives and works in Vienna, Austria) sculptural practice is shaped by the intersection of her own subjective experience with larger systems. The minimal yet complex and specific forms of her sculptures reference architecture, bureaucracy, labor, language, and parts of her body, as well as the production and circulation conditions of the material itself.<\/p>\n

Lotarevich was born in Rybinsk, Russia in 1991 and immigrated to New York City as a child. She studied at Cornell\u00a0University, Hunter College, and the Academy of Fine Arts Vienna. She currently teaches metalworking at the University of Applied Arts Vienna.<\/p>\n

Solo and duo exhibitions include:\u00a0Settings<\/em><\/a>, Silke Lindner, New York City (2025);\u00a0Modular Woman<\/em><\/a>, SOPHIE TAPPEINER, Vienna (2023),\u00a0Refinery<\/a><\/em>, SOPHIE TAPPEINER, Vienna (2020);\u00a0Galvanic Couple<\/em><\/a>, FUTURA Centre for Contemporary Art, Prague,\u00a0Pensive\u00a0State<\/a><\/em>\u00a0a two-person show with Anna Schachinger, SOPHIE TAPPEINER, Vienna (2019);\u00a0Schemas<\/a><\/em>, Kevin Space, Vienna (2017).<\/p>\n

Recently, her work has been included in group shows held at N\/A, organised by Ginny on Frederick, Seoul; Scherben, hosted by Good Weather, Chicago (2024), Belvedere 21, Vienna; Silke Lindner, New York City; Centre d\u2019art contemporain \/ Passages, Troyes\u00a0(2023), HALLE F\u00dcR KUNST, Graz; Salzburger Kunstverein, Salzburg; Kunstverein Bielefeld, Bielefeld; MUMOK, Vienna (2022),\u00a0Museum of Applied Arts, Vienna (2021),\u00a0among others.<\/p>\n

Lotarevich\u2019s work is in the permanent collections of mumok (Museum Moderner Kunst Stiftung Ludwig), Vienna, the Museum der Moderne, Salzburg, and the Vienna Museum.<\/p>\n

\"\"
Compressed Structure, 2025 Brass, patinated steel 8 x 65 1\/2 x 2 1\/2 in | 20.5 x 166.5 x 6.5 cm<\/figcaption><\/figure>\n
\"\"
Housing (Lottery), 2025 Galvanized steel, cast brass, cast aluminum, found chains 64 x 37 1\/2 x 6 1\/2 in | 163 x 95.5 x 16.5 cm<\/figcaption><\/figure>\n
\"\"
Stuffed Cell, 2025 Patinated steel 2 3\/4 x 10 11\/16 x 7 1\/8 in | 7 x 27.5 x 18 cm<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Irina Lotarevich\u2019s (*1991, lives and works in Vienna, Austria) sculptural practice is shaped by the intersection of her own subjective experience with larger systems. The minimal yet complex and specific forms of her sculptures reference architecture, bureaucracy, labor, language, and parts of her body, as well as the production and circulation conditions of the material […]<\/p>\n","protected":false},"author":3,"featured_media":16239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-31674","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/31674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=31674"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/31674\/revisions"}],"predecessor-version":[{"id":31696,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/31674\/revisions\/31696"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/16239"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=31674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=31674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=31674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}