{"id":30918,"date":"2024-12-09T16:28:15","date_gmt":"2024-12-09T17:28:15","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=30918"},"modified":"2024-12-09T18:10:19","modified_gmt":"2024-12-09T18:10:19","slug":"elise-engler","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/elise-engler\/","title":{"rendered":"Elise Engler"},"content":{"rendered":"<p><span class=\"TextRun SCXW199048204 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW199048204 BCX0\"><img data-recalc-dims=\"1\" fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-15126 alignright\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/12\/IMG_1990-2.jpeg?resize=255%2C291&amp;ssl=1\" alt=\"\" width=\"255\" height=\"291\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/12\/IMG_1990-2-1.jpeg 481w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/12\/IMG_1990-2-2.jpeg 263w\" sizes=\"(max-width: 255px) 100vw, 255px\" \/><a href=\"https:\/\/froschandco.com\/eliseengler\">Elise Engler\u2019s art<\/a> ranges from the personal<\/span><span class=\"NormalTextRun SCXW199048204 BCX0\"> t<\/span><span class=\"NormalTextRun SCXW199048204 BCX0\">o the political, to various combinations of those elements. <\/span><\/span><span class=\"TextRun SCXW199048204 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW199048204 BCX0\">Her work consists of meticulous, highly pictorial drawings and paintings that capture and document the material world in all its myriad details. Her projects are<\/span> <span class=\"NormalTextRun SCXW199048204 BCX0\">large in scope, <\/span><span class=\"NormalTextRun SCXW199048204 BCX0\">but<\/span> <span class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW199048204 BCX0\">often <\/span><span class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW199048204 BCX0\">intimate<\/span><span class=\"NormalTextRun SCXW199048204 BCX0\"> in format, and are a narrative investigation of the world seen through its innumerable, but countable, individual components, assembled in suites and series of works.<\/span> <\/span><\/p>\n<p><span class=\"TextRun SCXW199048204 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW199048204 BCX0\">Engler has received a New York Foundation for the Arts Fellowship in drawing, and an Adolph and Esther Gottlieb Foundation grant in painting. She has been the recipient of two MacDowell residencies<\/span><span class=\"NormalTextRun SCXW199048204 BCX0\">, a Yaddo fellowship<\/span><span class=\"NormalTextRun SCXW199048204 BCX0\"> and a fellowship at <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW199048204 BCX0\">Civatella<\/span><span class=\"NormalTextRun SCXW199048204 BCX0\"> Ranieri, In Umbria, Italy. She spent 2 months in Antarctica as an awardee of a National Science Foundation Antarctica Artists and Writers Grant<\/span><span class=\"NormalTextRun SCXW199048204 BCX0\">.<\/span><span class=\"NormalTextRun SCXW199048204 BCX0\"> Her work has been written about in\u00a0<\/span><\/span><span class=\"TextRun SCXW199048204 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\">Art in America, The New Yorker,\u00a0<\/span><span class=\"TextRun SCXW199048204 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\">and<\/span><span class=\"TextRun SCXW199048204 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\">\u00a0The New York Times,<\/span><span class=\"TextRun SCXW199048204 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\">\u00a0among other publications, and she has shown in galleries across the U.S. and in Europe. Her project,\u00a0<\/span><span class=\"TextRun SCXW199048204 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\">A Year on Broadway<\/span><span class=\"TextRun SCXW199048204 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\">, was featured on\u00a0<\/span><span class=\"TextRun SCXW199048204 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\">CBS Sunday Morning<\/span><span class=\"TextRun SCXW199048204 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW199048204 BCX0\">.<\/span><span class=\"NormalTextRun SCXW199048204 BCX0\"> Her <\/span><span class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW199048204 BCX0\">book<\/span><span class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW199048204 BCX0\">, <\/span><\/span><span class=\"TextRun SCXW199048204 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW199048204 BCX0\">A<\/span><span class=\"NormalTextRun SCXW199048204 BCX0\"> Diary of the Plague Year: An Illustrated\u00a0Chronicle of <\/span><span class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW199048204 BCX0\">2020<\/span><\/span><span class=\"TextRun SCXW199048204 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW199048204 BCX0\">, Metropolitan<\/span><span class=\"NormalTextRun SCXW199048204 BCX0\"> Books\/ <\/span><span class=\"NormalTextRun SCXW199048204 BCX0\">Henry Holt\/ <\/span><span class=\"NormalTextRun SCXW199048204 BCX0\">MacMillan<\/span><span class=\"NormalTextRun SCXW199048204 BCX0\">)<\/span><span class=\"NormalTextRun SCXW199048204 BCX0\"> was published in 2022. Engler lives and works in New York City.<\/span><\/span><\/p>\n<figure id=\"attachment_15127\" aria-describedby=\"caption-attachment-15127\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" class=\"wp-image-15127 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/12\/15.-Box-Camera-4.jpeg\" alt=\"\" width=\"696\" height=\"598\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/12\/15.-Box-Camera-1.jpeg 1024w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/12\/15.-Box-Camera-2.jpeg 300w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/12\/15.-Box-Camera-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/12\/15.-Box-Camera-4.jpeg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/12\/15.-Box-Camera-5.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/12\/15.-Box-Camera-6.jpeg 1117w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-15127\" class=\"wp-caption-text\">Box Camera, 2024 Oil on panel, 6 x 7 x 1 1\/2 in 15.2 x 17.8 x 3.8 cm.<\/figcaption><\/figure>\n<figure id=\"attachment_15128\" aria-describedby=\"caption-attachment-15128\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" class=\"wp-image-15128 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/12\/5.-January-6-2021-oil-4.jpeg\" alt=\"\" width=\"696\" height=\"805\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/12\/5.-January-6-2021-oil-1.jpeg 885w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/12\/5.-January-6-2021-oil-2.jpeg 259w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/12\/5.-January-6-2021-oil-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/12\/5.-January-6-2021-oil-4.jpeg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/12\/5.-January-6-2021-oil-5.jpeg 961w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-15128\" class=\"wp-caption-text\">January 6, 2021, 2023 Oil on canvas, 62 x 52 in 157.5 x 132.1 cm<\/figcaption><\/figure>\n<figure id=\"attachment_15129\" aria-describedby=\"caption-attachment-15129\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-15129 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/12\/21.-Homage-to-Florine-Stettheimer-Cathedrals-of-Art_SOLD.jpeg?resize=696%2C795&amp;ssl=1\" alt=\"\" width=\"696\" height=\"795\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/12\/21.-Homage-to-Florine-Stettheimer-Cathedrals-of-Art_SOLD-1.jpeg 897w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/12\/21.-Homage-to-Florine-Stettheimer-Cathedrals-of-Art_SOLD-2.jpeg 263w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/12\/21.-Homage-to-Florine-Stettheimer-Cathedrals-of-Art_SOLD-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/12\/21.-Homage-to-Florine-Stettheimer-Cathedrals-of-Art_SOLD-4.jpeg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/12\/21.-Homage-to-Florine-Stettheimer-Cathedrals-of-Art_SOLD-5.jpeg 961w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-15129\" class=\"wp-caption-text\">Homage to Florine Stettheimer\u2019s Cathedral of Art, 2024 Oil on panel, 5 x 6 x 1 1\/2 in 12.7 x 15.2 x 3.8 cm<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Elise Engler\u2019s art ranges from the personal to the political, to various combinations of those elements. Her work consists of meticulous, highly pictorial drawings and paintings that capture and document the material world in all its myriad details. Her projects are large in scope, but often intimate in format, and are a narrative investigation of [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":16239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-30918","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/30918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=30918"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/30918\/revisions"}],"predecessor-version":[{"id":30942,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/30918\/revisions\/30942"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/16239"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=30918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=30918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=30918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}